My intention is to bring the material [35mm fi lm] into the image itself:“As in a painting, where you see the stroke of the brush and the pigment on the canvas.“ Thomas Kellner has been making photographs professionally since 1996when he finished his studies at the university of Siegen and was awardedthe Kodak germany Young Professionals Prize.

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Arts & Photography

Kellner, Thomas

Photography & Video

Seltmann Publishers

"Architecture that dances. Building that deconstruct, reconnect, disected by frames, twisted into unreasonable shapes, reassembled into yet another grid, and then printed with more than a hint of Cubism, trying to take something that is three-dimensional and flatten it into a two-dimensional plane. Indeed, as we can see, even in this early work, Thomas Kellner succeeded at breaking apart spaces." Harris Fogel Thomas Kellners artworks of art are especially known for an intensive interaction of light and color. His works in black and white reflect the beginning of his career as an artist. Kellner's black &amp; white photography does not only refer to his beginning as an Artist, but also to the root of photography. In his early black-and-white images, the observer can see how he focuses on the structure itself. The balance between the object and its visual form are at the center of his creations. Kellner developed his unique visual language of multiple perspectives and the deconstructive approach in a sequence mounted on a contact sheet of 35-mm roll of film.

Black & White

- A unique perspective on the Grand Canyon in a large format photograph by noted German photographer Thomas Kellner - An accordian-style catalog presenting the work of art at an impressive 1.50m. and in the format 1:3.7. - Limited Edition German photographer Thomas Kellner is known for his mosaic-like photographs of world famous architecture and locales. In this project, created in the summer of 2014, he turns to one of the most breathtaking landscape motifs on earth: the Grand Canyon. Kellner photographed the subject from several perspectives, then reassembled the contact sheets in their original size to create an overall composition. The Big Picture was created using 60 35-mm. film rolls with 36 shots each, so 2160 pictures taken one after the other. The work of art is more than 4 meters wide. It is beautifully reproduced here in a 1:3.7 ratio in an accordion-style binding, which allows for a full appreciation of the impact of the original.

The Big Picture: A New Perspective on the Grand Canyon

Individual Artists

Tango Metropolis: Rolf Sachsse about the contact sheets of Thomas Kellner

Chapel Schools

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Books by Kellner, Thomas