Hearing Double: Jazz, Ontology, Auditory Culture

Arts & Photography

Kane, Brian

Music

Oxford University Press

Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concr�te Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to �i�ek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses.

Sound Unseen: Acousmatic Sound in Theory and Practice

Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrète Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to Zizek, music and metaphysics to architecture and automata, and from Pythagoras to the present -- to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses.

The Blessing of Life: An Introduction to Catholic Bioethics

In this thoughtful text, Brian Kane explores the foundations, methods, and conclusions of Catholic thinking on bioethics. With the advent of medical technologies and treatments that once seemed impossible, scientific knowledge brings with it opportunities to enhance, damage, or even destroy our humanity. Catholic theology has a long tradition of exploring this relationship between science and the human person. By providing an introductory explanation of Catholic theological thinking on bioethics, Kane offers a systematic approach to questions on the meaning of human existence and the power of human choice. He explains the ways Catholic readers can better understand ethical dilemmas and decisions regarding medicine and health care—both individually and collectively as members of society.

Politics & Social Sciences

Philosophy

Lexington Books

In this thoughtful text, Brian Kane explores the foundations, methods, and conclusions of Catholic thinking on bioethics. With the advent of medical technologies and treatments that once seemed impossible, scientific knowledge brings with it opportunities to enhance, damage, or even destroy our humanity. Catholic theology has a long tradition of exploring this relationship between science and the human person. By providing an introductory explanation of Catholic theological thinking on bioethics, Kane offers a systematic approach to questions on the meaning of human existence and the power of human choice. He explains the ways Catholic readers can better understand ethical dilemmas and decisions regarding medicine and health care-both individually and collectively as members of society.

In Anticipation of the seventy-fifth annivesary of comics' longest running adventure strip, and to celebrate their own just-launced reprinting of the strips' classic earliest years, Fantagraphics is proud to present an expanded version of this hard-to-find collector's item. Compiled by award-winning Foster biographer Brian M. Kane, THE DEFINITIVE PRINCE VALIANT COMPANION beautifully showcases the careers of Hal Foster, John Cullen Murphy, and Gary Gianni. In addition to updating the original version's story synopsis section with over 30 years of material, The Definitive Prince Valiant Companion also contains rare and new articles, a never-before-printed newspaper feature from 1949, Foster's final interview, and interviews with John Cullen Murphy, Gary Gianni and Mark Schultz, a foreward by comics historian Brian Walker, and an introduction by Pulitzer Prize winning authore Ray Bradbury.

Definitive Prince Valiant Companion

Comics & Graphic Novels

Comic Strips

Fantagraphics Books

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Books by Kane, Brian

See the best price to sell, buy, or rent books by Kane, Brian. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Hearing Double: Jazz, Ontology, Auditory Culture

Sound Unseen: Acousmatic Sound in Theory and Practice

Sound Unseen: Acousmatic Sound in Theory and Practice

The Blessing of Life: An Introduction to Catholic Bioethics

The Blessing of Life: An Introduction to Catholic Bioethics

Definitive Prince Valiant Companion