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The Work of Music and the Problem of Its Identity

Arts & Photography

Ingarden, Roman

Music

University of California Press

The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic, and Theory of Literature (Northwestern University Studies in ... Philosophy) (English and German Edition)

Literature & Fiction

History & Criticism

Northwestern Univ Pr

The Cognition of the Literary Work of Art

Politics & Social Sciences

Philosophy

This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all lliterary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.

The Literary Work of Art: An Investigation of the Borderlines of Ontology, Logic, and Theory of Language (Studies in Phenomenology and Existential Philosophy)

Northwestern University Press

This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.

Cognition of the Literary Work of Art (Studies in Phenomenology and Existential Philosophy)

In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world. By analyzing a work of art in its “constitutive heterogeneous strata,” Ingarden demonstrates that a work of art will reveal, when examined in the appropriate way, its own inherent structure. Further, he shows that in consequence of the art work’s structure, we must distinguish between the work itself and the concretizations of it by the listener or viewer. Ingarden elaborates upon the conception of concretization which he present in The Literary Work of Art and applies it to music and visual art. He also employs the concept of aspect to clarify the ontic structure of these art works and the distinction between the concretization of the work and the work itself. The distinction between the work’s concretization — effectuated in the mental experiences of the listener or viewer — and the work itself serves to help Ingarden confirm and account for the work’s intersubjective identity. The problem of aesthetic value, Ingarden maintains, can be fruitfully treated only after the ontic structure of art work has been clarified. His primary concern in Ontology of the Work of Art is to ascertain and describe that structure and the mode of existence of works of art. In addition, he offers several discussions of aesthetic value, showing in the m the connections between questions of aesthetic value and the structure of the work of art.

Ontology Of Work Of Art: Musical Work, Picture, Arch., Film (Volume 12) (Series In Continental Thought)

Ohio University Press

Le philosophe polonais Roman Ingarden (1893-1970), plus connu en France comme l'auteur de L'oeuvre d'art litteraire, est en premier lieu un phenomenologue appartenant au groupe des premiers disciples de Husserl a Gottingen. Seduit par la lecture des Recherches logiques, il developpe sa propre pensee sur la base d'un double realisme - realisme des essences et realisme des object individuels reels - ce qui le conduit naturellement a s'opposer a l'idealisme transcendantal qui se degage des Ideen I. Son combat en faveur du realisme commence des 1918, se poursuit tout au long de sa carriere jusqu'en 1969, et apparait jusque dans ses oeuvres d'esthetique qui recoivent en fait leur pleine signification a cette eclairage. Car l'essentiel de son argumentation contre l'idealisme husserlien repose sur la difference ontologique entre objet individuel et objet reel, et engage a ce titre un examen critique du statut de la reduction transcendantale et de la constitution - instruments majeurs de la phenomenologie husserlienne. Cette introduction et la traduction de quatre grands textes d'Ingarden, tant representatifs de ses treses que de son style propre, visent a offrir au public une premiere approche du dialogue continu que le philosophe polonais a mene toute sa vie avec Husserl - dialoque qui engage une nouvelle maniere d'apprehender les rapports entre ontologie et phenomenologie transcendantale.

Husserl - La Controverse Idealisme-Realisme (1918-1969) (Textes Et Commentaires) (French Edition)

Librarie Philosophique J. Vrin

Untersuchungen zur Ontologie der Kunst: Musikwerk – Bild – Architektur – Film (German Edition)

de Gruyter

Das literarische Kunstwerk: Mit einem Anhang: Von den Funktionen der Sprache im Theaterschauspiel (German Edition)

Im zweiten Halbband der Formalontologie wird zunächst das Problem der Identität eines individuellen zeitlich bedingten Gegenstandes erörtert, sodann die Form eines Seinsgebiets und die Form der Welt betrachtet und schließlich, nach der vorbereitenden Analyse seines materialen Wesens, die Form des reinen Bewußtseins untersucht, das als Strom eines reinen Ichs kein Seinsgebiet, sondern ein individueller Gegenstand ist. Erst auf dieser Grundlage werden die möglichen existentialen Beziehungen zwischen dem reinen Bewußtsein und der realen Welt diskutiert. Dabei fällt neues Licht auf die eigentümliche Verkoppelung der Frage nach der Existenz der Welt mit dem Problem des Verhältnisses von Leib, Seele und Bewußtsein.

Roman Ingarden: Der Streit um die Existenz der Welt. Band 2: Formalontologie. Teil 2 (German Edition)

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