Very Short Introductions: Brilliant, Sharp, Inspiring.Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost madthat we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that.As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the keytropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, this Very Short Introduction discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horrorbe regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form ofromantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, andenthusiasm to make interesting and challenging topics highly readable.First published in hardback as Sleeping with the Lights on.

Horror: A Very Short Introduction (Very Short Introductions)

Literature & Fiction

Jones, Darryl

Genre Fiction

Oxford University Press

It's four in the morning and the lights are on. There's no way we're going to sleep, not after the film we just saw. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, and games designed to do exactly that. As Darryl Jones shows in Sleeping with the Lights On, the horror genre is vast, ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers. The cathartic release of scaring ourselves has made its appearance everywhere from Shakespearean tragedies to Internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Jones explains why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? What kind of a distinction should we make between the commonly reviled carnage of the contemporary horror genre and the culturally acceptable bloodbaths of ancient Greek tragedies? Analyzing how horror has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is marketed to mainstream society in the form of romantic vampires and blockbuster hits, it maintains its shadowy presence on the edges of respectability, as banned films and violent Internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

Sleeping with the Lights On: The Unsettling Story of Horror

History & Criticism

'Mr Holmes, they were the footprints of a gigantic hound!' The mysterious death of Sir Charles Baskerville brings Sherlock Holmes and Dr Watson to Dartmoor in the most famous of all of Arthur Conan Doyle's books. Is Sir Charles the latest victim of the ancestral Curse of the Baskervilles, which summons a demonic hound to stalk the moor and exact vengeance for a past misdeed, or is there a more modern, more prosaic explanation for the sudden death? In The Hound of the Baskervilles, the modern, rational world, and the ancient, supernatural world collide in the novel which brought Sherlock Holmes back from the dead. This new edition of Conan Doyle's classic mystery is part of a series of new editions of the Sherlock Holmes stories published in Oxford World's Classics. Darryl Jones's Introduction explores the competing worlds of the supernatural and the scientific in the novel and in Arthur Conan Doyle's life, the novel's colonial background and origins, and the role of landscape, folklore, and folk horror in the novel.

The Hound of the Baskervilles (Oxford World's Classics)

Children's Books

Conan, Doyle Arthur

Education & Reference

"There's the scarlet thread of murder running through the colourless skein of life." In Arthur Conan Doyle's A Study in Scarlet a popular cultural phenomenon is born. We meet two of the most famous characters in modern literary history: the consulting detective Sherlock Holmes and John Watson, an army doctor home on sick leave, for the first time. Through Watson we learn a little about the eccentric figure who is his new room-mate at 221B Baker Street, before they encounter their first case: an American visitor to the city has been killed in an empty house off the Brixton Road, and the only clue the police have is the mysterious word 'Rache', scrawled in blood-red letters on the wall. As Holmes sets to work with his unique forensic methods, behind the murder a tangled skein of love, religion, and revenge gradually unwinds, taking us from the streets of London to the Utah Territory, and back again. As Nicholas Daly's Introduction describes, out of this gripping tale grew the Holmes and Watson stories that would make Conan Doyle the best-paid author of his time. His creations have become household words, inspiring not only countless adaptations and imitations, but a Sherlock Holmes museum, Sherlock Holmes-themed pubs, and a whole array of Holmesian merchandise, from cushions to jigsaw puzzles. Here, though, we meet Holmes and Watson before they became famous, and we can see how their extraordinary impact on our popular culture derives from the late-Victorian world from which they emerge.

A Study in Scarlet (Oxford World's Classics)

Daly, Nicholas

Arthur Conan Doyle famously killed off Sherlock Holmes in 1893, in the short story 'The Final Problem', but was tempted to bring him back to life ten years later, in the thirteen tales that comprise The Return of Sherlock Holmes. While the outcry that supposedly followed Holmes' death was mostly apocryphal (the claim that readers wore black armbands in mourning has been frequently cited but never actually proved), by 1893 there was a substantial readership for Holmes' two series of adventures published in the Strand Magazine and two earlier novels. Doyle returned to Holmes in 1901-2 with The Hound of the Baskervilles, a novel set before the events of 'The Final Problem'; the commercial success of the serialisation in the Strand led Doyle to consider reviving the Holmes stories on a longer-term basis. Accordingly, in 1903 Doyle was contracted by the American magazine Collier's Weekly to supply six more Holmes stories; the agreement was extended to six more, with a final extension for a thirteenth story ('The Second Stain') that Doyle (mistakenly) believed to be the closing episode of the Holmes adventures. These thirteen tales make up this volume.

The Return of Sherlock Holmes (Oxford World's Classics)

Pittard, Christopher

'I crave for mental exaltation. That is why I have chosen my own particular profession, or rather created it, for I am the only one in the world.' Mary Morstan receives a large pearl through the post once a year without any clue as to the sender. When her intriguing correspondent requests a meeting, Holmes and Watson take on the case. Together the trio race through London to uncover the secrets of the Sholto family, who hold the key to uncovering the whereabouts of Mary's father and the existence of a treasure stemming from a crime committed years ago in India. The Sign of the Four has been a crucial part of the Sherlock Holmes canon since its first publication in 1890. It explores theft, betrayal, and murder in the larger context of the British Empire at a time of national upheaval, and the novel's flashbacks to India during the 'Mutiny' and its aftermath call into question the consequences of that imperial venture. Caroline Reitz's new introduction and notes draws attention to some often-overlooked context of the story, such as its original publication in Lippincott's Monthly Magazine, its representation of imperial violence, and changing gender roles. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Sign of the Four (Oxford World's Classics)

REITZ, CAROLINE

"I never can resist a touch of the dramatic." The Memoirs of Sherlock Holmes is now best remembered for its concluding story in which the great detective appears to plunge to his death into the waters at the bottom of the Reichenbach Falls, locked in a struggle with his nemesis, Professor Moriarty. However, the collection also brings the reader back to the beginnings of Holmes' career, involving a mutiny at sea and a treasure hunt in a Sussex country house, and a first encounter with Holmes' older brother Mycroft, of whom Holmes says, "If the art of the detective began and ended in reasoning from any armchair, my brother would be the greatest criminal agent that ever lived". This collection includes some of the detective's greatest cases, such as 'Silver Blaze' and 'The Naval Treaty', and even one case which Holmes fails to solve. Edited with an introduction by Jarlath Killeen, this volume examines Holmes as a safeguard against social breakdown and chaos, as well as an agent of justice and goodness against the forces of evil. It also situates the collection in the growth of life writing in the period, and explores the ways in which Holmes became increasingly 'real' to readers as more details about his personality and biography are revealed in the stories. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Memoirs of Sherlock Holmes (Oxford World's Classics)

Killeen, Jarlath

'There's an east wind coming... such a wind as never blew on England yet.' Arthur Conan Doyle's His Last Bow features a selection of Sherlock Holmes stories written at a time of growing tensions in Europe. First published as a collection in 1917, against the backdrop of the First World War, the volume covers tales that deviate from the pattern of earlier Sherlock adventures which focus on individual culpability and the comfort of a simplistic restoration of order. The titular story in this collection was influenced by Doyle's personal experience of the war, and in these tales the solutions to seemingly small-scale, local, mysteries uncover crimes concerning national security, or even expose the covert evil actions of organizations and powerful dictators. This edition contains a new introduction by Trish Ferguson which offers a richly detailed contextual backdrop for understanding the work as an act of war service designed to offer a morale boost to both British troops abroad and readers at home. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

His Last Bow (Oxford World's Classics)

Ferguson, Trish

Literary

An eclectic and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. 1950s popular culture is analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.

It Came From the 1950s!: Popular Culture, Popular Anxieties

Humor & Entertainment

Murphy, Bernice M.

McCarthy, Elizabeth

Movies

PALGRAVE~MACMILLAN

This book offers a one-volume study of Jane Austen that is both a sophisticated critical introduction and a valuable contribution to the study of one of the most popular and enduring British novelists. Darryl Jones provides students with a coherent overview of Austen's work and an idea of the current state of critical debate.

Jane Austen (Critical Issues, 9)

British & Irish

Red Globe Press

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