Blackfriars: Theater, Church, and Neighborhood in Early Modern London is a cultural history of an urban enclave best known in the later sixteenth and seventeenth centuries for the incongruous juxtaposition of playing and godly preaching. As the former site of one of London's great religious houses, the post-Reformation Blackfriars was a Liberty free from mayoral control. The legal exemptions and privileges enjoyed by its residents helped attract an unusual mix of groups and activities. Zealous preachers and puritan parishioners mingled with playhouse workers and playgoers, as well as with the immigrant 'strangers' who settled here. The book focuses on local playhouse-church relations and asks how a theatrical culture was able to flourish in a parish dominated by committed puritans. Physically, the church of St Anne's and the playhouse were virtually next-door, but ideologically they seemed poles apart. Yet despite the occasional efforts of some residents to close the playhouse, godly religion and commercial playing managed to coexist. In explanation, the book examines the conflicting economic and ideological priorities of residents and the overriding desire to promote order and neighborliness. More provocatively, I argue that the Blackfriars pulpit and stage could be mutually reinforcing sites of performance. Preachers as well as playwrights exploited the Liberty's vexed relations with authority to air satirical and dissident views of the established church and state. By examining Blackfriars sermons and plays side-by-side, the book reveals a synergy between two institutions usually considered implacable enemies.

Blackfriars in Early Modern London: Theater, Church, and Neighborhood (Early Modern Literary Geographies)

Literature & Fiction

Highley, Christopher

History & Criticism

Oxford University Press

Modern scholars, fixated on the 'winners' in England's sixteenth- and seventeenth-century religious struggles, have too readily assumed the inevitability of Protestantism's historical triumph and have uncritically accepted the reformers' own rhetorical construction of themselves as embodiments of an authentic Englishness. Christopher Highley interrogates this narrative by examining how Catholics from the reign of Mary Tudor to the early seventeenth century contested and shaped discourses of national identity, patriotism, and Englishness. Accused by their opponents of espousing an alien religion, one orchestrated from Rome and sustained by Spain, English Catholics fought back by developing their own self-representations that emphasized how the Catholic faith was an ancient and integral part of true Englishness. After the accession of the Protestant Elizabeth, the Catholic imagining of England was mainly the project of the exiles who had left their homeland in search of religious tolerat

Catholics Writing the Nation in Early Modern Britain and Ireland

British & Irish

Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries such as John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. Highley argues that the confrontation between an English imperial presence and a Gaelic "other" was a profound factor in the definition of an English poetic self.

Shakespeare, Spenser, and the Crisis in Ireland (Cambridge Studies in Renaissance Literature and Culture)

Cambridge University Press

Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries such as John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. Highley argues that the confrontation between an English imperial presence and a Gaelic "other" was a profound factor in the definition of an English poetic self.

Shakespeare, Spenser, and the Crisis in Ireland (Cambridge Studies in Renaissance Literature and Culture, Series Number 23)

Interest in John Foxe and his hugely influential text Acts and Monuments is particularly vibrant at present. This volume, the third to arise from a series of international colloquia on Foxe, collects essays by established and up-and-coming scholars. It broadly embraces five major areas of early modern studies: Roman Catholicism, women and gender, visual culture, the history of the book and historiography. Patrick Collinson provides an entire overview of the field of Foxe studies and further essays place Foxe and his work within the context of their times.

John Foxe and his World (St Andrews Studies in Reformation History)

King, John N.

Biographies & Memoirs

Routledge

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Books by Highley, Christopher

See the best price to sell, buy, or rent books by Highley, Christopher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Blackfriars in Early Modern London: Theater, Church, and Neighborhood (Early Modern Literary Geographies)

Catholics Writing the Nation in Early Modern Britain and Ireland

Shakespeare, Spenser, and the Crisis in Ireland (Cambridge Studies in Renaissance Literature and Culture)

Shakespeare, Spenser, and the Crisis in Ireland (Cambridge Studies in Renaissance Literature and Culture, Series Number 23)

Shakespeare, Spenser, and the Crisis in Ireland (Cambridge Studies in Renaissance Literature and Culture, Series Number 23)

John Foxe and his World (St Andrews Studies in Reformation History)