A detailed chronological study of Titian's life and art examines his paintings, explains his use of color and brushwork, and challenges established ideas concerning the Venetian painter's career and artistic development

Titian (ICON EDITIONS)

Arts & Photography

Hope, Charles

History & Criticism

Icon.

London, Royal Academy of Arts, 1983, 4to brossura editoriale con copertina illustrata a colori, pp. 415 completamente illustrato in nero e a colori. In ottime condizioni.

The Genius of Venice 1500-1600

Martineau, Jane

Weidenfeld&Nicolson

In this gorgeously illustrated book, renowned Titian scholars examine some of the celebrated artistâs masterpieces and discuss his life and times, portraits, replicas, and technique. The reproductions and text provide new evidence of Titianâs genius as a stylistic innovator. A gem of a catalog. Interestingly written, well-documented and beautifully illustrated essays update the scholarship on particular aspects of the life and work of Titian. . . . Highly recommended.âChoice

Titian

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Titian (National Gallery London Publications)

In this gorgeously illustrated book, renowned Titian scholars examine some of the celebrated artist’s masterpieces and discuss his life and times, portraits, replicas, and technique. The reproductions and text provide new evidence of Titian’s genius as a stylistic innovator. A gem of a catalog. Interestingly written, well-documented and beautifully illustrated essays update the scholarship on particular aspects of the life and work of Titian. . . . Highly recommended.”Choice

Jaffé, David

Dunkerton, Jill

Fletcher, Jennifer

Penny, Nicholas

Campbell, Caroline

Falomir, Miguel

Bradley, Amanda

National Gallery London

The greatest of all Venetian painters, Titian achieved a worldly success and artistic influence unsurpassed in his own lifetime and later equalled only by Rubens. His matchless technique brought him imperial patronage and led to a revolutionary change in the role of the painter. In liberating painting from its traditional subservience to drawing he emphasised the importance of colour and brushwork, establishing a tradition that can be traced through the work of countless artists, from Velásquez to the Impressionists and beyond. In this major study, Charles Hope draws on previously unpublished sources to present an authoritative new account of Titian's remarkable rise to fame and sustained pre-eminence and succeeds in convincingly challenging many long held ideas about the painter's career and development. Thirty-two colour plates and over eighty black and white illustrations show every aspect of Titian's work as the last great painter of the High Renaissance, including portraits epitomising the aristocratic ideals of the period, erotic depictions of pagan gods, and religious compositions that laid the foundations of Catholic baroque art.

Chaucer Pr

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