This book examines the digital explosion that has ripped across the battlefield, weaponizing our attention and making everyone a participant in wars without end. "Smart" devices, apps, archives and algorithms remove the bystander from war, collapsing the distinctions between audience and actor, soldier and civilian, media and weapon. This has ruptured our capacity to make sense of war. Now we are all either victims or perpetrators. In Radical War, Ford and Hoskins reveal how contemporary war is legitimized, planned, fought, experienced, remembered and forgotten in a continuous and connected way, through digitally saturated fields of perception. Plotting the emerging relationship between data, attention and the power to control war, the authors chart the complex digital and human interdependencies that sustain political violence today. Through a unique, interdisciplinary lens, they map our disjointed experiences of conflict and illuminate this dystopian new ecology of war.

Radical War: Data, Attention and Control in the Twenty-First Century

History

Ford, Matthew

Hoskins, Andrew

Military

Oxford University Press

The Remaking of Memory in the Age of the Internet and Social Media

Health, Fitness & Dieting

Mental Health

Risk and Hyperconnectivity: Media and Memories of Neoliberalism (Oxford Studies in Digital Politics)

Risk and Hyperconnectivity brings together for the first time three paradigms: new risk theory, neoliberalization theory, and connectivity theory, to illuminate how the kaleidoscope of risk events in the opening years of the new century has recharged a neoliberal battlespace of media, economy, and security. Hoskins and Tulloch argue that hyperconnectivity is both a conduit of risk and a form of risk in itself, and that it alters the ways in which we experience events and remember them. Through interdisciplinary dialogue and case study analysis they offer original perspectives on the key questions of risk of our age, including: What is the path to a 'balance' between individual privacy and state (or corporate) security? Is hyperconnectivity itself a new risk condition of our time? How do remembering and forgetting shape citizen insecurity and cultures of risk, and legitimize neoliberal governance? How do journalists operate as 'public intellectuals' of risk? Through probing a series of risk events that have already scarred the twenty-first century, Hoskins and Tulloch show how both established and emergent media are central in shaping past, present and future horizons of neoliberalism, while also propelling wide pressure for its alternatives on those ranging from economics students worldwide to potential political leaders cultivated by austerity policies.

Politics & Social Sciences

Tulloch, John

Social Sciences

Radicalisation and media (Media, War and Security)

This book examines the circulation and effects of radical discourse by analysing the role of mass media coverage in promoting or hindering radicalisation and acts of political violence.  There is a new environment of conflict in the post-9/11 age, in which there appears to be emerging threats to security and stability in the shape of individuals and groups holding or espousing radical views about religion, ideology, often represented in the media as oppositional to Western values. This book asks what, if anything is new about these radicalising discourses, how and why they relate to political acts of violence and terror, and what the role of the mass media is in promoting or hindering them. This includes exploring how the acts themselves and explanations for them on the web are picked up and represented in mainstream television news media or Big Media, through the journalistic and editorial uses of words, phrases, graphics, images, and videos. It analyses how interpretations of the term 'radicalisation' are shaped by news representations through investigating audience responses, understandings and misunderstandings. Transnational in scope, this book seeks to contribute to an understanding of the connectivity and relationships that make up the new media ecology, especially those that appear to transcend the local and the global, accelerate the dissemination of radicalising discourses, and amplify media/public fears of political violence.  This book will be of interest to students of security studies, media studies, terrorism studies, political science and sociology.

Radicalisation and Media (Media, War and Security)

O’Loughlin, Ben

Awan, Akil

Reference

Routledge

War and Media: The Emergence of Diffused War

The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. 
War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.

War and Media

Polity

Televising War: From Vietnam to Iraq

Andrew Hoskins provides a fascinating critical account of the relationship between the Media and conflict, from perceptions of the televisual 'losing' of the Vietnam War, to satellite-driven footage from the Gulf in 1991, and finally to the continuous presence of journalists during the Iraq War.

Humor & Entertainment

Television

Continuum Intl Pub Group

Our relationship with the past-whether judgment, celebration, commemoration or denial-has become an important part of public culture. This book explores the relationship between televisual communication and memory-focusing on the conflicts that have disrupted and changed our world over the past 50 years-with particular reference to the current war in Iraq. 
Case studies cover the Holocaust, Vietnam, both Gulf Wars and Kosovo. Though the Vietnam War was extensively televised, it was framed within a domestic U.S. context. By the time of the latest Gulf War and Kosovo the coverage of warfare was both more immediate and more global. Hoskins illustrates this with a comparative critique of individual countries' national media framing of war (including Middle Eastern perspectives) in contrast to the so-called "global" viewpoint of satellite news networks such as CNN. 
Televising War examines the intertwining of self, society and media that influences our understanding of both past and present.

Continuum

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