The martial heritage of Scotland and its legendary swordsmen have captured the imagination of readers worldwide for centuries. Likewise, enthusiasts of swordsmanship have cherished classic Scottish fencing treatises by those such as William Hope and Donald McBane. However, up until now, a number of obscure Scottish treatises on the use of the sword have evaded the notice of authors, scholars and researchers. Presented here are five such texts, now published again for the first time in more than two centuries. They include:  I. Examination & Vindication of the Highlander’s Manner of Attacking and Fighting the Enemy in a Day of Action. — Though not a fencing text, this is an unique early eighteenth century manuscript on battlefield techniques that has never before been published, and is now presented here with the permission of the Royal Library at Windsor Castle. Authored by an anonymous Highland veteran, it includes a spirited defense of the native manner of fighting, and provides new insight into the use of the targe during the period of the great Jacobite conflicts. II. The Sword’s-Man; Containing a Series of Observations on the Use of the Sword. — This treatise, authored in 1788 by Edinburgh fencing instructor John Ferdinand, contains instruction in the use of the most popular side-arms of the period: the broadsword, small-sword, and spadroon.  III. A Dictionary, Explaining the Terms, Guards, and Positions, Used in the Art of the Small Sword. — This useful and interesting glossary on the art of fencing is embedded with numerous instructions, and was written by Hary Fergusson, a native of Aberdeenshire who taught fencing in Edinburgh and North America during the 1760s and 1770s. IV. A Treatise on the New Sword Exercise. — This treatise on the use of the cavalry saber was first published in 1797, shortly after the widespread adoption of the 1796 pattern cavalry sword. Its author was Sholto Douglas Sorlie, a native of Edinburgh, Sergeant in the 7th Queen’s Own Light Dragoons, and later a veteran of Salamanca, Vittoria, Pyrennees, Navelle, Orthes, and the Peninsular War.  V. This final chapter explores the life and career of Donald McAlpine, a soldier from Inverness and officer in the famed Queens Rangers (an early Special Operations unit), who taught the use of the back-sword in Boston during the American War of Independence. His student sketched what is currently the earliest known illustration of fencing technique in the American colonies. The full, original page containing the illustration of McAlpine’s instruction is faithfully reproduced herein for the first time ever. CONTENTS Acknowledgments I. Introduction and Notes by Paul Macdonald II. Examination & Vindication of the Highlanders’ Manner of Attacking and Fighting the Enemy in a Day of Action III. John Ferdinand by Ben Miller IV. The Sword’s-Man by John Ferdinand V. Hary Fergusson by Ben Miller VI. A Dictionary, Explaining the Terms, Guards, and Positions, Used in the Art of the Small-Sword by Hary Fergusson VII. Sholto Douglas Sorlie by Ben Miller VIII. A Treatise on the New Sword Exercise by Sholto Douglas Sorlie IX. Donald McAlpine by Ben Miller  About the Contributors

Scottish Fencing: Five 18th Century Texts on the Use of the Small-sword, Broadsword, Spadroon, Cavalry Sword, and Highland Battlefield Tactics

Sports & Outdoors

Miller, Ben

Kirby, Jared

Individual Sports

Hudson Society Press

This is the first book of its kind to provide an in-depth examination of how the greatest playwright in the English language employed not only psychological brutality but also physical violence throughout his works. My Cue to Fight is the first book of its kind to provide an in-depth examination of how the greatest playwright in the English language employed not only psychological brutality but also physical violence throughout his works. Written ideally for theatrical stage directors, fight directors, intimacy consultants, and actors as a technical scene-by-scene breakdown in staging combat during production of these plays, this publication is also for Shakespeare enthusiasts who want to learn more about the blood, sweat, and viscera hidden just underneath the poetry.A writer utilizes violence, like song or dance, in moments where the story requires more than just words. But addressing how the violence will be staged tends either to be neglected or utterly gratuitous, both of which serve to separate the audience from the story and kill the whole venture. The answer rests in approaching violence the same way we do scenework. The plays of William Shakespeare seek to engage audiences with all of the characters' blood, tears, sweat, and guts. These works are not flowery poems meant to be mumbled in a classroom, or histrionically declaimed in frilly costumes. There is nothing light and fluffy about 'rape' and 'murder's rages', or 'carving' someone as a dish fit for the gods, or fighting till from one's bones one's 'flesh be hacked'. Making matters more complicated is the ambiguity and sometimes even complete lack of stage directions. Modern texts typically possess clear directions whenever violence is to occur in the action, but playscripts were quite different four centuries ago. Such denotations were both rare and inconsistent in Elizabethan and Jacobean printings. The potential violence we will examine is not appropriate for all productions or scene partners. We're here to question and inspire rather than provide catch-all solutions. Actors, directors, fight directors, and intimacy consultants must work together to find the most effective way for their production to communicate the playwright's story to the audience.

Staging Shakespeare's Violence: My Cue to Fight: Domestic Fury

Literature & Fiction

Duerr, Seth

History & Criticism

Pen and Sword History

This new edition is a faithful transcription presented with meticulously restored illustrations. Donald McBane was a Scottish Highlander and one of the most accomplished duelists of the 18th century. During the span of his extraordinary career as a soldier, prize fighter, fencing master, and brothel manager, McBane took part in 16 battles, 15 skirmishes, and nearly 100 duels or personal combats. He published his book, The Expert Sword-Man’s Companion, in 1728 where he recounts it all. The first section of McBane’s treatise covers the use of a large number of arms, including the backsword, small-sword, spadroon, quarterstaff, sword and targe, sword and buckler, Spanish rapier, Portuguese rapier, sword and dagger, Dutch knife, Lochaber axe, pike, halberd, falchion, sword and pistol, dueling pistol, and broadsword on horseback. No other known extant British fencing treatise published during the eighteenth century includes such an eclectic mix of weapons. McBane also includes a unique section on “dirty tricks” used by other swordsmen of the time, and methods of how to defend against them. The second section of the book is McBane’s memoir of his adventurous life, declared by one historian to be “possibly, the most ingenuous autobiography in the English language.” In this new edition, many of the incredible details related by McBane have been verified for the first time. McBane claimed to have fought a total of thirty-seven prize fights, but he provides few details about them, mentioning the name of only one of his antagonists. Thanks to the diligent research of Ben Miller, numerous specimens of McBane’s original challenges are included in this publication. These contests pitted McBane against some of the most celebrated gladiators of the period, including James Miller (who later authored a treatise on fencing), the infamous (and nearly undefeated) James Figg, and even Figg’s fencing master, Timothy Buck. This books provides a fascinating glimpse into the mind, life, times, and combative techniques of one of the eighteenth century’s most unusual and formidable real-life characters.

THE Expert Sword-Man's Companion: Or the True Art of SELF-DEFENCE. WITH An ACCOUNT of the Authors LIFE, and his Transactions during the Wars with France.: To which is Annexed, The ART of GUNNERIE

History

McBane, Donald

Europe

CreateSpace Independent Publishing Platform

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