Global East Asia: Into the Twenty-First Century (Volume 4) (The Global Square)

Home to a rapidly rising superpower and the two largest economies in the world after the US, a global East Asia is seen and felt everywhere. This dynamic text views the global square from the perspective of the world's most important rising global center. East Asia's global impact is built on a dizzying combination: a very strong and deep civilizational self-consciousness fused with hypermodernity, wealth, influence, and power. Throughout the world, East Asia has become a beacon of modernity, independence, and wealth and is often seen as an alternative to the West. &nbsp; Written in short and accessible essays by prominent experts on the region, the volume covers the core of East Asian: Japan, China, and Korea--a unity of powers, economies, and cultures--as well as Mongolia and Taiwan. Topics range from contemporary culture, artistic production, food, science, economic development, digital issues, education, and international collaboration. Students will glean new perspectives about the region using the insights of global studies.

Global East Asia: Into the Twenty-First Century (The Global Square) (Volume 4)

Iwabuchi, Koichi

Pieke, Frank N.

Reference

University of California Press

Recentering Globalization: Popular Culture and Japanese Transnationalism

Globalization is usually thought of as the worldwide spread of Western—particularly American—popular culture. Yet if one nation stands out in the dissemination of pop culture in East and Southeast Asia, it is Japan. Pokémon, anime, pop music, television dramas such as Tokyo Love Story and Long Vacation—the export of Japanese media and culture is big business. In Recentering Globalization, Koichi Iwabuchi explores how Japanese popular culture circulates in Asia. He situates the rise of Japan’s cultural power in light of decentering globalization processes and demonstrates how Japan’s extensive cultural interactions with the other parts of Asia complicate its sense of being "in but above" or "similar but superior to" the region.
Iwabuchi has conducted extensive interviews with producers, promoters, and consumers of popular culture in Japan and East Asia. Drawing upon this research, he analyzes Japan’s "localizing" strategy of repackaging Western pop culture for Asian consumption and the ways Japanese popular culture arouses regional cultural resonances. He considers how transnational cultural flows are experienced differently in various geographic areas by looking at bilateral cultural flows in East Asia. He shows how Japanese popular music and television dramas are promoted and understood in Taiwan, Hong Kong, and Singapore, and how "Asian" popular culture (especially Hong Kong’s) is received in Japan.
Rich in empirical detail and theoretical insight, Recentering Globalization is a significant contribution to thinking about cultural globalization and transnationalism, particularly in the context of East Asian cultural studies.

History

Asia

Duke University Press Books

Resilient Borders and Cultural Diversity: Internationalism, Brand Nationalism, and Multiculturalism in Japan (New Studies in Modern Japan)

The acceleration of media culture globalization processes cross-fertilization and people’s exchange beyond the confinement of national borders, but not all of them lead to substantial transformations of national identity or foster cosmopolitan outlook in terms of openness, togetherness and dialogue within and beyond the national borders. Whilst national borders continue to become more and more porous, the measures of border control are constantly reformulated to tame disordered flows and tightly re-demarcate the borders—materially, physically, symbolically and imaginatively. Border crossing does not necessarily bring about the transgression of borders. Transgression of borders requires one to fundamentally question how borders in the existing form have been socio-historically constructed and also seek to displace their exclusionary power that unevenly divide “us” and “them” and “here” and “there.” This book considers how media culture and the management of people’s border crossing movement combine with Japan's cultural diversity to institute the creation of national cultural borders in Japanese millennials. Critical analysis of this development is a pressing matter if we are to seriously consider how to make Japan’s national cultural borders more inclusive and dialogic.

Lexington Books

Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas

The recent transnational reach of Japanese television dramas in East and Southeast Asia is unprecedented, and not simply in terms of the range and scale of diffusion, but also of the intense sympathy many young Asians feel toward the characters in Japanese dramas, so that they cope with their own modern lives by emulating the lives on screen. Through the empirical analysis of how Japanese youth dramas are (re)produced, circulated, regulated, and consumed in East and Southeast Asia, each chapter in this volume variously explores the ways in which intra-Asian cultural flows highlight cultural resonance and asymmetry in the region under the decentering processes of globalization. Key questions include What is the nature of Japanese cultural power and influence in the region and how is it historically overdetermined? How is it similar to and different from “Americanization” and other Asian cultural sub-centers? What kinds of images and sense of intimacy and distance are perceived through the reception of Japanese youth dramas? Contributors include Ien ANG, Geok-lian CHUA, Darrell William DAVIS, Kelly HU, ITO Mamoru, Yu-fen KO, Dong-Hoo LEE, Ming-tsung LEE, Lisa Yuk-ming LEUNG, Elizabeth Naoko MACLACHLAN, Jung-Sun PARK, Ubonrat SIRIYUVASAK, Ota TORU, Eva TSAI, Emilie Yueh-yu YEH.

Humor & Entertainment

Television

Hong Kong University Press

The recent transnational reach of Japanese television dramas in East and Southeast Asia is unprecedented, and not simply in terms of the range and scale of diffusion, but also of the intense sympathy many young Asians feel toward the characters in Japanese dramas, so that they cope with their own modern lives by emulating the lives on screen. Through the empirical analysis of how Japanese youth dramas are (re)produced, circulated, regulated, and consumed in East and Southeast Asia, each chapter in this volume variously explores the ways in which intra-Asian cultural flows highlight cultural resonance and asymmetry in the region under the decentering processes of globalization. Key questions include What is the nature of Japanese cultural power and influence in the region and how is it historically overdetermined? How is it similar to and different from “Americanization” and other Asian cultural sub-centers? What kinds of images and sense of intimacy and distance are perceived through the reception of Japanese youth dramas? Contributors include Ien ANG, Geok-lian CHUA, Darrell William DAVIS, Kelly HU, ITO Mamoru, Yu-fen KO, Dong-Hoo LEE, Ming-tsung LEE, Lisa Yuk-ming LEUNG, Elizabeth Naoko MACLACHLAN, Jung-Sun PARK, Ubonrat SIRIYUVASAK, Ota TORU, Eva TSAI, Emilie Yueh-yu YEH.

See the best price to sell, buy, or rent books by Iwabuchi, Koichi. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Iwabuchi, Koichi

See the best price to sell, buy, or rent books by Iwabuchi, Koichi. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Global East Asia: Into the Twenty-First Century (The Global Square) (Volume 4)

Recentering Globalization: Popular Culture and Japanese Transnationalism

Recentering Globalization: Popular Culture and Japanese Transnationalism

Resilient Borders and Cultural Diversity: Internationalism, Brand Nationalism, and Multiculturalism in Japan (New Studies in Modern Japan)

Resilient Borders and Cultural Diversity: Internationalism, Brand Nationalism, and Multiculturalism in Japan (New Studies in Modern Japan)

Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas

Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas