A dramatic adaptation of the fairy tale in which Rumpelstiltskin spins straw into gold for the miller's daughter and tries to extract a terrible price.

Rumpelstiltskin (Wondrawhopper)

Landes, William-Alan

Children's Books

Players Pr

A dramatic adaptation of the Baum story featuring Dorothy, Tinman, Scarecrow, and the Cowardly Lion.

The Wizard of Oz (Wondrawhopper)

Literature & Fiction

Baum., L. Frank

Standish, Marilyn

Dramas & Plays

<p>A meticulously selected collection of very different and important female monologues. Each piece offering, in a moment, an in-depth exposure of the special characterizations attributable only to 'women.' The material is ideal for auditioning, acting practice and improving theatrical, verbal and communicational skills. The focus of each monologue is on life's intense moments, whether comic or dramatic, and the significance of personal resolutions. Included is a guide to preparing and developing a monologue, as well as specific and detailed introductions for each. The material was selected for a maximum of presentational qualities and minimal props, sets, and costumes.</p>

Performance One: Monologues for Women

Arts & Photography

Performing Arts

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Widowers Houses

SHAW, BERNARD

Parenting & Relationships

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: ACT III The Clandons' sitting room in the hotel. An expensive apartment on the ground floor, with a French window leading to the gardens. In the centre of the room is a substantial table, surrounded by chairs, and draped with a maroon cloth on which opulently bound hotel and railway guides are displayed. A visitor entering through the window and coming down to this central table would have the fireplace on his left, and a writing table against the wall on his right, next the door, which is further down. He would, if his taste lay that way, admire the wall decoration of Lincrusta Walton in plum color and bronze lacquer, with dado and cornice; the ormolu consoles in the corners; the vases on pillar pedestals of veined marble with bases of polished black wood, one on each side of the window; the ornamental cabinet next the vase on the side nearest the fireplace, its centre compartment closed by an inlaid door, and its corners rounded off with curved panes of glass protecting shelves of cheap blue and white pottery; the bamboo tea table, with folding shelves, in the corresponding space on the other side of the window; the pictures of ocean steamers and Landseer' 2 dogs; the saddle bag ottoman in line with the door but on the other side of the room; the two comfortable seats of the same pattern on the hearthrug; and finally, on turning round and looking up, the massive brass pole above the window, sustaining a pair of maroon rep curtains with decorated borders of staid green. Altogether, a room well arranged to flatter the occupant's sense of importance, and reconcile him to a charge of a pound a day for its use. Mrs. Clandon sits at the writing table, correcting proofs. Gloria is standing at the window, looking out in a tormented revery. The clock on the mantelpiece strikes J...

You Never Can Tell

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues.    When King Agamemnon returns from the Trojan War with his new concubine, Cassandra, his wife Clytemnestra (who has taken  Agamemnon's cousin Aegisthus as a lover) kills them. Clytemnestra believes the murder was justified, since Agamemnon had sacrificed their daughter Iphigenia before the war, as commanded by the gods. Electra, daughter of Agamemnon and Clytemnestra, rescued her young, twin brother Orestes from her mother by sending him to  Strophius of Phocis. The play begins years later when Orestes has  returned as a grown man with a plot for revenge, as well as to claim the throne.  Orestes arrives with his friend Pylades, son of Strophius, and a  pedagogue, i.e. tutor (an old attendant of Orestes, who took him from Electra to Strophius). Their plan is to have the tutor announce that Orestes has died in a chariot accident, and that two men (really  Orestes and Pylades) are arriving shortly to deliver an urn with his  remains.  Electra laments over her father, first on her own, then (in lyrics) with the newly-arrived chorus. She bitterly argues first with her sister Chrysothemis over her accommodation with her father's killers, and then with her mother over her father's murder. Her only hope is that one day her brother will return to avenge him. When the messenger arrives with news of the death of Orestes, Clytemnestra is relieved to hear it. Electra however is devastated. Chrysothemis then enters: she has seen some offerings at the tomb of Agamemnon and (correctly) concludes that Orestes has returned. Electra dismisses her arguments, sure that Orestes is now dead. She suddenly turns to her sister with a proposal to kill Aegisthus, but Chrysothemis refuses to help, pointing out the impracticability of the plan.  After a choral ode Orestes arrives, carrying the urn supposedly containing his ashes. He does not recognize Electra, nor she him. He gives her the urn and she delivers a moving lament over it, unaware that her brother is in fact standing alive next to her. Now realizing the truth, Orestes reveals his identity to his emotional sister. She is overjoyed that he is alive, but in their excitement they nearly reveal his identity, and the tutor comes out from the palace to urge them on. Orestes and Pylades enter the house and slay his mother Clytemnestra. As Aegisthus returns home, they quickly put her corpse under a sheet and present it to him as the body of Orestes. He lifts the veil to discover who it really is, and Orestes then reveals himself. They escort Aegisthus off set to be killed at the hearth, the same location Agamemnon was slain. The play ends here, before the death of Aegisthus is announced.

Electra

SOPHOCLES

Heary, E. A.

Androcles And The Lion (Large Print) By Bernard Shaw

Androcles and the Lion

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

The Frogs

Aristophanes

The School for Scandal

SHERIDAN, RICHARD BRINSLEY

The Clouds: By Aristophanes ; Translated by S.H. Landes ; Edited and Introduction by William-Alan Landes

Landes, S. H.

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