The Sky Blues: The story of Coventry City F.C.;

Henderson, Derek

S.Paul

<p>the layout of this book is designed to avoid repetition</p>

Color atlas and text of orthognathic surgery : the surgery of facial skeletal deformity

Medical Books

Dentistry

Mosby, Inc.

Mountain West Poetry Series Published by the Center for Literary Publishing at Colorado State University The poems in Derek Henderson’s Songs are “translations” of a film cycle of the same name, shot by American filmmaker Stan Brakhage (1933–2003) to document his and his family’s life in Colorado in the mid-1960s. Where Brakhage’s films provide a subjective visual record of his experience bewildered by the eye, these poems let language bewilder the space a reader enters through the ear. Henderson tenders the visual experience of Brakhage’s films―films of the domestic and the wild, the private and political, the local and global―into language that insists on the ultimate incapacity of language―or of image―to fully document the comfort and the violence of intimacy. Songs expresses the ecstasy we so often experience in the company of family, but it just as urgently attests to ecstasy’s turbulent threat to family’s stability. Like Brakhage’s films, Henderson’s poems carry across into language and find family in every moment, even the broken ones, all of them abounding in hope.

Songs (Mountain West Poetry Series)

Literature & Fiction

Poetry

Center for Literary Publishing

The horizon of these poems is a lifeline, truly. Here I find rescue everywhere and every way I turn. Henderson and Pollard have fronted catastrophe with loving eyes. Small wonder, then, that they find miracles. Donald Revell In this sequence, the collaboration between word and reader, writer and responder, life and death, Derek and Derek, is an invitation, a dance card in which the dancer and the danced become not a duet but a crowd of possibility-"the shining market of us." Eleni Sikelianos Across a speeding surface, horizons and stutters, typewriters and streetlamps, phrases and fragments couple and uncouple, creating a train of language impossibly shaped as an expanding web of returns and responses, and the coupling goes on, gets faster and faster; little lights begin to blink; those are in your head, and it's the text that's doing it -that and the dead, who also come back again and again. The Dereks manage to capture all this while keeping it hurtling forward. Vertiginous-and very moving. Cole Swensen

Inconsequentia

Pollard, Derek

BlazeVOX Books

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Books by Henderson, Derek