London from the Thames

Light wear to boards, content clean and sharp, solidly bound, good DJ with some wear

Travel

Hornak, Angelo

Europe

Little, Brown, UK

For centuries the River Thames was London's main thoroughfare, and many famous landmarks line its banks. The Tower of London, The Houses of Parliament, Somerset House and Chelsea Hospital all present their most imposing aspect to the river. This volume takes the reader on a boat trip through London, exploring this fascinating waterway and the history of the buildings and monuments on its banks. Angelo Hornak's photographs offer a view of the river from the Thames Barrier in the east to Hampton Court in the west, and are accompanied by engravings which put the Thames in historical perspective. These include views of the Tower of London in the 16th century and a Ponte Vecchio-style Old London Bridge with its houses and shops.

Arts & Photography

Photography & Video

Balloon over Britain

British Tourist Authority

Physical description; 96p. : ill.(some col.), 1 plan ; 28cm. 1995 reprint. Subjects; York Minster. Church architecture - England - York. York (England) - Buildings, structures, etc. North Yorkshire - York - Cathedrals - York Minster - Visitors' guides. York Minster. Guidebooks.

York Minster

Beckett, Lucy

Architecture

Scala Books

Canterbury Cathedral

KEATES, Jonathan

Biographies & Memoirs

Ted Smart

Canterbury Cathedral (Scala Museum)

History & Criticism

Scala

"London was but is no more!" In these words diarist John Evelyn summed up the destruction wrought by the Great Fire that swept through the City of London in 1666. The losses included St Paul’s Cathedral and eight-seven parish churches (as well as at least thirteen thousand houses). In After the Fire, celebrated photographer and architectural historian Angelo Hornak explores, with the help of his own stunning photographs, the churches built in London during the sixty years that followed the Great Fire, as London rose from the ashes, more beautiful – and far more spectacular – than ever before. The catastrophe offered a unique opportunity to Christopher Wren and his colleagues – including Robert Hooke and Nicholas Hawksmoor – who, over the next forty years, rebuilt St Paul’s and fifty-one other London churches in a dramatic new style inspired by the European Baroque. Forty-five years after the Fire, the Fifty New Churches Act of 1711 gave Nicholas Hawksmoor the scope to build breathtaking (and controversial) new churches including St Anne’s Limehouse, Christ Church Spitalfields and St George’s Bloomsbury. By the 1720s the pendulum was swinging away from the Baroque of Wren and Hawksmoor, and it was James Gibbs' more restrained St Martin-in the-Fields that was to provide the prototype for churches throughout the English-speaking world - especially in North America – for the next hundred years.

After the Fire: London Churches in the Age of Wren, Hawksmoor and Gibbs

Pimpernel Press

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