A revolutionary look at the profound impact of Mexico and its culture on the development of American modernism In the years between the two world wars, the enormous vogue of "things Mexican" reached its peak. Along with the popular appeal of its folkloric and pictorialist traditions, Mexican culture played a significant role in the formation of modernism in the United States. Mexico and American Modernism analyzes the complex social, intellectual, and artistic ramifications of interactions between avant-garde American artists and Mexico during this critical period.
In this insightful book, Ellen G. Landau looks beyond the well-known European influences on modernism. Instead, she probes the lesser-known yet powerful connections to Mexico and Mexican art that can be seen in the work of four acclaimed mid-century American artists: Philip Guston (1913–1980), Robert Motherwell (1915–1991), Isamu Noguchi (1904–1988), and Jackson Pollock (1912–1956). Landau details how these artists' relationships with the Mexican muralists, expatriate Surrealists, and leftist political activists of the 1930s and 1940s affected the direction of their art. Her analysis of this aesthetic cross-fertilization provides an important new framework for understanding the emergence of Abstract Expressionism and the New York School as a whole.

Mexico and American Modernism

Arts & Photography

Landau, Ellen G.

History & Criticism

Yale University Press

"Is Jackson Pollock the greatest living painter in the United States?" Life magazine asked in 1949. Pollock's large, bold canvases revolutionized the world of art; more than 100 are reproduced here in full color to capture the brilliance of his palette, and six gatefolds show his vast horizontal works without distortion.

Jackson Pollock

History

Abrams

This book locates the man and the artist in the continuum of his times, recreating the social and cultural milieu of New York in the 1940s and 1950s. Pollock's early years are chronicled, from his birth in the Wild West town of Cody, Wyoming, in 1912, through his prophetically troubled school years, marked by repeated expulsions, to his arrival in New York and periods of rewarding study with Thomas Hart Benton, David Alfaro Siqueiros, and Stanley William Hayter.With extensive knowledge of Pollock's habits (much of it gained through interviews), of his reading, his conversation, the exhibitions he visited, the author retraces many of the far-flung sources of Pollock's work - African sculpture; North American totems; the Mexican gods of Siqueiros, Orozco, and Tamayo; arcane texts favored by the Surrealists; Egyptian necrology. A wealth of comparative photographs, illustrating paintings by artists Pollock admired, further explains his work

JACKSON POLLOCK (PAPERBACK) /ANGLAIS

Thames&Hudson

Is Jackson Pollock the greatest living painter in the United States? Life magazine asked in 1949. Pollock's large, bold canvases revolutionized the world of art; more than 100 are reproduced here in full color to capture the brilliance of his palette, and six gatefolds show his vast horizontal works without distortion.

Harry N.Abrams, Inc.

This book locates the man and the artist in the continuum of his times, recreating the social and cultural milieu of New York in the 1940s and 1950s. Pollock's early years are chronicled, from his birth in the Wild West town of Cody, Wyoming, in 1912, through his prophetically troubled school years, marked by repeated expulsions, to his arrival in New York and periods of rewarding study with Thomas Hart Benton, David Alfaro Siqueiros, and Stanley William Hayter. With extensive knowledge of Pollock's habits (much of it gained through interviews), of his reading, his conversation, the exhibitions he visited, the author retraces many of the far-flung sources of Pollock's work - African sculpture; North American totems; the Mexican gods of Siqueiros, Orozco, and Tamayo; arcane texts favored by the Surrealists; Egyptian necrology. A wealth of comparative photographs, illustrating paintings by artists Pollock admired, further explains his work

Harry N. Abrams

How did Jackson Pollock become a cult figure for the Beat Generation? And what caused his reputation to continue to soar? This compelling and original Abrams classic, now back in print, locates the artist in the continuum of his times, recreating the social and cultural milieu of New York in the 1940s and 1950s. With extensive knowledge of Pollock’s habits (much of it gained through interviews), his reading, his conversation, and the exhibitions he visited, the author retraces many of the far-flung sources of Pollock’s work. A wealth of comparative photographs that illustrate paintings by artists Pollock admired further explains the work of this complex, tragic, and immeasurably influential figure. Pollock’s big, bold canvases are reproduced in five colors to convey the brilliance of his network of tones, his aluminum paint, and his sparkling collage materials. Six gatefolds show his vast horizontal works without distortion and a chronology provides a summary of the major events of Pollock’s life.

"A remarkably fresh look at Pollock's life and work." -Publishers Weekly Ellen G. Landau's compelling and original book, now published in an affordable paperback edition, covers the life and work of this complex, tragic, and immeasurably influential figure in modern art. More than 100 of Pollock's big, bold canvases are reproduced in glorious color, including six gatefolds that show his vast horizontal works without distortion. Every lover of American art, every lover of great art, will enjoy this gorgeous volume, the definitive work on a painter who revolutionized the world of art.

Jackson Pollock's (1912–1956) first large-scale painting, Mural, in many ways represents the birth of Pollock, the legend. The controversial artist’s creation of this painting has been recounted in dozens of books and dramatized in the Oscar-winning film Pollock. Rumors―such as it was painted in one alcohol-fueled night and at first didn’t fit the intended space―abound. But never in doubt was that the creation of the painting was pivotal, not only for Pollock but for the Abstract Expressionists who would follow his radical conception of art ―“no limits, just edges.” Mural, painted in 1943, was Pollock’s first major commission. It was made for the entrance hall of the Manhattan duplex of Peggy Guggenheim, who donated it to the University of Iowa in the 1950s where it stayed until its 2012 arrival for conservation and study at the Getty Center. This book unveils the findings of that examination, providing a more complete picture of Pollock’s process than ever before. It includes an essay by eminent Pollock scholar Ellen Landau and an introduction by comedian Steve Martin. It accompanies an exhibition of the painting on view at the J. Paul Getty Museum from March 11 through June 1, 2014.

Jackson Pollock’s Mural: The Transitional Moment

Martin,Steve

Szafran, Yvonne

Rivers, Laura

Phenix, Alan

Learner, Thomas

J.paul Getty Museum

This magnificent publication presents surveys the vital role of women in the development of Abstract Expressionism by looking at more than 50 paintings, collages, and sculptures all accompanied by carefully selected quotes from the artists themselves. 
The dominant movement of the New York and San Francisco art scenes of the mid-20th century, Abstract Expressionism is celebrated as the first development in American art to gain international status. The movement is synonymous with the work of Jackson Pollock, Mark Rothko, and Willem de Kooning, but also belonging to this generation who changed the course of modern art were numerous female artists; only in recent years have their contributions received the recognition they deserve. The remarkable women in this exciting new book - among them Perle Fine, Helen Frankenthaler, Sonia Gechtoff, Lee Krasner, and Joan Mitchell - studied at the same art schools as the men, exhibited at the same galleries, and were part of the same social scene. But their work was not shown and reviewed as widely or considered as valuable as that of the men. 
This beautiful book presents the works of the Levett Collection, an unparalleled private collection of paintings, drawings, and sculpture by women Abstract Expressionists. Richly illustrated essays by the scholars Ellen G. Landau and Joan M. Marter, leading authorities on the subject, consider, respectively, the vital role of women in the development of Abstract Expressionism and the work of women sculptors of the movement. Full of exuberant, explosive color and densely layered expression, the main part of the book is devoted to more than 50 paintings, collages, and sculptures, all accompanied by pertinent quotes from the women about their artistic practice and concerns. 
An illustrated timeline and 35 artist biographies provide further insight, making this volume an essential addition to the study of Abstract Expressionist women, innovators in their own right, whose time in the art-historical spotlight has finally come.

Abstract Expressionists: The Women

Marter, Joan M.

Merrell Publishers

See the best price to sell, buy, or rent books by Landau, Ellen G.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Landau, Ellen G.

See the best price to sell, buy, or rent books by Landau, Ellen G.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Mexico and American Modernism

Jackson Pollock

JACKSON POLLOCK (PAPERBACK) /ANGLAIS

Jackson Pollock

Jackson Pollock

Jackson Pollock

Jackson Pollock

Jackson Pollock’s Mural: The Transitional Moment

Abstract Expressionists: The Women