Since its publication in 1990, the first edition of Music, Sound, and Technology has enjoyed wide success and has become a popular text in musical acoustical studies at the university level. In preparing the new edition we have included recent developments in all aspects of music and sound technology, and we have added data on acoustical characteristics of musical in­ struments. The first edition has been cited for the scope and clarity of its graphics; we have emphasized this to an even greater degree in the second edition. /ME xi Preface to the First Edition This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical phys­ ics. while giving special emphasis to the relation between instrument and player and stressing the characteristics of instruments that are of special concern to engineers and tech­ nicians involved in the fields of recording. sound reinforcement. and broadcasting. In order to understand musical instruments in their normal performance environments.

Music, Sound, and Technology

John M. Eargle

Humor & Entertainment

Springer

John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As always, the traditional topics of basic stereo, studio acoustics, analog tape recording, and the stereo LP are covered in greater detail than you are likely to find anywhere except in archival references. This book has been completely updated with numerous new topics added and outdated material removed. Many technical descriptions are now presented in Sidebars, leaving the primary text for more general descriptions. Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace.

Handbook of Recording Engineering

Computers & Technology

Florence, Kentucky, U.S.A.: Van Nostrand Reinhold

The prospect of writing a book on loudspeakers is a daunting one, since only a multivolume encyclopedia could truly do justice to the subject. Authors writing about this subject have generally concentrated on their own areas of expertise, often covering their own specific topics in great detail. This book is no exception; the author's background is largely in professional loudspeaker application and specification, and the emphasis in this book is on basic component design, operation, measurement, and system concepts. The book falls largely into two sections; the first (Chapters 1-9) emphasizing the building blocks of the art and the second (Chapters 10-16) emphasizing applications, measurements, and modeling. While a thorough understanding of the book requires a basic knowledge of complex algebra, much of it is understandable through referring to the graphics. Every attempt has been made to keep graphics clear and intuitive. Chapter 1 deals with the basic electro-mechano-acoustical chain between input to the loudspeaker and its useful output, with emphasis on the governing equations and equivalent circuits. Chapter 2 is a survey of cone and dome drivers, the stock-in-trade of the industry. They are discussed in terms of type, design, performance, and perfor­ mance limits. Chapter 3 deals with magnetics. Once a source of difficulty in loudspeaker design, magnetics today yields easily to modeling techniques. Chapter 4 discusses low-frequency (LF) system performance, primarily from the viewpoint of Thiele-Small parameters. We also discuss some of the multi­ chamber LF systems that became popular during the eighties.

Loudspeaker Handbook

Science & Math

Mathematics

Springer Science+Business Media

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Books by John M. Eargle