Teaching is a sacred profession to which you have been called. But sometimes you feel burned out: the relentless pace, the overload of classes, the grading, the advising, the additional committee work. Drawing on more than twenty years of teaching experience, Christina Bieber Lake writes to encourage you to rediscover your passion for your profession, to help you move from surviving to thriving, and to remind you why you chose this vocational path. Creatively structured around the typical rhythms of the academic calendar, this book offers refreshing and practiced advice about how to flourish in the midst of the teaching life. Lake also takes on several pressing questions: <ul><li>How do I balance work and family time?</li><li>Where do I fit in time for my research and writing?</li><li>What particular challenges do female faculty face, and how should they navigate them?</li></ul>Remind yourself why you teach. Rediscover your passion for this vocation.

The Flourishing Teacher: Vocational Renewal for a Sacred Profession

Self-Help

Lake, Christina Bieber

Success

IVP Academic

The Incarnational Art of Flannery O'Connor argues that O'Connor designed a unique asthetic to defy the Gnostic dualisms that characterize American intellectual and spiritual life. Focusing on stories with artist figures, objets d'art, child protagonists, and embodied images, Lake describes how O'Connor's fiction actively resisted romantic theories of the imagination and religious life by highlighting the epistemological necessity of the body. Ultimately O'Connor challenges the romantic and modern notion of the artist as a fire-stealing Prometheus and replaces it with a notion of the artist as a locally committed craftsman. Drawing upon M. M. Bakhtin's early essays in Art and Answerability and Toward a Philosophy of the Act, Lake illustrates O'Connor's conviction that art deliberately assigns the highest value of transcendental beauty to those beings least valued by the modern world, and challenges us to do the same. The book culminates with an original reading of Parker's Back that shows how in art, as in life, true knowledge comes to us through our own grotesque bodies and those of others. Unafraid of the mystery of being human, art can be the place where we encounter anew the world as more than what the intellect can unravel.

The Incarnational Art Of Flannery O'connor (Flannery O'connor Series)

Literature & Fiction

History & Criticism

Mercer Univ Pr

THE INCARNATIONAL ART OF FLANNERY O'CONNOR argues that O'Connor designed a unique asthetic to defy the Gnostic dualisms that characterize American intellectual and spiritual life. Focusing on stories with artist figures, objets d'art, child protagonists, and embodied images, Lake describes how O'Connor's fiction actively resists romantic theories of the imagination and religious life by highlighting the epistemological necessity of the body. Ultimately O'Connor challenges the romantic and modern notion of the artist as a fire-stealing Prometheus and replaces it with a notion of the artist as a locally committed craftsman. Drawing upon M. M. Bakhtin's early essays in ART AND ANSWERABILITY and TOWARD A PHILOSOPHY OF THE ACT, Lake illustrates O'Connor's conviction that art deliberately assigns the highest value of transcendental beauty to those beings least valued by the modern world, and challenges us to do the same. The book culminates with an original reading of "Parker's Back" that shows how in art, as in life, true knowledge comes to us through our own grotesque bodies and those of others. Unafraid of the mystery of being human, art can be the place where we encounter anew the world as more than what the intellect can unravel.

The Incarnational Art of Flannery O'Connor

Mercer University Press

When an author of fiction employs the imagination and sets characters in a new location, they are in a sense creating a world. Might such fictional worlds give us a deeper appreciation for our own? 
Many readers have found themselves, like the Pevensie children, transported by C. S. Lewis into Narnia, and they have traveled from Lantern Waste to Cair Paravel and the edge of the sea. Thanks to J. R. R. Tolkien, readers have also journeyed with Bilbo, Frodo, and their companions across Middle-earth from the Shire to the Lonely Mountain, the forest of Mirkwood, the mines of Moria, and the very fires of Mount Doom. But as often as we enter these fictional worlds as readers, we eventually return to our world refreshed with sharpened insight. 
In The Wonders of Creation, biologist Kristen Page explores the beloved fictional landscapes of Narnia and Middle-earth in order to discover what we might learn about real-life landscapes and how to become better stewards of God's good creation. 
Based on the annual lecture series hosted at Wheaton College's Marion E. Wade Center, volumes in the Hansen Lectureship Series reflect on the imaginative work and lasting influence of seven British authors: Owen Barfield, G. K. Chesterton, C. S. Lewis, George MacDonald, Dorothy L. Sayers, J. R. R. Tolkien, and Charles Williams.

The Wonders of Creation: Learning Stewardship from Narnia and Middle-Earth (Hansen Lectureship Series)

Toly, Noah J.

McGowin, Emily Hunter

Page, Kristen

Religion & Spirituality

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Books by Lake, Christina Bieber