Young John Trenchard lives with his aunt in the village of Moonfleet half a mile from the sea. His peaceful existence ends dramatically when he discovers a secret passage into the vault of the powerful Mohune family, who once had control of Moonfleet.

Moonfleet (Collins Classics)

Literature & Fiction

John Meade Falkner

Classics

HarperCollins, UK

"Moonfleet" (1898) begins as a mystery and an adventure story, a tale of smuggling set among the cliffs, caves, and downs of Dorset. What will be the outcome of the conflict between smugglers and revenue men? How can the hero, John Trenchard, discover the secret of Colonel John Mohune's treasure? As the book progresses these two interwoven themes resolve themselves into a third and richer one, with the friendship and suffering of both John Trenchard and the craggy, taciturn Elzevir Block. Falkner's feeling for history and for the landscape of his Dorset setting combine with his gift for storytelling to turn Moonfleet into a historical romance of moving intensity.

Moonfleet (Penguin Popular Classics)

Contemporary

PENGUIN POPULAR CLASSICS

Moonfleet

Literary

Penguin Books, Limited (UK)

Penguin Books, Ltd.

Puffin

Moonfleet (Longman Picture Classics)

Longman

Moonfleet (Penguin Readers (Graded Readers))

Non Basic Stock Line

A BBC Radio 4 full-cast dramatization of Falkner's gripping tale of mystery and high adventure in a Dorset smuggling village When fifteen-year-old John Trenchard discovers a secret passage into the vault of the powerful Mohune family, his peaceful life in the Dorset village of Moonfleet is at an end. It is said that Captain Mohune, the notorious Blackbeard, haunts the place with wild and bloodcurdling cries, forever seeking his hidden treasure. As John sets off in a search of that treasure, a fabled diamond, he becomes caught up in the dangerous coastal smuggling runs and is forced to flee the country in the company of Elzevir Block, the man who is to become like a father to him. From echoing vaults and stormy seas to dank dungeons and deep wells, the suspense of John's search for hidden treasure is thrillingly evoked in this fully dramatized classic adventure, starring Robert Glenister and James Laurenson.

Moonfleet (BBC Children S Classics)

Blackstone Audiobooks

John Maltravers is a respectable student at Oxford, until one day he and his V E R Y close friend, Mr. Gaskell, decide to play a Gagliarda, whatever that is. The melody calls up the ghost of a man who is mad, bad, and dangerous to know, and who just happened to have occupied John's rooms a century ago. When the ghost passes on his Stradivarius violin, John sells his soul to the devil to become the greatest fiddle player in all the land, and is soon ignoring his fiancee, familial responsibilities, growing out his hair, acting like a dick rock star, traipsing off to Naples at the drop of a hat, smoking the pot, and spending way too much quality time with nubile Italian boys.   The story itself is narrated, not by Maltravers, but by his sister Sophia, in a letter to his son. Overall I thought John Meade Falkner did a really good job both in choosing Sophia as the narrator and fleshing out her character believably (even though I did have to wonder how she knew so many details about what went on in her brother's life when he was away from home). We need her to be the narrator because Maltravers becomes increasingly unsympathetic as the book goes on, and the story she tells is a thinly veiled metaphor about how she lost her brother to addiction. That's why I don't think of this as a "ghost story"--the ghost in question really has only a minimal amount to do with the central narrative. When Maltravers moves to Italy, the book takes on an unexpectedly Gothic flavor, with abandoned castles, skeletons, and murders mysterious.  I was actually thinking The Lost Stradivarius was pretty good until the final chapter, which is an addendum by Mr. Gaskell, the "very intimate" university friend of Maltravers. There was some ethnocentrism, and paranoia about the undue influence of pagan (read: classical, read: homosexual) Italian culture on Our Susceptible Young People earlier in the book; but in Gaskell's note it was so over-the-top that I was literally LOLing. Falkner also added a bunch of extraneous plot elements in the final chapter, I have no idea why. Am I supposed to care about the ghost's murder and missing pages from his diary? BECAUSE I DON'T.  Still, even though I found the last chapter ridiculous and annoying, it's very zeitgeist-y in that it reflects the Symbolists' concern with art and beauty and overindulgence. I just wish it had been more subtle and not so much with the xenophobia.  The Lost Stradivarius is an interesting mixture of ghost story, Symbolist writing, and Gothic novel, and for the most part it works. I think it would be a great read around Halloween or for the RIP Challenge.

Lost Stradivarius

CreateSpace Independent Publishing Platform

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Books by John Meade Falkner