Atlantic Canada is enjoying a renaissance unknown since the days of Alden Nowlan, Milton Acorn, and John Thompson. Coastlines: The Poetry of Atlantic Canada features work by 60 of the region's finest poets in a volume that will whet appetites for more. The earlier poetry renaissance began in 1945, with the establishment of The Fiddlehead magazine. In this new volume, the present Fiddlehead editor Ross Leckie, and his collaborators Ann Compton, Laurence Hutchman, and Robin McGrath, showcase the lasting effects of that earlier renaissance and confidently forecast that the newest generation of Atlantic poets will help to make poetry a pre-eminent literary form in Canada once again. Coastlines provides expansive reading pleasure because of the astonishing range of poetic intelligences it represents and the myriad ways poets find to work and rework the topography of Atlantic culture and landscape. The earliest poems in the anthology were written in the 1950s by the acknowledged greats — Acorn, Nowlan, and Thompson — and by Alfred Bailey, Elizabeth Bishop, and Charles Bruce. The collection also features work by senior poets such as Kay Smith, M. Travis Lane, Fred Cogswell, and Douglas Lochhead, and mid-career poets such as Elisabeth Harvor, Harry Thurston, and John Steffler. Poets of the post-1995 renaissance include Anne Simpson, Sue Sinclair, Michael Crummey, and George Elliott Clarke, who won the 2001 Governor General's Award; Lynn Davies, Sue Goyette, and Carole Langille have all been recent finalists, and both Brian Bartlett and matt robinson have won the Petra Kenney Memorial International Poetry Prize. The newest voices in Coastlines belong to Tammy Armstrong and Geoff Cook, whose work was selected from manuscripts published in 2002.

Coastlines: The Poetry of Atlantic Canada

Literature & Fiction

Nowlan, Alden

Lane, M. Travis

Poetry

Goose Lane Editions

Poems 1968-1972

Fiddlehead Poetry Books

Homecomings: Narrative poems (Fiddlehead poetry book)

The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of “home” in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lane’s poems exhibit impressive range and variety―long poems, short lyrics, serial poems, poems inspired by visual art―and are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with respect to ecological crises and war; her poetic attention fixes unwaveringly on the smallest pebble on the coast of Fundy but is equally attuned to global patterns of destructive domination.   In her introduction “As Opportunity for Grace, This Life May Serve”, editor Jeanette Lynes discusses how Lane’s poetry integrates an ecopoetic vision with explorations of the artist’s task of mapping her world. Lane’s afterword reinforces her sense of the poet’s project as a form of mystical play, a search for patterns in the “unified disunities” of all things.

The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane (Laurier Poetry)

Biographies & Memoirs

Arts & Literature

Wilfrid Laurier University Press

M. Travis Lane’s poetry has always been diverse: variously serious, silly, melancholy, cheerful, meditative, witty, philosophical, enigmatic, colloquial, intimate, simple, complex. Asked “What kind of poetry do you write? What do you write about?”, she has replied, accurately, “all kinds” and “anything” — calling her collections “eclectic miscellanies” and refusing to be nailed down by the critics’ need for tidiness. She shifts easily from lyric to monologue to epigram to song to riddle, drawing inspiration equally from the natural world and the world of art and imagination. Though her concerns are often feminist, environmental, civic, and political, her poems transcend such labels. And no matter what form an individual poem takes, there is something in the voice that makes it instantly recognizable as hers: a distinctive musical cadence, a groundedness in nature (nature not just appreciated but intimately observed, known, named), an immediacy of thought and emotion, a compassionate humanity, a questioning spirit. Crossover, Lane’s fifteenth collection, is a continuation of one poet’s exploration of the world and of her inner world, shared with us in the conviction that the spaces we inhabit overlap and connect.

Crossover

Cormorant Books

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Books by Lane, M. Travis