With the number of people waiting to adopt children, the need for a comprehensive yet succinct explanation of adoption laws and practices is met by Adoption Laws in a Nutshell. The book is an excellent resource for the legal and social work professions, providing an analysis of the latest developments regarding agency responsibilities toward adoptive parents and children, the consents necessary to complete an adoption, the father’s rights, the new assisted reproductive technology, and adoption, including surrogacy, standards for placement, open adoption, access to adoption records, inheritance rights of all the parties and intercountry adoption.

Adoption Law in a Nutshell (Nutshell Series)

Katz, Sanford

Katz, Daniel

Family Law

West Academic Publishing

Analyzes the essential problems of human organizations--the motivation to work, the resolution of conflict, the exercise of leadership, and the creation of organizational change. Examines the relations between organizations and their environments, the effect of organizational demands and opportunities on individual health, and the experimental development of organizational alternatives to conventional bureaucratic structure. Applies theoretical principles to concrete organizational problems, illustrating with research findings.

The Social Psychology of Organizations

Health, Fitness & Dieting

Kahn, Robert L.

Psychology & Counseling

wiley

American Modernism's Expatriate Scene: The Labour of Translation (Edinburgh Studies in Transatlantic Literatures)

This study takes as its point of departure an essential premise: that the widespread phenomenon of expatriation in American modernism is less a flight from the homeland than a dialectical return to it, but one which renders uncanny all tropes of familiarity and immediacy which 'fatherlands' and 'mother tongues' are traditionally seen as providing. In this framework, similarly totalising notions of cultural authenticity are seen to govern both exoticist mystification and 'nativist' obsessions with the purity of the 'mother tongue.' At the same time, cosmopolitanism, translation, and multilingualism become often eroticised tropes of violation of this model, and in consequence, simultaneously courted and abhorred, in a movement which, if crystallised in expatriate modernism, continued to make its presence felt beyond.Beginning with the late work of Henry James, this book goes on to examine at length Ezra Pound and Gertrude Stein, to conclude with the uncanny regionalism of mid-century San Francisco Renaissance poet Jack Spicer, and the deterritorialised aesthetic of Spicer's peer, John Ashbery. Through an emphasis on modernism as a space of generalized interference, the practice and trope of translation emerges as central to all of the writers concerned, while the book remains in constant dialogue with key recent works on transnationalism, transatlanticism, and modernism.

Literature & Fiction

History & Criticism

Edinburgh University Press

The Poetry of Jack Spicer

In the years since his death from alcohol poisoning, San Francisco Renaissance poet Jack Spicer (1925-1965) has gradually come to be recognized as one of most intriguing, demanding, and rewarding of the so-called 'New American Poetry' poets who were first published in Donald Allen's historic anthology of that name.This is the first full-length critical monograph on his work, placing it in the context not only of the San Francisco Renaissance and contemporary movements with which Spicer dialogued and often disagreed - such as the Beats, the Black Mountain poets, and the 'New York School' - but also of the major modernists from whom his innovative poetics derived, differed, and developed.Informed by much archival material only recently made available, The Poetry of Jack Spicer, examines Spicer's post-Poundian translation projects; his crucial theories of the 'serial poem' and inspiration as 'dictation'; his contrarian take on queer poetics; his insistently uncanny regionalism; and his elaboration of an epistolary poetics of interpellation and address.

In the years since his death from alcohol poisoning, San Francisco Renaissance poet Jack Spicer (1925-1965) has gradually come to be recognized as one of most intriguing, demanding, and rewarding of the so-called 'New American Poetry' poets who were first published in Donald Allen's historic anthology of that name.This is the first full-length critical monograph on his work, placing it in the context not only of the San Francisco Renaissance and contemporary movements with which Spicer dialogued and often disagreed - such as the Beats, the Black Mountain poets, and the 'New York School' - but also of the major modernists from whom his innovative poetics derived, differed, and developed.Informed by much archival material only recently made available, The Poetry of Jack Spicer, examines Spicer's post-Poundian translation projects; his crucial theories of the 'serial poem' and inspiration as 'dictation'; his contrarian take on queer poetics; his insistently uncanny regionalism; and his elaboration of an epistolary poetics of interpellation and address.

This study takes as its point of departure an essential premise: that the widespread phenomenon of expatriation in American modernism is less a flight from the homeland than a dialectical return to it, but one which renders uncanny all tropes of familiarity and immediacy which 'fatherlands' and 'mother tongues' are traditionally seen as providing. In this framework, similarly totalising notions of cultural authenticity are seen to govern both exoticist mystification and 'nativist' obsessions with the purity of the 'mother tongue.' At the same time, cosmopolitanism, translation, and multilingualism become often eroticised tropes of violation of this model, and in consequence, simultaneously courted and abhorred, in a movement which, if crystallised in expatriate modernism, continued to make its presence felt beyond. Beginning with the late work of Henry James, this book goes on to examine at length Ezra Pound and Gertrude Stein, to conclude with the uncanny regionalism of mid-century San Francisco Renaissance poet Jack Spicer, and the deterritorialised aesthetic of Spicer's peer, John Ashbery. Through an emphasis on modernism as a space of generalized interference, the practice and trope of translation emerges as central to all of the writers concerned, while the book remains in constant dialogue with key recent works on transnationalism, transatlanticism, and modernism.

Why Freedom Matters: Celebrating the Declaration of Independence in Two Centuries of Prose, Poetry and Song

Freedom. It's an idea worth pledging a life for, in the words of Thomas Jefferson. A gift outright to the poet Robert Frost. A difficult responsibility, writes Frederick Douglass. Defiant and enduring, for Maya Angelou. Quarrelsome, to Kurt Vonnegut. Open-armed and welcoming-Emma Lazarus. Why Freedom Matters celebrates freedom in over 100 speeches, letters, essays, poems, and songs, all infused with the spirit of democracy. Here are the voices of presidents and slaves, founding fathers and hip-hop artists, suffragettes, civil rights workers, preachers, labor leaders, and baseball players. Inspired by the Declaration of Independence, the book is published in conjunction with The Declaration of Independence Road Trip, a 31/2-year cross-country educational tour of an extremely rare, original hand-printed copy of the Declaration, bought at auction by Norman Lear. The DOI Road Trip's mission is to energize Americans by bringing our founding document to towns small and large across the country; in 2003, for example, the Declaration and its accompanying exhibit will visit 27 cities from Birmingham to Billings, New Orleans to New York. Like the document itself, this compelling anthology reveals America's soul as it wrestles with questions of life, liberty, and the pursuit of happiness, and strives to fulfill the ideals of Thomas Jefferson's words.

United States

Workman Publishing Company

In recent criticism, Samuel Beckett's prose has been increasingly described as a labor of refusal: not only of what traditionally has made possible narrative and the novel but also of the major conventional suppositions concerning the primacy of consciousness, subjectivity, and expression for the artistic act. Beginning from the premise that Beckett never betrays his belief in "the impossibility to express," Saying I No More explores the Beckettian refusal. Katz posits that the expression of voicelessness in Beckett is not silence, that the negativity and negation so evident in the great writer's work are not simply affirmed, but that the valorization of abnegation, emptiness, impotence, or the "no" can all too easily become itself an affirmation of power or an inverted imposition of force.

Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett (Avant-Garde & Modernism Studies)

Northwestern University Press

See the best price to sell, buy, or rent books by Katz, Daniel. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Katz, Daniel

See the best price to sell, buy, or rent books by Katz, Daniel. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Adoption Law in a Nutshell (Nutshell Series)

The Social Psychology of Organizations

The Social Psychology of Organizations

American Modernism's Expatriate Scene: The Labour of Translation (Edinburgh Studies in Transatlantic Literatures)

The Poetry of Jack Spicer

The Poetry of Jack Spicer

American Modernism's Expatriate Scene: The Labour of Translation (Edinburgh Studies in Transatlantic Literatures)

Why Freedom Matters: Celebrating the Declaration of Independence in Two Centuries of Prose, Poetry and Song

Why Freedom Matters: Celebrating the Declaration of Independence in Two Centuries of Prose, Poetry and Song

Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett (Avant-Garde & Modernism Studies)