Titian, Tintoretto, Veronese: Rivals in Renaissance Venice

Ilchman, Frederick

Arts & Photography

Museum of Fine Arts, Boston

Paolo Veronese offers new accessibly-written scholarship from leading scholars in the field. The book features famous works from American collections including the National Gallery of Art, the J. Paul Getty Museum, and the Cleveland Museum of Art. Accompanies a major exhibition at The John and Mable Ringling Museum of Art. Paolo Veronese is acknowledged as one of the giants of Venetian Renaissance painting. His artistic production was richly varied, extending from imposing altarpieces to smaller religious paintings for private clients, from grand portraits to sensual episodes drawn from the classical tradition. Veronese was also an outstanding draughtsman, and his graphic oeuvre ranged from preliminary sketches to highly finished chiaroscuro sheets. A foreigner in Venice, he created paintings for Venetian clients and settings, as well for the mainland and export abroad. Thus, Veronese's art was unusually versatile for its time. This magnificently illustrated book will display this extraordinary versatility and examine Veronese's artistic practice, concentrating on works from North American collections. For a sixteenth-century painter, many of whose works are in fresco or on enormous canvases still in situ, Veronese is unusually broadly represented in North America. At the same time, the broad spectrum of Veronese as a painter and draughtsman has not been available to American audiences in over two decades. This publication authored by an international team of experts, will be a major contribution to Veronese studies.

Paolo Veronese: A Master and His Workshop in Renaissance Venice

Brilliant, Virginia

Reference

Scala Arts Publishers, Inc.

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