A radically new perspective on Francis Bacon’s art, analyzing the ways in which literature inspired the artist’s work.
Published to accompany a major Francis Bacon retrospective in Paris, which will travel to the Fine Arts Museum, Houston, Francis Bacon analyzes Bacon’s works from 1971 onward in light of his relationship to literature. Bacon always vigorously opposed overanalysis of his paintings, preferring to interpret them in purely illustrative or symbolic terms; he admitted, however, that literature was a powerful stimulus to his imagination. The artist was inspired by the images conjured up by certain texts: Aeschylus’s phrase “the reek of human blood smiles out at me” particularly haunted Bacon, while his 1978 work Painting refers to T. S. Eliot’s seminal poem The Waste Land. An inventory of Bacon’s personal library has identified more than 1,300 books, ranging from Georges Bataille and Joseph Conrad to Friedrich Nietzsche and Michel Leiris.
Including twelve of Bacon’s renowned triptychs, this lavish publication features eleven gatefolds and some sixty paintings created by Bacon between 1971 and his death in 1992. Reproduced here with analyses of Bacon’s paintings in the light of some of his most admired authors, these specially commissioned texts reveal new ways of understanding some of the most powerful works in the modern canon. 101 illustrations

Francis Bacon: Books and Painting

Arts & Photography

Peppiatt, Michael

STEPHENS, Chris

Egaña, Miguel

Howe, Catherine

History & Criticism

Thames&Hudson

Haitian Creole Newspaper Reader (English and French Creole Edition)

Reference

Words, Language & Grammar

Dunwoody Pr

1842 was a year of crisis in Britain, and no more so than in the West Riding town of Halifax. A great strike of all trades took place across England in 1842. It reached its zenith in the industrial towns of the north, starting in the small communities of Lancashire and quickly spreading to the West Riding of Yorkshire as Lancashire marchers poured across the Pennines. In hand with its neighbouring town of Huddersfield, Halifax was noted for its opposition to the New Poor Law which, in 1834, attempted to abolish outdoor relief for the poor, for its support of a maximum ten-hour working day and the Chartists' call for workers' voting rights. When Bradford publican 'Fat Peter' Bussey attended the first Chartist Convention in London in 1839, he took with him the West Riding petition bearing 52,800 signatures, 25 percent of which had been given at Halifax. This book discusses the efforts made by the men and women of Halifax in these early years of organised agitation for social reform, their 'clandestine meetings and nightly drilling', their 'determination, resilience and militancy' to gain a say in the laws under which they lived. It tells of the fight for the legislative rights of workers like seventeen-year-old Patience Kershaw, who dragged loads of coal for twelve hours each day along narrow and dangerous passages under the hills of Halifax. When the Lancashire marchers arrived at Halifax in the hot summer of 1842, the cavalry attempted to clear the streets with their sabres and a violent response was inevitable, arrests quickly followed. The climax came when many hundreds of the men and women of Halifax fought against British soldiers on 16th August 1842, an event which led to the humiliation of a proud platoon of Prince Albert's Own and to the death of at least six men of Halifax.

Halifax 1842: A Year of Crisis

History

Europe

Breviary Stuff Publications

London Story 1848

Historical Study & Educational Resources

APS Books

59 Greek Street: Home of the Theatre Girl's Club, Soho, London

APS Publications

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Books by Howe, Catherine