Wherever we go, we are surrounded by moving images. In art as in daily life, they have long since developed a life "beyond the cinema," scuttling the conventions of dark auditoriums for images projected onto walls, staged in specially-designed environments, and aggregated in multiples. Beyond Cinema centers around approximately 25 important film and video works, primarily the major installations of the 1990s, including the ravishing projections of Pipilotti Rist, the existentialist image of the body put forward by Bruce Nauman, the psychologically charged filmic spaces of Eija-Liisa Ahtila and the highly conceptual installations of Rodney Graham. Each elaborates on notions of the projected image that were developed in the 1960s, and groundbreaking works from Marcel Broodthaers, Dan Graham and Valie Export are presented to contextualize investigations of identity and body image, film cooperatives, representations of time and other topics.

Beyond Cinema: The Art of Projection:

Jäger, Joachim

Hüsch, Anette

Eamon, Christopher

Knapstein, Gabriele

Reference

Hatje Cantz

The Neue Nationalgalerie (New National Gallery) in Berlin is not only a museum but also an architectural milestone. The last building of the great German architect Ludwig Mies van der Rohe (1886-1969), it is widely considered one of the most perfect statements of his aesthetic, with its monumental steel columns and cantilevered roof with glass enclosure. The Neue Nationalgalerie is especially famous for its 50 x 50-meter hall; with this unique pavilion structure Mies van der Rohe put a final virtuoso touch to this final masterpiece. There is no other van der Rohe structure in which the boundary between inside and outside is as porous as in this famous hall. This publication presents the building from today's perspectives, but also features historical photographs taken during the construction period, the building's opening in 1968 and the spectacular early exhibitions that took place there.

Mies van der Rohe: Neue Nationalgalerie

<p>This is the first monograph on Michel Majerus's Los Angeles paintings--considered his most forceful in the years before his 2002 death. Majerus was known for his works that combined art history and popular culture--canonized styles, repackaging and juxtaposing familiar visual images, graphics and text with varied artistic techniques and genres--all on a colossal scale.</p>

Michel Majerus: Los Angeles

Arts & Photography

Individual Artists

Walther König, Köln

Pablo Picasso X Thomas Scheibitz. Zeichen Bühne Lexikon

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