"A visually stunning study...these great illustrations will set a designer's heart on fire."—Interior Design Islamic calligraphy traditionally took its inspiration from the Muslim belief in the divine origin of Arabic writing. In early Islam the use of Arabic writing is sacred, and official texts gave rise to a wonderful profusion of scripts and a calligraphic tradition that has flourished for over a thousand years—not only in manuscript decoration but also in architecture, ceramics, and painting. This book provides a comprehensive survey of the subject from its earliest origins to the present day. It explains the geometrical and ornamental principles of calligraphy and examines the interdependence of script and page decoration. Finally, and perhaps most important, it contains outstanding examples of scripts—kufic, thuluth, naskhi, and maghribi—in a series of magnificent reproductions of manuscript pages, paintings, and other works of art. 232 illustrations, 98 in color.

The Splendor of Islamic Calligraphy

Arts & Photography

Khatibi, Abdelkébir

Sijelmassi, Mohammed

History & Criticism

Thames&Hudson

The splendour of Islamic calligraphy

Thames and Hudson

Calligraphy, the art that combines visual image and written word, is perhaps at its most brilliant in the arts of Islam. Islamic calligraphy traditionally took its inspiration from the Muslim belief in the divine origin of Arabic writing, the medium through which the Qur'anic revelation to the Prophet Muhammad was recorded. In early Islam the use of Arabic writing is sacred, and official texts gave rise to a wonderful profusion of scripts and a calligraphic tradition that has flourished for over a thousand yearsnot only in manuscript decoration but in architecture, ceramics, and painting. With chapters on the use of calligraphy in architecture and contemporary painting, The Splendor of Islamic Calligraphy provides a comprehensive and fascinating survey of the subject from its earliest origins to the present day. It explains the geometrical and ornamental principles of calligraphy with the help of numerous line drawings, and examines the interdependence of script and page decoration. It gives an overview of the many complex variations of this most graphic form of writing and traces its evolution up to its current expression in the paintings of artists such as Shakir Hassan. Finally, and perhaps most important, it contains outstanding examples of scriptskufic, thuluth, naskhi, and maghribi among othersin a series of magnificent reproductions of manuscript pages, paintings, and other works of art. 232 illustrations, 98 in color.

Love in Two Languages (Emergent Literatures)

Literature & Fiction

Univ of Minnesota Pr

Rizzoli

Plural Maghreb: Writings on Postcolonialism (Suspensions: Contemporary Middle Eastern and Islamicate Thought)

Abdelkebir Khatibi (1938-2009) was among the most renowned North African literary critics and authors of the past century whose unique treatments of subjects as vast as orientalism, otherness, coloniality, aesthetics, linguistics, sexuality, and the nature of contemporary critique have inspired major figures in postcolonial theory, deconstruction, and beyond. At once a philosophical visionary and provocative writer, Khatibi's impressive contributions have been well-established throughout French and continental literary circles for several decades. As such, this English translation of one of his masterworks, Maghreb Pluriel (1983), marks a pivotal turn in the opportunity to wrest some of Khatibi's most profound meditations to the forefront of a more global audience. Including such highly significant pieces as "Other-Thought," "Double Critique," "Bilingualism and Literature," and "Disoriented Orientalism," the ambition behind this volume is to showcase the true experimental complexity and conceptual depth of Khatibi's thinking. Engaging the cultural-intellectual urgencies of a colonial frontier (in this case, the so-called Middle East/North Africa) this book expands our contemplative boundaries to render a globally-dynamic commentary that traverses the East-West divide.

History

Africa

Bloomsbury Academic

Abdelkebir Khatibi (1938-2009) was among the most renowned North African literary critics and authors of the past century whose unique treatments of subjects as vast as orientalism, otherness, coloniality, aesthetics, linguistics, sexuality, and the nature of contemporary critique have inspired major figures in postcolonial theory, deconstruction, and beyond. At once a philosophical visionary and provocative writer, Khatibi's impressive contributions have been well-established throughout French and continental literary circles for several decades. 
As such, this English translation of one of his masterworks, Maghreb Pluriel (1983), marks a pivotal turn in the opportunity to wrest some of Khatibi's most profound meditations to the forefront of a more global audience. Including such highly significant pieces as "Other-Thought," "Double Critique," "Bilingualism and Literature," and "Disoriented Orientalism," the ambition behind this volume is to showcase the true experimental complexity and conceptual depth of Khatibi's thinking. Engaging the cultural-intellectual urgencies of a colonial frontier (in this case, the so-called Middle East/North Africa) this book expands our contemplative boundaries to render a globally-dynamic commentary that traverses the East-West divide.

L'art calligraphique de l'Islam

Sijelmassi, Mohamed

Graphic Design

Gallimard]

Pèlerinage d'un artiste amoureux

Contemporary

DU ROCHER

L'Art calligraphique arabe: Ou, La Célébration de l'invisible (French Edition)

Reference

Foreign Language Study & Reference

Chêne

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Books by Khatibi, Abdelkébir