Scientist And The Forger, The: Insights Into The Scientific Detection Of Forgery In Paintings

"The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described." Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger. 
 The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception. 
 The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike. 
 Readership: General reader, curator, connoisseur, art-historian, psychologist, scientist and financier.

SCIENTIST AND THE FORGER, THE: INSIGHTS INTO THE SCIENTIFIC DETECTION OF FORGERY IN PAINTINGS

Jehane Ragai

Science & Math

IMPERIAL COLLEGE PRESS

In The Scientist and the Forger: Probing a Turbulent Art World the author draws upon an enthralling range of case studies, from Botticelli to Leonardo, Campendonk to Pollock and Chagall to Freud, equipping the reader with a holistic understanding of an art world shaped by fast-moving trends, and increasingly permeated by science. We are taken on a gripping journey, becoming witness to the attempts currently being made to safeguard a partly complicit art market virtually under siege. 
 How can we determine whether it was Leonardo's hand that created Salvator Mundi? How can we prove that a suspected Pollock is a forgery? And how can Man in a Black Cravat be seemingly incontrovertibly attributed to Lucian Freud, despite this artist's adamant refusal to recognize it as one of his own? This book reveals how art historians and scientists collaborate conclusively to authenticate paintings or demonstrate that they are forgeries, and as the enigma of La Bella Principessa continues to baffle, the question remains: do we have enough reason to hope that we shall one day know her true story? Building on the first edition, a more in depth look is taken at some of the greatest scandals to date — with an interpretation of the psychological behavior of Ann Freedman the former president and director of the Knoedler Gallery. 
 Readership: A general interest book for general readers, curators, art connoisseurs, art historians, psychologists, scientists and financiers.

SCIENTIST AND THE FORGER, THE: PROBING A TURBULENT ART WORLD (SECOND EDITION)

World Scientific Europe Ltd

In the last few years, the problems of authenticity in paintings have reached untenable proportions in tandem with a lack of understanding from connoisseurs and collectors of the insights that modern scientific investigation can offer. In some cases, because of this lack of knowledge, the results of scientific analysis are treated with suspicion.The art world has gradually come to realize the need to develop educational programs that aim at improving the technical know-how of collectors, connoisseurs, and young students who seek work as art scientists. As an introductory textbook, Technical Art History is an essential contributor to addressing this need.Traditional and innovative scientific techniques are introduced and explained through separate case studies, using the analysis of paintings and their authentication as a vehicle. This book will equip the reader with the ability to discern the most appropriate techniques in an authenticity endeavor and to have an increased appreciation of the value of an integrated approach in the evaluation of an artwork.

TECHNICAL ART HISTORY: A JOURNEY THROUGH ACTIVE LEARNING

Arts & Photography

Tamer Shoeib

History & Criticism

WSPC (EUROPE)

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Books by Jehane Ragai