Beautifully written, and composed with a novelist’s eye for detail,this booktells the story of an exceptional man and the culture from which he emerged. 
Taha Muhammad Ali was born in 1931 in the Galilee village of Saffuriyya and was forced to flee during the war in 1948. He traveled on foot to Lebanon and returned a year later to find his village destroyed. An autodidact, he has since run a souvenir shop in Nazareth, at the same time evolving into what National Book Critics Circle Award–winner Eliot Weinberger has dubbed “perhaps the most accessible and delightful poet alive today.”
As it places Muhammad Ali’s life in the context of the lives of his predecessors and peers, My Happiness offers a sweeping depiction of a charged and fateful epoch. It is a work that Arabic scholar Michael Sells describes as “among the five ‘must read’ books on the Israel-Palestine tragedy.” In an era when talk of the “Clash of Civilizations” dominates, this biography offers something else entirely: a view of the people and culture of the Middle East that is rich, nuanced, and, above all else, deeply human.

My Happiness Bears No Relation to Happiness: A Poet's Life in the Palestinian Century

Biographies & Memoirs

HOFFMAN, Adina

Arts & Literature

Yale University Press

This first biography of a Palestinian writer also provides a moving account of the ways “ordinary” individuals are swept up by the floodtides of both war and peace Beautifully written, and composed with a novelist’s eye for detail,this booktells the story of an exceptional man and the culture from which he emerged.
Taha Muhammad Ali was born in 1931 in the Galilee village of Saffuriyya and was forced to flee during the war in 1948. He traveled on foot to Lebanon and returned a year later to find his village destroyed. An autodidact, he has since run a souvenir shop in Nazareth, at the same time evolving into what National Book Critics Circle Award–winner Eliot Weinberger has dubbed “perhaps the most accessible and delightful poet alive today.”
As it places Muhammad Ali’s life in the context of the lives of his predecessors and peers, My Happiness offers a sweeping depiction of a charged and fateful epoch. It is a work that Arabic scholar Michael Sells describes as “among the five ‘must read’ books on the Israel-Palestine tragedy.” In an era when talk of the “Clash of Civilizations” dominates, this biography offers something else entirely: a view of the people and culture of the Middle East that is rich, nuanced, and, above all else, deeply human.

From the prizewinning Jewish Lives series, a vibrant portrait of one of the most accomplished and prolific American screenwriters, by an award-winning biographer and essayist
He was, according to Pauline Kael, “the greatest American screenwriter.” Jean-Luc Godard called him “a genius” who “invented 80 percent of what is used in Hollywood movies today.” Besides tossing off dozens of now-classic scripts—including Scarface,Twentieth Century, and Notorious—Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine’s Jewish terrorist underground. Whatever the outrage he stirred, this self-declared “child of the century” came to embody much that defined America—especially Jewish America—in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman’s vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman—critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics—is uniquely suited to capture him in all his modes. About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: "Excellent" –New York Times "Exemplary" –Wall St. Journal "Distinguished" –New Yorker "Superb" –The Guardian

Ben Hecht: Fighting Words, Moving Pictures (Jewish Lives)

A vibrant portrait of one of the most accomplished and prolific American screenwriters, by an award-winning biographer and essayist
He was, according to Pauline Kael, “the greatest American screenwriter.” Jean-Luc Godard called him “a genius” who “invented 80 percent of what is used in Hollywood movies today.” Besides tossing off dozens of now-classic scripts—including Scarface,Twentieth Century, and Notorious—Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine’s Jewish terrorist underground. Whatever the outrage he stirred, this self-declared “child of the century” came to embody much that defined America—especially Jewish America—in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman’s vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman—critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics—is uniquely suited to capture him in all his modes.

A biographical excavation of one of the world’s great, troubled cities
A remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. 
 The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best.
 A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.

Till We Have Built Jerusalem: Architects of a New City

Arts & Photography

History & Criticism

Farrar. Straus and Giroux

A biographical excavation of one of the world’s great, troubled citiesA remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem.  The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.

A brilliant and moving evocation of the rhythms of life (and the darker shadows below it) in a working-class quarter of the world’s most fascinating and divided city. In the tradition of the literature of place perfected by such expatriate writers as M. F. K. Fisher and Isak Dinesen, Adina Hoffman’s House of Windows compellingly evokes Jerusalem through the prism of the neighborhood where she has lived for eight years since moving from the United States. In a series of interlocking sketches and intimate portraits of the inhabitants of Musrara, a neighborhood on the border of the western (Jewish) and eastern (Arab) sides of the city–a Sephardic grocer, an aging civil servant, a Palestinian gardener, a nosy mother of ten–Hoffman constructs an intimate view of Jerusalem life that will be a revelation to American readers bombarded with politics and headlines. By focusing on the day-to-day pace of existence in this close-knit community, she provides a rich, precise, and refreshingly honest portrait of a city often reduced to cliche–and takes in the larger question of identity and exile that haunts Jews and Palestinians alike.

House of Windows: Portraits From a Jerusalem Neighborhood

History

Middle East

Broadway Books

NATIONAL JEWISH BOOK AWARD FINALIST WINNER OF THE 2012 AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD FOR OUTSTANDING ACHIEVEMENT IN JEWISH LITERATURE Sacred Trash tells the remarkable story of the Cairo Geniza—a synagogue repository for worn-out texts that turned out to contain the most vital cache of Jewish manuscripts ever discovered. This tale of buried communal treasure weaves together unforgettable portraits of Solomon Schechter and the other modern heroes responsible for the collection’s rescue with explorations of the medieval documents themselves—letters and poems, wills and marriage contracts, Bibles, money orders, fiery dissenting religious tracts, fashion-conscious trousseaux lists, prescriptions, petitions, and mysterious magical charms. Presenting a panoramic view of almost a thousand years of vibrant Mediterranean Judaism, Adina Hoffman and Peter Cole bring contemporary readers into the heart of this little-known trove, whose contents have rightly been dubbed “the Living Sea Scrolls.” Part biography, part meditation on the supreme value the Jewish people has long placed in the written word, Sacred Trash is above all a gripping tale of adventure and redemption. (With black-and-white illustrations throughout.)

Sacred Trash: The Lost and Found World of the Cairo Geniza (Jewish Encounters Series)

Cole, Peter

Schocken

NATIONAL JEWISH BOOK AWARD FINALIST Part of the Jewish Encounter series One May day in 1896, at a dining-room table in Cambridge, England, a meeting took place between a Romanian-born maverick Jewish intellectual and twin learned Presbyterian Scotswomen, who had assembled to inspect several pieces of rag paper and parchment. It was the unlikely start to what would prove a remarkable, continent-hopping, century-crossing saga, and one that in many ways has revolutionized our sense of what it means to lead a Jewish life. In Sacred Trash, MacArthur-winning poet and translator Peter Cole and acclaimed essayist Adina Hoffman tell the story of the retrieval from an Egyptian geniza, or repository for worn-out texts, of the most vital cache of Jewish manuscripts ever discovered. This tale of buried scholarly treasure weaves together unforgettable portraits of Solomon Schechter and the other heroes of this drama with explorations of the medieval documents themselves—letters and poems, wills and marriage contracts, Bibles, money orders, fiery dissenting tracts, fashion-conscious trousseaux lists, prescriptions, petitions, and mysterious magical charms. Presenting a panoramic view of nine hundred years of vibrant Mediterranean Judaism, Hoffman and Cole bring modern readers into the heart of this little-known trove, whose contents have rightly been dubbed “the Living Sea Scrolls.” Part biography and part meditation on the supreme value the Jewish people has long placed on the written word, Sacred Trash is above all a gripping tale of adventure and redemption.

Europe

House of Windows is a compelling evocation of Jerusalem seen through the prism of the neighborhood where she has lived for eight years, since moving from the United States. Hoffman concentrates on the lives of ordinary people, and establishes a vivid sense of place through a series of first-person descriptions of characters and events. By focusing on the day-to-day rhythms of her close-knit community - practically a self-contained village within the bustling urban landscape - Hoffman offers a rich, precise, and refreshingly honest portrait of a city often reduced to generalization and cliche. This view of life along the border between the western (Jewish) and eastern (Arab) sides of the city will be a revelation to American readers, accustomed to the symbolically overburdened Israel of news headlines and ancient historical sites. The narrative consists of a series of interlocking sketches, a constellation of intimate portraits: a Sephardic grocer, an aging civil servant, a Palestinian gardener, a nosy mother of ten, and others. Its gaze and ambition gradually widen to take in larger questions of identity and exile, whether that of the once and in some cases still poor Moroccan-Jewish residents of the area, of the well-to-do Palestinians who founded the neighborhood and lived there until 1948, or of the writer herself, transplanted to her new home in the Middle East.

House of Windows: Portraits from a Jerusalem Neighborhood

Steerforth Pr

See the best price to sell, buy, or rent books by HOFFMAN, Adina. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by HOFFMAN, Adina

See the best price to sell, buy, or rent books by HOFFMAN, Adina. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

My Happiness Bears No Relation to Happiness: A Poet's Life in the Palestinian Century

My Happiness Bears No Relation to Happiness: A Poet's Life in the Palestinian Century

Ben Hecht: Fighting Words, Moving Pictures (Jewish Lives)

Ben Hecht: Fighting Words, Moving Pictures (Jewish Lives)

Till We Have Built Jerusalem: Architects of a New City

Till We Have Built Jerusalem: Architects of a New City

House of Windows: Portraits From a Jerusalem Neighborhood

Sacred Trash: The Lost and Found World of the Cairo Geniza (Jewish Encounters Series)

Sacred Trash: The Lost and Found World of the Cairo Geniza (Jewish Encounters Series)

House of Windows: Portraits from a Jerusalem Neighborhood