The landmark photographic survey of the human body at a moment when body image and body politics are being redefined.
In a world of selfies and body shaming, Photoshopping and gender fluidity, body image has never been more at the forefront of popular cultural dialogue. Body is a definitive, democratic statement at a time when our fixation with images of the human form is greater than ever before.
Curator and art historian Nathalie Herschdorfer brings together over three hundred and fifty images created predominantly in the twenty-first century that explore our relationship with the body. This watershed publication presents work from major names in art photography, including Bettina Rheims, Lauren Greenfield, Cindy Sherman, Viviane Sassen, and Sally Mann, alongside others whose fashion work has shaped our view of the human form, such as Solve Sundsbo and Daniel Sannwald. Interwoven with these major works are images that explore the numerous other ways in which we have represented the body, and the ways in which imaging of the body has been used, shared, and changed over the last quarter-century.
Capturing the complex and often paradoxical relationship we have with our bodies―from fantasy to reality and curiosity to obsession―Body is a timely homage to, and introspection of, the human form as it sits in our current culture. 360 color illustrations

Body: The Photography Book

Arts & Photography

Herschdorfer, Nathalie

Photography & Video

Thames&Hudson

Timeless, evocative, and hauntingly beautiful photocollages in a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography. American photographer Deborah Turbeville defies classification. She belongs to no school nor movement. Her unique visual signature has been recognizable since her emergence as a major talent in the 1970s. Her images are evocative, difficult to date at first glance, and seem dreamlike to our twenty-first-century eyes, a very different representation of feminine beauty from the highly sexualized works of her male contemporaries. This new publication focuses on the area of Turbeville's practicewhere her genius as an artist can be found: photocollage. In contrast to her contemporaries in fashion photography, she was deliberately playful with her images: xeroxing, cutting, scraping, and pinning prints together, writing in the margins and creating narrative sequences. Her work is located far from single, glossy images. It inhabits a liminal zone between art and commerce. Built upon extensive research in the Deborah Turbeville archive, the work shown spans commercial and personal projects, with many images published for the first time. With texts by Vince Aletti, Anna Tellgren, and Felix Hoffmann, this book brings into the spotlight the ways in which Turbeville redefined fashion photography, moving away from the sexual provocation and stereotypes assigned by male photographers to an idea of femininity on her terms. Deborah Turbeville: Photocollage will be an essential publication with modern relevance for all with a passion for fashion photography.

Deborah Turbeville: Photocollage

Published in connection with an exhibition opening at Photo Elysée in spring 2024, this book presents more than 150 of Man Ray's portraits, primarily from the 1920s and 30s. Man Ray (1890-1976) was a man both of and ahead of his time. With his conceptual approach and innovative techniques, he liberated photography from previous constraints and opened the floodgates to new ways of thinking about the medium. A close friend of Marcel Duchamp and André Breton, he was one of the few photographers to be mentioned among the Dada artists and Surrealists. He also worked as a fashion photographer, first for Vogue, and later for Harper's Bazaar and Vanity Fair. Renowned as the creator of Ingres' Violin - a photograph from 1924 that broke records when it was sold for $12.4 million in 2022 - Man Ray remains an influential figure in the worlds of art, fashion and pop culture, with many other artists referencing his work. Published in connection with an exhibition at Photo Elysée and in the centenary year of the publication of André Breton's Surrealist Manifesto, this book presents more than 150 of Man Ray's portraits, primarily from the 1920s and 30s. It includes portraits of the leading lights of the Paris art scene, among them Marcel Duchamp, Robert Delaunay, Georges Braque, Alberto Giacometti and Pablo Picasso, as well as a selection of his fashion work. As an innovator of photographic techniques and compositional form, Man Ray found the studio portrait - be it of the artists and writers with whom he had longstanding friendships, or of the objects and sculptures he collected - to be the playground in which he could express the visual wit and experimentation for which he is renowned.

Man Ray: Liberating Photography

History & Criticism

In the twentieth century the human body was explored, repaired, remodeled, and reinvented in ways that would have amazed previous generations. A major role in this process has been played by photography, which allows us to see the body with new eyes, down to the minutest internal structures. Science and technology are one means of photographically imaging the body and its potential. Art is another, and many of the greatest photographers have taken the body as their subject matter. The Century of the Body presents chronologically one hundred photos that represent all the significant genres of body-centered photography, in both art and science. Anthropology, criminology, physiology, anatomy, medicine, dance, sport, photojournalism, fashion, the nude, body art, and other lesser-known but important fields are featured, each represented by the most innovative photographers of their day. The greats of scientific and technological imagemaking, notably Lennart Nilsson, Pietro Motta, and Ralph Hutchings, are included. So, too, are the leading art photographers of the century: Alfred Stieglitz, Man Ray, Brassai, Edward Weston, Imogen Cunningham, Bill Brandt, Lee Friedlander, and Robert Mapplethorpe. The Musee de l'Elysee in Lausanne, one of the world's foremost photography museums, has compiled this extraordinary book to celebrate some of modern photography's finest achievements. Essays by the curators of the museum, including commentaries on every photograph, survey the full range of twentieth-century body-related imagery, focusing on the radical shifts in attitudes to the body that have taken place since 1900. The images, magnificently reproduced in duotone and color, stand as a lasting memorial to the finest photographic artists and scientists of the past one hundred years. 115 photographs in duotone and in color. With contributions by: Christophe Blaser Nassim Daghighian Daniel Girardin Nathalie Herschdorfer

The Century of the Body: 100 Photoworks 1900-2000

Blazer, Christophe

Daghighian, Nassim

Girardin, Daniel

Shows the possibility for contemporary photography to question events, to connect us emotionally with our fellow humans, and to provide an opportunity to understand and find answers. In a media-saturated world, are we in fact becoming immune to the impact of photography that captures cataclysmic moments of devastation and suffering? Have we increasingly stopped looking and thinking, or is it that we react more to photographs taken after an event where there’s an opportunity to reflect, to empathize? This powerful and thought-provoking survey features work by thirty-one contemporary photographers―Robert Polidori, Suzanne Opton, Raphae¨l Dallaporta, Taryn Simon, Guy Tillim, and more―whose concern is to examine the aftermath of violence, disaster, and suffering. The photographs invite us to consider the resonance of events that have taken place over sixty years of modern history, including the aftermath of 9/11, Hurricane Katrina, the Srebrenica massacre in Bosnia, and the fate of people in the midst of horrible events or long-term upheaval, such as refugees, political prisoners, or survivors of natural disasters. 158 full-color and 31 black-and-white photographs

Afterwards: Contemporary Photography Confronting the Past

History

Following the success of 2005's groundbreaking book and exhibition reGeneration: 50 Photographers of Tomorrow 2005-2025, reGeneration 2: Tomorrow's Photographers Today turns the spotlight yet again on the next generation of photography's potential stars. Through over 200 images, this remarkable survey--the only anthology of its kind--showcases the inspiring creativity and ingenuity of 80 up-and-coming photographic artists. For the second incarnation of this international photography competition, curators at the world-renowned Musée de l'Elysée in Lausanne, Switzerland, selected the winning candidates from hundreds of entries submitted by some 120 of the world's top photography schools. The selection was made with one key question in mind: is the photographer likely to be known in 20 years' time? The variety of subjects and techniques on view reflects the astonishing diversity of worldwide talent that has recently emerged, as contemporary photography reinvents itself and its audience expands accordingly. Useful reference materials include biographical details of each of the 80 photographers included and updates on the winning photographers from the first edition, many of whom have gone on to forge impressive international careers. reGeneration 2: Tomorrow's Photographers Today proves that the art of photography is alive and well, and that practitioners of extraordinary talent are well on their way to making their mark.

reGeneration 2: Tomorrow's Photographers Today

Aperture

What are young photographers up to at the outset of the twenty-first century? How do they see the world? How much do they respect, build on or reject tradition? Are they busy in the darkroom or in the computer lab--or both? reGeneration sets out to discover answers to these intriguing questions, previewing the work of 50 photographers who may well emerge as some of the finest of their generation. This remarkable book, the broadest and most enterprising survey of its kind, showcases the creativity, ingenuity and inspiration of these up-and-coming artists in over 200 superb images. Curators at the world-renowned Musee de l'Elysee in Lausanne, France, selected the featured photographers from hundreds of candidates submitted by more than 60 of the world's top photography schools. The panel's choice was made with one key question in mind: are these images likely to be known in 20 years' time? The results show that, as the new century builds momentum, the art of photography is alive and well, and photographers of extraordinary talent are already making their mark.

reGeneration: 50 Photographers of Tomorrow

Condé Nast launched the careers of many great photographers. The discovery of most of the biggest names in fashion photography and the nurturing of their talent into full bloom can rightly be credited to that visionary publisher. Condé Nast himself was gifted at spotting future stars, and, by surrounding himself with the very best and most creative, he placed Vogue magazine, along with other titles such as Glamour, at the forefront of the photographic avant-garde and propelled them to positions of great social and cultural influence. This glorious volume, the result of unprecedented access to the empire’s archives, reaches back to 1910 to demonstrate this history of excellence. A constellation of luminaries, legends, and stars, the list of photographers included in this treasury is truly breathtaking. Edward Steichen, Cecil Beaton, Irving Penn, Helmut Newton, Patrick Demarchelier, Ellen von Unwerth, and Mario Testino are just some of the figures who, working with masterful art directors, created a legacy that left its mark on the history of photography and is being built upon in the present day. Chronologically arranged with beautiful reproductions throughout, this stunning volume will become an important addition to the libraries of fashionistas of all ages and tastes.

Coming Into Fashion: A Century of Photography at Conde Nast

Graphic Design

Prestel USA

Scale the earth's most inspiring mountains through photographs culled from the Magnum archives by some of the world's most celebrated photographers. Magnum Photos is arguably the most celebrated photographic cooperative ever created and these images represent the world's most iconic photographers capturing the world's most breathtaking peaks. Robert Capa portrays the glamour of skiing the Austrian Alps circa 1950; Chris Steele-Perkins offers a hallucinogenic view of Mt. Fuji; Steve McCurry shows us life and war in the shadow of Afghanistan's Hindu Kush; Harry Gruyaert captures childhood in the Moroccan High Atlas; and Martin Parr contemplates Machu Picchu's mysterious granite peaks. Unique views, dramatic lighting, and superb composition make this volume a master class in photography. From breathtaking heights and majestic ridge lines to panoramic landscapes and dramatic terrains--these pictures illustrate everything there is to love, fear, and respect about the world's mountains.

Mountains: By Magnum Photographers

Giglio, Pietro

Prestel

From his early education at The Art Institute of Chicago in the late 50s Ray K. Metzker inherited the rich vocabulary of avant-garde photography between the wars: photomontage, solarization, multiple printing of negatives, unique perspectives, diagonals, etc. From his first exposure to photography, Metzker never lost the urge to experiment with the grammar and syntax of the medium, whether it was games played within the camera itself (the Doubleframes, for example) or complex manipulations in the darkroom (the celebrated Composites). He has drawn inspiration from the neighborhoods where he has lived (mainly Chicago and Philadelphia) and, increasingly, from nature--though the vegetation he depicts might be a weed-clogged vacant city lot as easily as the vast open plains of the American West. Decomposing, recomposing, deconstructing, reconstructing, Metzker reminds us of the great and inexhaustible potential of black-and-white photography when practiced by a master. With 180 tritone-printed images, this publication offers a rare opportunity to examine the full range of Metzker's brilliant and ever-evolving formal language.

Ray K. Metzker: Light Lines

Ewing, William

Individual Artists

Steidl & Musée de L'Elysée, Lausanne

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