Your Friends & Neighbors is a searing display of the war between the sexes, delivered with the kind of wit used by the great Restoration playwrights to expose the hypocrisies in male/female relationships.Neil Labute's debut feature, in the company of men, was described by Variety as "a dark, probing, truly disturbing exploration of yuppie angst and male anxieties". In Your Friends & Neighbors, male anxiety is again on show, but in a much wider context, revealing the rabid desire of people-regardless of sex- to serve their own interests at any cost.

Your Friends and Neighbors: A Screenplay

Humor & Entertainment

LaBute, Neil

Movies

Farrar. Straus and Giroux

In the company of men is a black comedy about a psychological love triangle set within 1990s corporate culture. The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

In the Company of Men

Faber&Faber

With the success of has first two films, In The Company of Men and Your Friends and Neighbors, writer-director Neil LaBute has been hailed as a first-rate dramatic talent with a caustic wit reminiscent of Stanley Kubrick basic collection of three stunning one-act plays that mark LaBute's return to the New York stage after ten years -- forms a trio of unforgettable personal accounts: in Medea Redux, a woman cells of her complex and ultimately tragic relationship with her grade school English teacher: in Iphigenia in Orem, a Utah businessman confides in a stranger in a Las Vegas hotel room, confessing a most chilling crime; and in A Gaggle of Saints, a young Mormon couple separately recounts the violent events of an anniversary weekend in New York City. All three are unblinking portraits of the complexities of evil in everyday life, exhibiting this writer-director's raw lyrical intensity.

Bash Latterday Plays

Literature & Fiction

Dramas & Plays

Faber Faber Ltd

"Sitting in an automobile was where I first remember understanding how drama works...Hidden in the back seat of a sedan, I quickly realized how deep the chasm or intense the claustrophobia could be inside your average family car." --Neil LaBute
Be it the medium for clandestine couplings, arguments, shelter, or ultimately transportation, the automobile is perhaps the most authentically American of spaces. In Autobahn, Neil LaBute's provocative new collection of one-act plays set within the confines of the front seat, the playwright employs his signature plaintive insight to great effect, investigating the inchoate apprehension that surrounds the steering wheel. Each of these seven brief vignettes explore the ethos of perception and relationship--from a make-out session gone awry to a kidnapping thinly disguised as a road trip, a reconnaissance mission involving the rescue of a Nintendo 64 to a daughter's long ride home after her release from rehab. The result is an unsettling montage that gradually reveals the scabrous force of words left unsaid while illuminating the delicate interplay between intention and morality, capturing the essence of middle America and the myriad paths which cross its surface.

Autobahn: A Short-Play Cycle

Set on September 12, 2001, The Mercy Seat continues Neil LaBute's unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness?

The Mercy Seat: A Play

Cow. Slob. Pig. How many insults can you hear before you have to stand up and defend the woman you love? Tom faces just that question when he falls for Helen, a bright, funny, sexy young woman who happens to be plus sized-and then some. Forced to explain his new relationship to his shallow (although shockingly funny) friends, finally he comes to terms with his own preconceptions of the importance of conventional good looks. Neil LaBute's sharply drawn play not only critiques our slavish adherence to Hollywood ideals of beauty but boldy questions our own ability to change what we dislike about ourselves.

Fat Pig: A Play

Belinda and Cody Phipps appear a typical Midwestern couple: teenage sweethearts, children, luxurious home. Typical except that Cody is black--"rich, black, and different," in the words of Belinda, who finds herself attracted to a former (white) classmate. As the battle for her affections is waged, Belinda and Cody frankly doubt the foundation of their initial attraction, opening the door wide to a swath of bigotry and betrayal. Staged on continually shifting moral ground that challenges our received notions about gender, ethnicity, and even love itself, This Is How It Goes unblinkingly explores the myriad ways in which the wild card of race is played by both black and white in America.

This Is How It Goes: A Play

How far would you go for love? For art? What would you be willing to change? Which price might you pay? Such are the painful questions explored by Neil Labute in The Shape of Things. A young student drifts into an ever-changing relationship with an art major while his best friends' engagement crumbles, so unleashing a drama that peels back the skin of two modern-day relationships, exposing the raw meat and gristle that lie beneath. The world première of The Shape of Things was presented at the Almeida, London, in May 2001.

The Shape of Things

Cow. Slob. Pig. How many insults can you hear before you have to stand up and defend the woman you love? Tom faces just that question when he falls for Helen, a bright, funny, sexy young woman who happens to be plus sized-and then some. Forced to explain his new relationship to his shallow (although shockingly funny) friends, finally he comes to terms with his own preconceptions of the importance of conventional good looks. Neil LaBute's sharply drawn play not only critiques our slavish adherence to Hollywood ideals of beauty but boldy questions our own ability to change what we dislike about ourselves.

Fat Pig

Belinda and Cody Phipps appear to be a typical Midwestern couple: teenage sweethearts, children, luxurious home. Typical except that Cody is black -- "rich, black, and different," in the words of Belinda, who finds herself attracted to a former (white) classmate. As the battle for her affections is waged, Belinda and Cody frankly doubt the foundation of their initial attraction, opening the door wide to a swath of bigotry and betrayal. Staged on continually shifting moral ground that challenges our received notions about gender, ethnicity, and even love itself, THIS IS HOW IT GOES unblinkingly explores the myriad ways in which the wild card of race is played by both black and white in America. "Neil LaBute is the first dramatist since David Mamet and Sam Shepard -- since Edward Albee, actually -- to mix sympathy and savagery, pathos and power." --Donald Lyons, New York Post "LaBute [is] our American Aesop, a mad moral fabulist serving stiff tonic for our country's sin-sick souls." --John Istel, American Theatre

This Is How It Goes

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