<div>Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. Deindustrializing Montreal challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Fundamentally, deindustrialization is a process of physical and social ruination as well as part of a wider political project that leaves working-class communities impoverished and demoralized. The structural violence of capitalism occurs gradually and out of sight, but it doesn't play out the same for everyone. Point Saint-Charles was left to rot until it was revalorized by gentrification, whereas Little Burgundy was torn apart by urban renewal and highway construction. This historical divergence had profound consequences in how urban change has been experienced, understood, and remembered. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings these communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. The urban neighbourhood has never been a settled concept, and its apparent innocence masks considerable contestation, divergence, and change over time. Deindustrializing Montreal thinks critically about locality, revealing how heritage becomes an agent of gentrification, investigating how places like Little Burgundy and the Point acquire race and class identities, and questioning what is preserved and for whom.</div>

Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (Volume 40) (Studies on the History of Quebec)

History

High, Steven

Americas

McGill-Queen's University Press

In January 1941, the hulking twenty-one thousand ton troopship Edmund B. Alexander docked in St John's harbor, carrying a thousand American soldiers sent to join the thousands of Canadian troops protecting Newfoundland against attack by Germany. France had fallen, Great Britain was fighting for its survival, and Newfoundland - then a dominion of Britain - was North America's first line of defence. Although the German invasion never came, St John's found itself occupied by both Allied Canadian and American forces.

Occupied St John's: A Social History of a City at War, 1939-1945

Oral History at the Crossroads: Sharing Life Stories of Survival and Displacement (Shared: Oral and Public History)

Over the span of seven years, hundreds of people displaced by mass violence told their stories to the Montreal Life Stories project. From the outset, the project’s organizers sought to develop an alternative model to traditional oral history practice, one where community members “shared authority” as equal partners. Together, they challenged long-held beliefs about how oral stories should be collected and shared. As a sustained reflection on this large-scale experiment in collaborative research, Oral History at the Crossroads has methodological and ethical implications for scholars. It also provides a contemporary model for curating public history, pushing the field in new directions.

UBC Press

Over the span of seven years, hundreds of people displaced by mass violence told their stories to the Montreal Life Stories project. From the outset, the project's organizers sought to develop an alternative model to traditional oral history practice, one where community members "shared authority" as equal partners. Together, they challenged long-held beliefs about how oral stories should be collected and shared. As a sustained reflection on this large-scale experiment in collaborative research, Oral History at the Crossroads has methodological and ethical implications for scholars. It also provides a contemporary model for curating public history, pushing the field in new directions.

Going Public responds to the urgent need to expand current thinking on what it means to co-create and to actively involve the public in research activities. Drawing on conversations with over thirty practitioners across multiple cultures and disciplines, this book examines the ways in which oral historians, media producers, and theatre artists use art, stories, and participatory practices to engage creatively with their publics. It offers insights into concerns related to voice, appropriation, privilege, and the ethics of participation, and it reveals that the shift towards participatory research and creative practices requires a commitment to asking tough questions about oneself and the ways that people's stories are used.

Going Public: The Art of Participatory Practice (Shared: Oral and Public History)

Miller, Elizabeth

Little, Edward

Going Public responds to the urgent need to expand current thinking on what it means to co-create and to actively involve the public in research activities. Drawing on conversations with over thirty practitioners across multiple cultures and disciplines, this book examines the ways in which oral historians, media producers, and theatre artists use art, stories, and participatory practices to engage creatively with their publics. It offers insights into concerns related to voice, appropriation, privilege, and the ethics of participation, and it reveals that the shift towards participatory research and creative practices requires a commitment to asking tough questions about oneself and the ways that people's stories are used.

Deindustrialization is not simply an economic process, but a social and cultural one as well. The rusting detritus of our industrial past―the wrecked hulks of factories, abandoned machinery too large to remove, and now-useless infrastructures―has for decades been a part of the North American landscape. In recent years, however, these modern ruins have become cultural attractions, drawing increasing numbers of adventurers, artists, and those curious about a forgotten heritage. Through a unique blend of oral history, photographs, and interpretive essays, Corporate Wasteland investigates this fascinating terrain and the phenomenon of its loss and rediscovery. Steven High and David W. Lewis begin by exploring an emerging aesthetic they term the deindustrial sublime, explaining how the ritualized demolition of landmark industrial structures served as dramatic punctuations between changing eras. They then follow the narrative path blazed by urban spelunkers, explorers who infiltrate former industrial sites and then share accounts and images of their exploits in a vibrant online community. And to understand the ways in which geographic and emotional proximity affects how deindustrialization is remembered and represented, High and Lewis focus on Youngstown, Ohio, where residents and former steelworkers still live amid the reminders of more prosperous times. Corporate Wasteland concludes with photo essays of sites in Michigan, Ontario, West Virginia, and Pennsylvania that pair haunting images with the poignant testimonies of those who remember industrial sites as workplaces rather than monuments. Forcing readers to look beyond nostalgia, High and Lewis reinterpret our deindustrialized landscape as a historical and imaginative challenge to the ways in which we comprehend and respond to the profound disruptions wrought by globalization.

Corporate Wasteland: The Landscape and Memory of Deindustrialization

Arts & Photography

Lewis, David W.

Photography & Video

ILR PRESS

Industrial Sunset: The Making of North America's Rust Belt, 1969-1984 (Heritage)

Plant shutdowns in Canada and the United States from 1969 to 1984 led to an ongoing and ravaging industrial decline of the Great Lakes Region. Industrial Sunset offers a comparative regional analysis of the economic and cultural devastation caused by the shutdowns, and provides an insightful examination of how mill and factory workers on both sides of the border made sense of their own displacement. The history of deindustrialization rendered in cultural terms reveals the importance of community and national identifications in how North Americans responded to the problem.Based on the plant shutdown stories told by over 130 industrial workers, and drawing on extensive archival and published sources, and songs and poetry from the time period covered, Steve High explores the central issues in the history and contemporary politics of plant closings. In so doing, this study poses new questions about group identification and solidarity in the face of often dramatic industrial transformation.

Business & Money

Economics

University of Toronto Press, Scholarly Publishing Division

Plant shutdowns in Canada and the United States from 1969 to 1984 led to an ongoing and ravaging industrial decline of the Great Lakes Region. Industrial Sunset offers a comparative regional analysis of the economic and cultural devastation caused by the shutdowns, and provides an insightful examination of how mill and factory workers on both sides of the border made sense of their own displacement. The history of deindustrialization rendered in cultural terms reveals the importance of community and national identifications in how North Americans responded to the problem.
Based on the plant shutdown stories told by over 130 industrial workers, and drawing on extensive archival and published sources, and songs and poetry from the time period covered, Steve High explores the central issues in the history and contemporary politics of plant closings. In so doing, this study poses new questions about group identification and solidarity in the face of often dramatic industrial transformation.

University of Toronto Press

See the best price to sell, buy, or rent books by High, Steven. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by High, Steven

See the best price to sell, buy, or rent books by High, Steven. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (Volume 40) (Studies on the History of Quebec)

Occupied St John's: A Social History of a City at War, 1939-1945

Occupied St John's: A Social History of a City at War, 1939-1945

Oral History at the Crossroads: Sharing Life Stories of Survival and Displacement (Shared: Oral and Public History)

Oral History at the Crossroads: Sharing Life Stories of Survival and Displacement (Shared: Oral and Public History)

Going Public: The Art of Participatory Practice (Shared: Oral and Public History)

Going Public: The Art of Participatory Practice (Shared: Oral and Public History)

Corporate Wasteland: The Landscape and Memory of Deindustrialization

Industrial Sunset: The Making of North America's Rust Belt, 1969-1984 (Heritage)

Industrial Sunset: The Making of North America's Rust Belt, 1969-1984 (Heritage)