The Colour Of Democracy: Racism in Canadian Societ

Politics & Social Sciences

Henry, Frances

Tator, Carol

Politics & Government

Harcourt Brace, Canada

The Colour of Democracy: Racisim in Canadian Society

Mattis, Wi

Harcourt Brace&Co. Canada

The university is often regarded as a bastion of liberal democracy where equity and diversity are vigorously promoted. In reality, the university still excludes many people and is a site of racialization that is subtle, complex, and sophisticated. This book, the first comprehensive, data-based study of racialized and Indigenous faculty members' experiences in Canadian universities, challenges the myth of equity in higher education. Drawing on a rich body of survey data, interviews, and analysis of universities' stated policies, leading scholars scrutinize what universities have done and question the effectiveness of their employment equity programs. They also make important recommendations as to how universities can address racialization and fulfill the promise of equity in the academy.

The Equity Myth: Racialization and Indigeneity at Canadian Universities

James, Carl E.

Smith, Malinda S.

Li, Peter

Ramos, Howard

Kobayashi, Audrey

Dua, Enakshi

Social Sciences

UBC Press

In this thoughtful and lucid analysis, framed by their contention that 'cultural production is one way in which society gives voice to racism,' Carol Tator, Frances Henry, and Winston Matthis examine how six controversial Canadian cultural events have given rise to a new 'radical' or 'critical' multiculturalism.Mainstream culture has increasingly become the locus for challenge by racial minorities. Beginning with the Royal Ontario Museum's Into the Heart of Africa exhibition, and following through with discussions of Show Boat, Miss Saigon, the exhibition of the Barnes Collection at the Art Gallery of Ontario, the 'Writing Thru Race' conference in Vancouver, and the ill-fated attempts to acquire a licence for a black/dance radio station in Toronto, the authors examine manifestations of racism in Canada's cultural production over the last decade. A 'radical' multiculturalism, they argue, is difference as a politicized force, and arises whenever cultural imperialism is challenged.

Challenging Racism in the Arts: Case Studies of Controversy and Conflict

Matthis, Winston

Arts & Photography

University of Toronto Press, Scholarly Publishing Division

Discourses of Domination: Racial Bias in the Canadian English-Language Press

Discourses of Domination explores the issue of racial bias in the Canadian English-language press. Applying critical discourse analysis as their principal methodology, Frances Henry and Carol Tator investigate the way in which the media produce, reproduce, and disseminate racist thinking through language and discourse.The core of the text consists of a series of case studies, including several high-profile cases involving the alleged criminality of persons of colour. Using these case studies as a springboard, Henry and Tator demonstrate how the media construct people of colour, immigrants, refugees, and First Nations peoples as 'others' - those who live outside the 'imagined community' of Canada. Their analysis ultimately points to the tension between democratic liberalism as a defining characteristic of Canadian society and the collective racist ideology that is embedded in the dominant culture. Discourses of Domination thus provides a greater understanding of newer forms of racism, located within systems of cultural production and representation.

University of Toronto Press

In this thoughtful and lucid analysis, framed by their contention that 'cultural production is one way in which society gives voice to racism,' Carol Tator, Frances Henry, and Winston Matthis examine how six controversial Canadian cultural events have given rise to a new 'radical' or 'critical' multiculturalism.
Mainstream culture has increasingly become the locus for challenge by racial minorities. Beginning with the Royal Ontario Museum's Into the Heart of Africa exhibition, and following through with discussions of Show Boat, Miss Saigon, the exhibition of the Barnes Collection at the Art Gallery of Ontario, the 'Writing Thru Race' conference in Vancouver, and the ill-fated attempts to acquire a licence for a black/dance radio station in Toronto, the authors examine manifestations of racism in Canada's cultural production over the last decade. A 'radical' multiculturalism, they argue, is difference as a politicized force, and arises whenever cultural imperialism is challenged.

Mattis, Winston

Discourses of Domination explores the issue of racial bias in the Canadian English-language press. Applying critical discourse analysis as their principal methodology, Frances Henry and Carol Tator investigate the way in which the media produce, reproduce, and disseminate racist thinking through language and discourse.
The core of the text consists of a series of case studies, including several high-profile cases involving the alleged criminality of persons of colour. Using these case studies as a springboard, Henry and Tator demonstrate how the media construct people of colour, immigrants, refugees, and First Nations peoples as 'others' - those who live outside the 'imagined community' of Canada. Their analysis ultimately points to the tension between democratic liberalism as a defining characteristic of Canadian society and the collective racist ideology that is embedded in the dominant culture. Discourses of Domination thus provides a greater understanding of newer forms of racism, located within systems of cultural production and representation.

In October 2002, the Toronto Star ran a series of feature articles on racial profiling in which it was indicated that Toronto police routinely target young Black men when making traffic stops. The articles drew strong reactions from the community, and considerable protest from the media, politicians, law enforcement officials, and other public authorities. Although the articles were supported by substantial documentation and statistical evidence, the Toronto Police Association sued the Star, claiming that no such evidence existed. The lawsuit was ultimately rejected in court. As a result, however, the issue of racial profiling - a practice in which certain criminal activities are attributed to individuals or groups on the basis of race or ethno-racial background - was thrust into the national spotlight.
In this comprehensive and thought-provoking work, Carol Tator and Frances Henry explore the meaning of racial profiling in Canada as it is practised not only by the police but also by many other social institutions. The authors provide a theoretical framework within which they examine racial profiling from a number of perspectives and in a variety of situations. They analyse the discourses of the media, policing officials, politicians, civil servants, judges, and other public authorities to demonstrate how those in power communicate and produce existing racialized ideologies and social relations of inequality through their common interactions. Chapter 3, by contributing author Charles Smith, provides a comparison of experiences of racial profiling and policing in Canada, the United States, and the United Kingdom. Chapter 7, by Maureen Brown, through a series of interviews, presents stories that demonstrate the realities of racial profiling in the everyday experiences of Afro-Canadians and ethno-racial minorities. 
Informed by a wealth of research and theoretical approaches from a wide range of disciplines, Racial Profiling in Canada makes a major contribution to the literature and debates on a topic of growing concern. Together the authors present a compelling examination of the pervasiveness of racial profiling in daily life and its impact on our society, while suggesting directions for change.

Racial Profiling in Canada

Racial Profiling in Canada: Challenging the Myth of 'a Few Bad Apples'

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