Even a fist was once an open palm with fingers: Recent poems

The author shares his thoughts about childhood, history, love, war, and his everyday experiences in this collection of recent poetry

Even a Fist Was Once an Open Palm With Fingers: Recent Poems

Harshav, Benjamin

Harshav, Barbara

AMICHAI, Yehuda

Harpercollins

A journey into a time of astounding innovation on the stage Shortly after the Bolshevik Revolution, Soviet Jewish theaters became catalysts for modernist experimentation. Working with avant-garde playwrights, actors, and producers in a new political environment, artists such as Marc Chagall, Natan Altman, Robert Falk, and Aleksandr Tyshler combined Russian folk art with elements of Cubo-Futurism and Constructivism into a bold new style. This collaboration gave rise to extraordinary productions with highly original stage designs that redefined the concept of theater itself.
From the Jewish mythical and folkloric plays produced at Habima to the daring, expressionistic Yiddish dramas presented at the Moscow State Yiddish Theater (GOSET), this beautifully illustrated book chronicles the flourishing of Soviet Jewish theater in the 1920s and 1930s. Spanning such topics as Jewish culture and history in the Soviet Union, the volume includes stunning reproductions of Chagall’s celebrated theater murals; fascinating archival materials such as posters, prints, and playbills; designs for costumes and sets; and many other breathtaking works.

Chagall and the Artists of the Russian Jewish Theater

Arts & Photography

Gitelman, Zvi

Veidlinger, Jeffrey

Goodman, Susan Tumarkin

Ivanov, Vladislav

History & Criticism

Yale University Press

A vivid portrait of the Moscow Yiddish Theater and its innovations and contributions to the art of the theater in the modern age
The Moscow Yiddish Theater (later called GOSET) was born in 1919 and almost immediately became one of the most remarkable avant-garde theaters in Europe. It flourished in the 1920s but under Bolshevik pressure soon lost much of the originality that had distinguished it. In 1948 Stalin’s henchmen slaughtered GOSET’s legendary actor and director Solomon Mikhoels, and the theater was liquidated. This book focuses not on how the theater was persecuted but on its ambitious beginnings as a revolutionary organization of passionate artistic exploration. The book brings to English readers for the first time selected writings that reflect the aesthetics and politics of the Yiddish revolutionary theater. The book also incorporates miraculously salvaged images of Marc Chagall’s famous theater murals, as well as paintings of costumes and stage sets created by the best artists of the day. These illustrations, discovered only after the fall of the Soviet Union, have never been published before. With emphasis on the theater’s early achievements and its centrality in Moscow’s burgeoning theater world, the book makes a major contribution to the understanding of modern Jewish culture and the art of theater.

The Moscow Yiddish Theatre

Humor & Entertainment

In this unparalleled study of the forms of Hebrew poetry, preeminent authority Benjamin Harshav examines Hebrew verse during three millennia of changing historical and cultural contexts. He takes us around the world of the Jewish Diaspora, comparing the changes in Hebrew verse as it came into contact with the Canaanite, Greek, Arabic, Italian, German, Russian, Yiddish, and English poetic forms. Harshav explores the types and constraints of free rhythms, the meanings of sound patterns, the historical and linguistic frameworks that produced the first accentual iambs in English, German, Russian, and Hebrew, and the discovery of these iambs in a Yiddish romance written in Venice in 1508/09. In each chapter, the author presents an innovative analytical theory on a particular poetic domain, drawing on his close study of thousands of Hebrew poems.

Three Thousand Years of Hebrew Versification: Essays in Comparative Prosody

Literature & Fiction

Provides information on the Yiddish language and literature, describes poetic forms, and gathers poems in Yiddish and English by seven of the best Jewish American poets

American Yiddish Poetry: A Bilingual Anthology

University of California Press

With a combination of erudition and insight, the author investigates the major aspects of Yiddish language and culture, showing where Yiddish came from and what it has to offer, even as it ceases to be a 'living' language.

The Meaning of Yiddish

This book deals with two remarkable events--the worldwide transformations of the Jews in the modern age and the revival of the ancient Hebrew language. It is a book about social and cultural history addressed not only to the professional historian, and a book about Jews addressed not only to Jewish readers. It tries to rethink a wide field of cultural phenomena and present the main ideas to the intelligent reader, or, better, present a "family picture" of related and contiguous ideas. Many names and details are mentioned, which may not all be familiar to the uninitiated; their function is to provide some concrete texture for this dramatic story, but the focus is on the story itself.

Language in Time of Revolution

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

Meaning of Yiddish

This book on culture and consciousness in history concerns the worldwide transformations of Jewish culture and society and the revival of the ancient Hebrew language following the waves of pogroms in Russia in 1881, when large numbers of Jews in Eastern and Central Europe redefined their identity as Jews in a new and baffling world. Reviews "With his customary versatility and lucidity Harshav has given us . . . a host of new and provocative insights into modern Jewish history. . . . This book is an outstanding attempt to juxtapose the revolution in Jewish life with that of the Hebrew language in such a way that each informs our understanding of the other." ―Yosef Hayim Yerushalmi, Columbia University "It is no small component of Harshav's success in this altogether fascinating book to have made clear the family resemblance between what is still regularly called 'the almost miraculous revival of the Hebrew language' and the coterie movements of European high modernism in both politics and the arts." ―Modernism/Modernity "A wise, original, and stimulating book on the shaping of modern Jewish culture. . . . Humane, deeply erudite, and very satisfying." ―Steven Zipperstein, Stanford University "Israeli Hebrew, Angel Sáenz-Badillos has written, 'is not the result of natural evolution but of a process without parallel in the development of any other language.' The precise nature of the process is studied in illuminating detail in Language in Time of Revolution." ―London Review of Books "The crisscrossing among the discourses of literature, ideology, history, and linguistics makes for a heady intellectual experience. . . . Harshav writes with great authority and verve. . . . His discussions are a model of clarity." ―Alan Mintz, Brandeis University

Language in Time of Revolution (Contraversions: Jews and Other Differences)

Stanford University Press

With a rare combination of erudition and insight, the author investigates the major aspects of Yiddish language and culture, showing where Yiddish came from and what it has to offer, even as it ceases to be a "living" language. Reviews "Harshav's book is a first-class study of Yiddish as both language and culture, rich with linguistic detail and historical insight, expert in its literary analysis and judgments. I recommend it enthusiastically." ―Irving Howe, Graduate School and University Center of the City University of New York "The Meaning of Yiddish is the most important contribution to the study of Yiddish language and literature in recent times." ―Chana Kronfeld, University of California, Berkeley "The Meaning of Yiddish is explicitly intended for 'readers who bring to it no previous knowledge, only curiosity.' . . . 'My central question,' Harshav writes in the preface, 'is: Yiddish: what was it? What kind of world was it? How can we read the intersections of meaning its texts seem to provide? How did it lead in and out of Jewish history, moving between the internal Jewish world and the cultures of Christian Europe and America?' I know of no other single book in any language which could respond to these questions by conveying to the uninitiated . . . such a richly textured profile of the nature and dynamics of both the Yiddish language and its literature. It is a remarkable feat of high popularization, written with great flair and without a hint of pedantry, its examples always to the point and often memorable in themselves. . . . The book should be read by all who are interested in language, in literature, and in the modern Jewish experience." ―Times Literary Supplement

The Meaning of Yiddish (Contraversions: Jews and Other Differences)

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