When she was very young, Irene Kacandes knew things about her father that had no plot, no narrator, and no audience. To her childhood self these things resembled beings who resided with her family, like the ancestresses who’d thrown themselves off cliffs rather than be taken by the Turks, or the forefathers who’d fought the Trojans. For decades she thought of these cohabitants as Daddy’s War Experiences and tried to stay away from them. When tragedy touched the adult life she had constructed for herself, however, she realized she had to confront her family’s wartime past. Kacandes begins with what she did know: that her immigrant grandmother returned to Greece with four young children—and without her husband—only to get trapped there by the Nazi occupation. Though still a child himself, her father, John, helped feed his younger siblings by taking up any task possible, including smuggling arms to the Resistance. Kacandes painstakingly uncovers a complex truth her father chose not to tell, a truth inextricably entwined with the Holocaust, discovering, too, a common but little-told story about how the telling of such memories is negotiated between survivors and their children. Daddy’s War brings new understanding to how trauma, like the revenge of Greek gods, can visit each generation and offers a model for breaking the cycle.

Daddy's War: Greek American Stories

Biographies & Memoirs

Kacandes, Irene

Memoirs

University Of Nebraska Press

Talk Fiction: Literature and the Talk Explosion (Frontiers of Narrative)

Everywhere you turn today, someone (or something) is talking to you—the television, the radio, cell phones, your computer. If you think some of the novels and stories you read are talking to you too, you're not alone, and you're not mistaken. In this innovative, multidisciplinary work, Irene Kacandes reads contemporary fiction as a form of conversation and as part of the larger conversation that is modern culture. Within a framework of talk as interaction, Kacandes considers texts that can be classified as "statements," that is, texts that wholly or in part ask for their readers to react— to talk back—to them in certain ways. The works she addresses—from writers as varied as Harriet O. Wilson, Margaret Atwood, William Faulkner, Virginia Woolf, Graham Swift, Günter Grass, John Barth, Julio Cortázar, and Italo Calvino—conduct their interactions in certain modes to accomplish different sorts of cultural work: storytelling, testimony, apostrophe, and interactivity. By focusing on texts within these groupings, Kacandes is able to relate the different modes of talk fiction to extraliterary cultural developments in our oral age—and to show how such interactions, however contrary to the dominant twentieth-century view of literature as art for art's sake, help to keep literature alive and speaking to us.

Literature & Fiction

History & Criticism

When she was very young, Irene Kacandes knew things about her father that had no plot, no narrator, and no audience. To her childhood self these things resembled beings who resided with her family, like the ancestresses who’d thrown themselves off cliffs rather than be taken by the Turks, or the forefathers who’d fought the Trojans. For decades she thought of these cohabitants as Daddy’s War Experiences and tried to stay away from them. When tragedy touched the adult life she had constructed for herself, however, she realized she had to confront her family’s wartime past. Kacandes begins with what she did know: that her immigrant grandmother returned to Greece with four young children—and without her husband—only to get trapped there by the Nazi occupation. Though still a child himself, her father, John, helped feed his younger siblings by taking up any task possible, including smuggling arms to the Resistance. Kacandes painstakingly uncovers a complex truth her father chose not to tell, a truth inextricably entwined with the Holocaust, discovering, too, a common but little-told story about how the telling of such memories is negotiated between survivors and their children. Daddy’s War brings new understanding to how trauma, like the revenge of Greek gods, can visit each generation and offers a model for breaking the cycle.

Everywhere you turn today, someone (or something) is talking to you—the television, the radio, cell phones, your computer. If you think some of the novels and stories you read are talking to you too, you're not alone, and you're not mistaken. In this innovative, multidisciplinary work, Irene Kacandes reads contemporary fiction as a form of conversation and as part of the larger conversation that is modern culture. Within a framework of talk as interaction, Kacandes considers texts that can be classified as "statements," that is, texts that wholly or in part ask for their readers to react— to talk back—to them in certain ways. The works she addresses—from writers as varied as Harriet O. Wilson, Margaret Atwood, William Faulkner, Virginia Woolf, Graham Swift, Günter Grass, John Barth, Julio Cortázar, and Italo Calvino—conduct their interactions in certain modes to accomplish different sorts of cultural work: storytelling, testimony, apostrophe, and interactivity. By focusing on texts within these groupings, Kacandes is able to relate the different modes of talk fiction to extraliterary cultural developments in our oral age—and to show how such interactions, however contrary to the dominant twentieth-century view of literature as art for art's sake, help to keep literature alive and speaking to us.

Experts in end-of-life care tell us that we should talk about death and dying with relatives and friends, but how do we get such conversations off the ground in a society that historically has avoided the topic? This book provides one example of such a conversation. The coauthors take up challenging questions about pain, caregiving, grief, and what comes after death. Their unlikely collaboration is itself connected to death: the murders of two of Irene's closest friends and Steve's support in perpetuating memories of those friends' lives and not just their violent ends.The authors share the results of a no-holds-barred discussion they conducted for several years over email. Readers can consider a range of views on complicated issues to which there are no right answers. Letting ourselves pose certain questions has the potential to profoundly change the way we think about death, how we choose to die, and, just as importantly, the way we live.Honest, probing, sensitive, and even humorous at times, the completely open discussions in this book will help readers deal with a topic that most of us try to avoid but that everyone will face eventually.

Let's Talk About Death: Asking the Questions that Profoundly Change the Way We Live and Die

Gordon, Steve

Parenting & Relationships

Prometheus

This book offers to academic and general public readers timely reflections about our relationships to violence. Taking cues from the self-reflexivity, themes, and subject matters of Holocaust, queer, and Black studies, this large group of diverse intellectuals wrestles with questions that connect past, present and future: where do I stand in relation to violence? What is my attitude toward that adjacency? Whose story gets to be told by whom? What story do I take this image to be telling? How do I co-witness to another's suffering? How do I honor the agency and resilience of family members or historical personages? How do past violence and injustice connect to the present? In smart, self-conscious, passionate, and often painfully beautiful prose, cultural practitioners, historians and cultural studies scholars such as Angelika Bammer, Doris Bergen, Ann Cvetkovich, Marianne Hirsch, Priscilla Layne, Mark Roseman, Leo Spitzer, Susan R. Suleiman and Viktor Witkowski explore such questions, inviting readers to do the same. By making available compelling examples of thinkers performing their own work within the cauldron of crises that came to a boil in 2020 and continued into the next year, this volume proposes strategies for moving forward with hope.

On Being Adjacent to Historical Violence

Science & Math

de Gruyter

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Books by Kacandes, Irene

See the best price to sell, buy, or rent books by Kacandes, Irene. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Daddy's War: Greek American Stories

Talk Fiction: Literature and the Talk Explosion (Frontiers of Narrative)

Daddy's War: Greek American Stories

Talk Fiction: Literature and the Talk Explosion (Frontiers of Narrative)

Let's Talk About Death: Asking the Questions that Profoundly Change the Way We Live and Die

On Being Adjacent to Historical Violence