Eighteen thirty-nine was the miraculous year in which the two principal inventors of photography—Daguerre in France and Fox Talbot in Great Britain—made their discoveries known to an eager and receptive public. News of the process flashed around the globe, and in no time enthusiastic pioneers from Auckland to Zanzibar were trying the new invention. Photography took root and flourished. It has since been used in a thousand ways and has changed our modes of perception in many more. 
The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images—many never before published—they illustrate the photograph's use as a record of public and private moments in life. 
Photography became so quickly and thoroughly interwoven with the fabric of society and human experience, that its history comprises much more than the story of photographic art and its creators. The authors examine photographic ephemera and humor, photography and the law, the photographic studio experience, photography and travel, photography and journalism with special attention to advertising and war, the role of photography in politics, photographically illustrated books, the practice of overpainting, photography in the hands of the scholar, and the presentation and use of photographs in their social milieu.

The Photographic Experience, 1839–1914: Images and Attitudes

Arts & Photography

Henisch, Bridget Ann

Henisch, Heinz K.

History & Criticism

Penn State University Press

As photography grew more popular following its invention in 1839, its admirers did not understand how a medium that rendered shapes and textures in exquisite detail could fail to render them in realistic color. Also disappointing was the tendency of the captured images to fade over time. Photographers, ever eager to please their public, began "painting" their photographs with substances ranging from water colors and oil to chalk and crayon. Images were enlarged, enhanced, and framed, to simulate the splendors of the traditional portrait.
With its rich variety of illustrations in color and duotone, The Painted Photograph is the first comprehensive history of overpainting, from its origins to World War I. The 131 illustrations featured draw upon original nineteenth- and early twentieth-century sources, most from America and Britain, but also representing Japan, Turkey, Austria, Germany, Poland, Canada, Bohemia, India, Australia, Norway, Holland, and Russia.
In describing a multitude of early techniques, the authors survey overpainting on various types of photographs, including daguerreotypes, tintypes, and imprinted porcelain, milk glass, enamel, magic lantern slides, and textiles. Particularly fascinating are discussions of overpainted death portraits, most commonly those of children, and the origins of popular "picture postcards" featuring overpainted landscape scenes. The Henisches address also the eager acceptance of the painted photograph throughout the world, despite the hostility of the art-critical establishment.
The Painted Photograph will appeal to a wide public interested in photography, history, sociology, social anthropology, folk art, popular fashion, and antiques.

The Painted Photograph, 1839–1914: Origins, Techniques, Aspirations

In the year that photography was introduced to the world, 1839, a cartoon in a French broadside showed a gallows for the draftsmen and engravers who would be put out of work by the new medium. This was only the beginning of a long tradition of amused, and amusing, depictions of photography, a practice now reviewed in Heinz and Bridget Henisch's new book. 
Positive Pleasures explores the humorous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary. The Henisches present a wide range of examples found in cartoons, literature, and such facets of popular culture as music, fashion, and advertising. They also discuss examples of photo-humor in the political arena. 
Richly illustrated with more than 250 cartoons and photographs from international sources, the book takes readers behind the technical and commercial scenes of a new medium. It covers the period from photography's beginnings to the years following World War I when the popularization of miniature cameras redefined the world of photography—showing how, as the outward appearance of photographic paraphernalia changed, each new generation of cartoonists was provided with new challenges for their satirical skills. It also depicts photographers as humorists in their own right through examples of their amusing interpretations of reality. 
Viewed today, these cartoons and anecdotes shed new light on photography's problems and pleasures as seen by society at large and prove that it is not necessary to be a photo-historian in order to appreciate photographic humor. Positive Pleasures firmly establishes photo-humor as an important part of social and visual anthropology and should stimulate new research by social scientists. It will also delight anyone with an interest in social history or the nineteenth-century world, as it deepens our understanding of both photography's impact on society and the impact of fads and fashions on photography itself.

Positive Pleasures: Early Photography and Humor

Crystal growth in gels

First book ever printed on growing crystals in a gel medium provides thorough description of the procedure, its history and future potential, and offers an extensive course of study on the physical and chemical processes involved. Will interest chemists, physicists, materials scientists and experimentally inclined amateurs. "Profusely illustrated ... knowledgeable and informative, and the author has style."—The American Mineralogist. 42 illustrations. 1970 edition.

Crystal Growth in Gels

Science & Math

Chemistry

Dover Publications

Providing the first comprehensive overview of the method of crystal growth in gels, Professor Henisch reviews the field, covering the underlying physics as well as the empirical experience of growth techniques accumulated over the past century. In addition, the book discusses the phenomenon of periodic precipitation, which often governs the distribution of crystal in laboratory growth systems. For the first time, computer techniques are brought to bear on the subject, the diffusion equations being solved numerically, in association with the conditions governing precipitations and crystal growth.

Crystals in Gels and Liesegang Rings

Cambridge University Press

Providing the first comprehensive overview of the method of crystal growth in gels, Professor Henisch reviews the field, covering the underlying physics as well as the empirical experience of growth techniques accumulated over the past century. In addition, the book discusses the phenomenon of periodic precipitation, which often governs the distribution of crystal in laboratory growth systems. For the first time, computer techniques are brought to bear on the subject, the diffusion equations being solved numerically, in association with the conditions governing precipitations and crystal growth.

See the best price to sell, buy, or rent books by Henisch, Heinz K.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Henisch, Heinz K.

See the best price to sell, buy, or rent books by Henisch, Heinz K.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Photographic Experience, 1839–1914: Images and Attitudes

The Painted Photograph, 1839–1914: Origins, Techniques, Aspirations

Positive Pleasures: Early Photography and Humor

Crystal Growth in Gels

Crystals in Gels and Liesegang Rings

Crystals in Gels and Liesegang Rings