The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities.The category of "the literary" has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is skeptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Seth Lerer presents an original take on tradition in the literary imagination. He asks how we can have an unironic, affective relationship to the literary past in an age marked by historical self-consciousness, critical distance, and shifts in cultural literacy. Tradition: A Feeling for the Literary Past ranges through a set of fiction, poetry, and criticism that makes up our inherited traditions and that also confronts the question of a literary canon and its personal and historical meaning. How are we taught to have a felt experience of literary objects? How do we make our personal anthologies of reading to shape social selves? Why should we care about what literature does both to and for us? This book affirms the value of close and nuanced reading for our understanding of both past and present. Its larger goal is to explore the ways in which the literary past makes us, and in the process, how we create canons for reading, teaching, and scholarship. The writers discussed here were all great readers--Dickens and Orwell, Rushdie and Bradbury, Dickinson and Frost, Anne Bradstreet and Gjertrud Schnackenberg, Chaucer, Dante, Virgil--they all built their literary structures on the scaffold of their bookshelves. Lerer demonstrates how reading the past generates the literary present, and imagines our literate future.

Tradition: A Feeling for the Literary Past: The Literary Agenda

Literature & Fiction

Lerer, Seth

History & Criticism

Oxford University Press

Error and the Academic Self

How and why did the academic style of writing, with its emphasis on criticism and correctness, develop? Seth Lerer suggests that the answer lies in medieval and Renaissance philology and, more specifically, in mistakes. For Lerer, erring is not simply being wrong, but being errant, and this book illuminates the wanderings of exiles, émigrés, dissenters, and the socially estranged as they helped form the modern university disciplines of philology and rhetoric, literary criticism, and literary theory. Examining a diverse group that includes Thomas More, Stephen Greenblatt, George Hickes, Seamus Heaney, George Eliot, and Paul de Man, Error and the Academic Self argues that this critical abstraction from society and retreat into ivory towers allowed estranged individuals to gain both a sense of private worth and the public legitimacy of a professional identity.

British & Irish

Columbia University Press

How and why did the academic style of writing, with its emphasis on criticism and correctness, develop? Seth Lerer suggests that the answer lies in medieval and Renaissance philology and, more specifically, in mistakes. For Lerer, erring is not simply being wrong, but being errant, and this book illuminates the wanderings of exiles, émigrés, dissenters, and the socially estranged as they helped form the modern university disciplines of philology and rhetoric, literary criticism, and literary theory. Examining a diverse group that includes Thomas More, Stephen Greenblatt, George Hickes, Seamus Heaney, George Eliot, and Paul de Man, Error and the Academic Self argues that this critical abstraction from society and retreat into ivory towers allowed estranged individuals to gain both a sense of private worth and the public legitimacy of a professional identity.

Why is there such a striking difference between English spelling and English pronunciation? How did our seemingly relatively simple grammar rules develop? What are the origins of regional dialect, literary language, and everyday speech, and what do they have to do with you? Seth Lerer's Inventing English is a masterful, engaging history of the English language from the age of Beowulf to the rap of Eminem. Many have written about the evolution of our grammar, pronunciation, and vocabulary, but only Lerer situates these developments in the larger history of English, America, and literature. Lerer begins in the seventh century with the poet Caedmon learning to sing what would become the earliest poem in English. He then looks at the medieval scribes and poets who gave shape to Middle English. He finds the traces of the Great Vowel Shift in the spelling choices of letter writers of the fifteenth century and explores the achievements of Samuel Johnson's Dictionary of 1755 and The Oxford English Dictionary of the late nineteenth and early twentieth centuries. He describes the differences between English and American usage and, through the example of Mark Twain, the link between regional dialect and race, class, and gender. Finally, he muses on the ways in which contact with foreign languages, popular culture, advertising, the Internet, and e-mail continue to shape English for future generations. Each concise chapter illuminates a moment of invention-a time when people discovered a new form of expression or changed the way they spoke or wrote. In conclusion, Lerer wonders whether globalization and technology have turned English into a world language and reflects on what has been preserved and what has been lost. A unique blend of historical and personal narrative, Inventing English is the surprising tale of a language that is as dynamic as the people to whom it belongs.

Inventing English: A Portable History of the Language

Seth Lerer tells a masterful history of the English language from the age of Beowulf to the rap of Eminem. Many have written about the evolution of grammar, pronunciation, and vocabulary, but only Lerer situates these developments within the larger history of English, America, and literature. This edition features a new chapter on the influence of biblical translation and an epilogue on the relationship of English speech to writing. A unique blend of historical and personal narrative, Inventing English is the surprising tale of a language that is as dynamic as the people to whom it belongs.

Inventing English: A Portable History of the Language, revised and expanded edition

Why is there such a striking difference between English spelling and English pronunciation? How did our seemingly relatively simple grammar rules develop? What are the origins of regional dialect, literary language, and everyday speech, and what do they have to do with you? Seth Lerer's Inventing English is a masterful, engaging history of the English language from the age of Beowulf to the rap of Eminem. Many have written about the evolution of our grammar, pronunciation, and vocabulary, but only Lerer situates these developments in the larger history of English, America, and literature. Lerer begins in the seventh century with the poet Caedmon learning to sing what would become the earliest poem in English. He then looks at the medieval scribes and poets who gave shape to Middle English. He finds the traces of the Great Vowel Shift in the spelling choices of letter writers of the fifteenth century and explores the achievements of Samuel Johnson's Dictionary of 1755 and The Oxford English Dictionary of the late nineteenth and early twentieth centuries.He describes the differences between English and American usage and, through the example of Mark Twain, the link between regional dialect and race, class, and gender. Finally, he muses on the ways in which contact with foreign languages, popular culture, advertising, the Internet, and e-mail continue to shape English for future generations. Each concise chapter illuminates a moment of invention-a time when people discovered a new form of expression or changed the way they spoke or wrote. In conclusion, Lerer wonders whether globalization and technology have turned English into a world language and reflects on what has been preserved and what has been lost. A unique blend of historical and personal narrative, Inventing English is the surprising tale of a language that is as dynamic as the people to whom it belongs.

History

Asia

COLUMBIA UNIV^PRESS

This revisionary study of the origins of courtly literature reveals the culture of spectatorship and voyeurism that shaped early Tudor English literary life. Through new research into the reception of Chaucer's Troilus and Criseyde, it demonstrates how Pandarus became the model of the early modern courtier. In close readings of early Tudor poetry, court drama, letters, manuscript anthologies and printed books, Seth Lerer illuminates a "Pandaric" world of displayed bodies, surreptitious letters, and transgressive performances.

Courtly Letters in the Age of Henry VIII: Literary Culture and the Arts of Deceit (Cambridge Studies in Renaissance Literature and Culture, Series Number 18)

Cambridge University Press

Challenging the view that the fifteenth century was the "Drab Age" of English literary history, Seth Lerer seeks to recover the late-medieval literary system that defined the canon of Chaucer's work and the canonical approaches to its understanding. Lerer shows how the poets, scribes, and printers of the period constructed Chaucer as the "poet laureate" and "father" of English verse. Chaucer appears throughout the fifteenth century as an adviser to kings and master of technique, and Lerer reveals the patterns of subjection, childishness, and inability that characterize the stance of Chaucer's imitators and his readers. In figures from the Canterbury Tales such as the abused Clerk, the boyish Squire, and the infantilized narrator of the "Tale of Sir Thopas," in the excuse-ridden narrator of Troilus and Criseyde, and in Chaucer's cursed Adam Scriveyn, the poet's inheritors found their oppressed personae. Through close readings of poetry from Lydgate to Skelton, detailed analysis of manuscript anthologies and early printed books, and inquiries into the political environments and the social contexts of bookmaking, Lerer charts the construction of a Chaucer unassailable in rhetorical prowess and political sanction, a Chaucer aureate and laureate.

Chaucer and His Readers

Princeton University Press

See the best price to sell, buy, or rent books by Lerer, Seth. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Lerer, Seth

See the best price to sell, buy, or rent books by Lerer, Seth. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Tradition: A Feeling for the Literary Past: The Literary Agenda

Error and the Academic Self

Error and the Academic Self

Inventing English: A Portable History of the Language

Inventing English: A Portable History of the Language, revised and expanded edition

Inventing English: A Portable History of the Language

Inventing English: A Portable History of the Language

Courtly Letters in the Age of Henry VIII: Literary Culture and the Arts of Deceit (Cambridge Studies in Renaissance Literature and Culture, Series Number 18)

Courtly Letters in the Age of Henry VIII: Literary Culture and the Arts of Deceit (Cambridge Studies in Renaissance Literature and Culture, Series Number 18)

Chaucer and His Readers