Drawings are conventionally thought of as handmade objects, on a flat surface, that can be hung on a wall. The works that Edward Kienholz termed drawings are, like his freestanding sculptures, assemblages of things found ready-made. They appeared as early as 1961, the year in which Kienholz produced the first of the room-sized sculptural tableaux that became synonymous with his name. The evolution of the drawings runs precisely parallel with that of the tableaux, stretching across the whole of his career, first as a sculptor working alone, and from 1972 in collaboration with his wife, Nancy Reddin Kienholz. 
Until now the drawings have been shown and reproduced only in relation to the large sculptures. This handsome book examines this central and major body of work and explores the concept of "drawings" as a studio process for the Kienholzes

Kienholz Tableau Drawings

Arts & Photography

Kienholz, Edward

LIVINGSTONE, Marco

Reddin-Kienholz, Nancy

L. A. Louver Gallery

Individual Artists

LA Louver

Kienholz Televisions

Kienholz, Nancy Reddin

Book by Oe, Kenzaburo, Kienholz, Edward, Schnabel, Julian

Grand Street 55: Egos (Winter 1996)

Ōe, Kenzaburō

Schnabel, Julian

Distributed Art Pub Inc

Onnasch Collection

Graham, Dan

Groys, Boris

Newman, Barnett

Salazar, Jaime

Rauschenberg, Robert

Motherwell, Robert

OLDENBURG, Claes

Spuybroek, Lars

TWOMBLY, Cy

Oosterhuis, Kas

Smithson, Robert

Flavin, Dan

HOFMANN, Hans

Weiner, Lawrence

HAACKE, Hans

Rhoades, Jason

LOUIS, Morris

Kipphoff, Petra

History & Criticism

EDITORIAL ACTAR

Edward Kienholz: Volksempfängers : [Ausstellung] Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz

Nationalgalerie

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Books by Kienholz, Edward