Explores the intersection between the artistic intentions and the religious beliefs of Georgia writer O'Connor (1925-64), arguing that both were more akin to medieval thought than to anything 20th-century readers would recognize. Considers her whole corpus of work. Annotation copyright Book News, Inc. Portland, Or.

The Narrative Secret of Flannery O'Connor: The Trickster As Interpreter

Johansen, Ruthann Knechel

Literature & Fiction

Univ of Alabama Pr

The Narrative Secret of Flannery O'Connor provides new insights into the full corpus of O'Connors fiction by exploring the intersection of O'Connor's artistic intentions and her religions preoccupations. Johansen looks first at how the stories create meaning in order to explain what they mean. Drawing on a variety of critical methods from narratology, anthropology, mythology, and reader response criticism, this study invites us to reconsider O'Connor's complex and enigmatic texts through their structures and actions. By focusing on the interplay of O'Connor's narrative structures, the human psyche, and the institutions and traditions of our collective history - particularly ancient myths and legends - Johansen illuminates the relation between narration, the self, and spiritual transformation. O'Connor's narratives employ figures, gestures, and actions that work to deceive or disorient the reader. These havoc-wreaking forces in and among the stories most resemble the archetypal trickster. Johansen demonstrates that, through such tricksteresque activity, O'Connor's narratives push the reader to acknowledge the perverse, violent, and often disorderly aspects of human and divine behavior. The religious secret of O'Connor narratives - revealed in shimmering environments where narration and incarnation meet - is that both evil and good, the grotesque and the ideal, violence and peace, Satan and God, the human and the divine exist together in sacred unity. O'Connor's literary secret, through which she discloses the religious one, is to tell stories that return human beings to original mythic events. By recasting these events in contemporary fiction, with the assistance of the trickster, she performs a ritual function that is as necessary in an individualistic, technological age as it is in a communitarian, primitive one. With its emphasis on narrative structures, this investigation of O'Connor's writing holds significance for other literature studies because it enables readers to see what results from the common failure to understand the interdependence of narration and incarnation: a reduction of both literature and religion to barren systems insulating people from mythic truths rather than pulling them toward freedom. This book discloses the double function of language through which spiritual, intellectual, and even social transformations become possible. On the one hand, language erects a cultural canon to secure people against fear of freedom and the threat of chaos. On the other hand, when language playfully subverts the canon by returning it to its wild, forgotten origins for renewal, it challenges human beings to free themselves from dying religious metaphors and decaying social institutions.

The Narrative Secret of Flannery O'Connor: The Trickster as Interpreter

History & Criticism

University Alabama Press

An innovative book, WHEN FICTION AND PHILOSOPHY MEET explores the intersection between the philosophy of Simone Weil from Paris, France, and the fiction of Flannery O'Connor from the Southern state of Georgia, USA. In an era of war, of unprecedented human displacements, and of ethnic, racial, and religious fears the ideas of these two intellectuals bear on our present condition. Both women keenly desired to perceive the realities of good and evil inherent in human existence and to bring this truth to the consciousness of their contemporaries. Embracing their belief that truth is eternal but must be transposed and translated, generation after generation, in language appropriate to each age, the authors acquaint O'Connor readers with concepts in Weil's religious philosophy as seen in O'Connor's stories. Doering and Johansen simultaneously illustrate how Weil's philosophy, when embodied in fiction, reveals the lived realities of the human condition across time and space.
Simone Weil and Flannery O'Connor were audacious thinkers with inquiring minds who held clear and firm religious convictions. Each applied her understandings of enduring spiritual truths to the challenges of nihilism and social oppression as seen in the spreading totalitarianism and the distressing legacy of slavery throughout human history. Both Weil and O'Connor crossed disciplinary boundaries and influenced their respective fields with innovative ideas and artistic expressions.
Taking their cues from these writers, Doering and Johansen bring these two remarkable women into a four-voiced dialogue--Simone Weil and Flannery O'Connor with Doering and Johansen--by engaging each writer in the forms of her own genre and inviting readers to enter a dialogue of courage with Weil and O'Connor in the postmodern and post-Christian world.

When Fiction & Philosophy Meet (Flannery O'Connor)

Doering, E. Jane

Mercer University Press

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