Fourteen stories. Fourteen more poisons. Just because it's fiction doesn't mean it's all made-up ... Agatha Christie is renowned for her captivating plots and creative ways of killing off ill-fated victims. And what better way to add intrigue to a story than poison? The surreptitious ways they can be administered and the characteristic symptoms they produce make these killer chemicals the ideal method of murder in a 'whodunit'. Christie perfected the use of poisons in her plots; her deft and varied use of toxic substances is one of her great strengths as a writer. But how is it that some compounds prove so fatal, and in such tiny amounts? The follow up to Kathryn Harkup's best-selling A is for Arsenic, V is for Venom is a compelling exploration of Christie's use of poisons and her extensive chemical knowledge. Featuring fourteen more poisons from the works of Agatha Christie, this book investigates the science behind the deadly substances, the history of their use in real-life murder cases, and how feasible was it to obtain, administer and detect these poisons in Christie's time and today. Combining Christie's murder mysteries, chemical science and true crime, V is for Venom is a celebration of the use of science by the undisputed Queen of Crime.

V is for Venom: Agatha Christie's Chemicals of Death

Literature & Fiction

Harkup, Kathryn

History & Criticism

Bloomsbury Sigma

People are fascinated by murder. The popularity of murder mystery books, TV series, and even board games shows that there is an appetite for death, and the more unusual or macabre the method, the better. With gunshots or stabbings the cause of death is obvious, but poisons are inherently more mysterious. How are some compounds so deadly in such tiny amounts?
 Agatha Christie used poison to kill her characters more often than any other crime fiction writer. The poison was a central part of the novel, and her choice of deadly substances was far from random; the chemical and physiological characteristics of each poison provide vital clues to the discovery of the murderer. Christie demonstrated her extensive chemical knowledge (much of it gleaned by working in a pharmacy during both world wars) in many of her novels, but this is rarely appreciated by the reader. 
Written by former research chemist Kathryn Harkup, each chapter takes a different novel and investigates the poison used by the murderer. Fact- and fun-packed, A is for Arsenic looks at why certain chemicals kill, how they interact with the body, and the feasibility of obtaining, administering, and detecting these poisons, both when Christie was writing and today.

A is for Arsenic: The Poisons of Agatha Christie (Bloomsbury Sigma)

A Is for Arsenic: The Poisons of Agatha Christie

Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up . . . 
Agatha Christie reveled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random--the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not the case with poisons. How is it that some compounds prove so deadly, and in such tiny amounts?
Christie's extensive chemical knowledge provides the backdrop for A is for Arsenic, in which Kathryn Harkup investigates the poisons used by the murderer in fourteen classic Agatha Christie mysteries. It looks at why certain chemicals kill, how they interact with the body, the cases that may have inspired Christie, and the feasibility of obtaining, administering and detecting these poisons, both at the time the novel was written and today. A is for Arsenic is a celebration of the use of science by the undisputed Queen of Crime.

A is for Arsenic: The Poisons of Agatha Christie

British & Irish

The year 1818 saw the publication of one of the most influential science-fiction stories of all time. Frankenstein: Or, Modern Prometheus by Mary Shelley had a huge impact on gothic horror and science fiction genres. The name Frankenstein has become part of our everyday language, often used in derogatory terms to describe scientists who have overstepped a perceived moral line. But how did a 19-year-old woman with no formal education come up with the idea for an extraordinary novel such as Frankenstein? The period of 1790–1820 saw huge advances in our understanding of electricity and physiology. Sensational science demonstrations caught the imagination of the general public, and newspapers were full of tales of murderers and resurrectionists.
It is unlikely that Frankenstein would have been successful in his attempts to create life back in 1818. However, advances in medical science mean we have overcome many of the stumbling blocks that would have thwarted his ambition. We can resuscitate people using defibrillators, save lives using blood transfusions, and prolong life through organ transplants--these procedures are nowadays considered almost routine. Many of these modern achievements are a direct result of 19th century scientists conducting their gruesome experiments on the dead.
Making the Monster explores the science behind Shelley's book. From tales of reanimated zombie kittens to electrical experiments on human cadavers, Kathryn Harkup examines the science and scientists that influenced Mary Shelley and inspired her most famous creation, Victor Frankenstein. While, thankfully, we are still far from being able to recreate Victor's "creature," scientists have tried to create the building blocks of life, and the dream of creating life-forms from scratch is now tantalizingly close.

Making the Monster: The Science Behind Mary Shelley's Frankenstein (Bloomsbury Sigma)

A thrilling and gruesome look at the science that influenced Mary Shelley's Frankenstein. 
The year 1818 saw the publication of one of the most influential science-fiction stories of all time. Frankenstein: Or, Modern Prometheus by Mary Shelley had a huge impact on gothic horror and science-fiction genres, and her creation has become part of our everyday culture, from cartoons to Halloween costumes. Even the name "Frankenstein" has become a by-word for evil scientists and dangerous experiments. How did a teenager with no formal education come up with the idea for an extraordinary novel such as Frankenstein? 
Clues are dotted throughout Georgian science and popular culture. The years before the book's publication saw huge advances in our understanding of the natural sciences, in areas such as electricity and physiology, for example. Sensational science demonstrations caught the imagination of the general public, while the newspapers were full of lurid tales of murderers and resurrectionists.
Making the Monster explores the scientific background behind Mary Shelley's book. Is there any science fact behind the science fiction? And how might a real-life Victor Frankenstein have gone about creating his monster? From tales of volcanic eruptions, artificial life and chemical revolutions, to experimental surgery, "monsters" and electrical experiments on human cadavers, Kathryn Harkup examines the science and scientists that influenced Shelley, and inspired her most famous creation.

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions – shock, sadness, fear – that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up?\nIn the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre were high. It was also a time of important scientific progress. Shakespeare kept pace with anatomical and medical advances, and he included the latest scientific discoveries in his work, from blood circulation to treatments for syphilis. He certainly didn't shy away from portraying the reality of death on stage, from the brutal to the mundane, and the spectacular to the silly.\nElizabethan London provides the backdrop for Death by Shakespeare, as Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die. Was death by snakebite as serene as Shakespeare makes out? Could lack of sleep have killed Lady Macbeth? Can you really murder someone by pouring poison in their ear? Kathryn investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare will tell you all this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure.

Death By Shakespeare: Snakebites, Stabbings and Broken Hearts (Bloomsbury Sigma)

Dramas & Plays

Death By Shakespeare EXPORT

Science & Math

History & Philosophy

An in-depth look at the science behind the creative methods Shakespeare used to kill off his characters. In Death By Shakespeare, Kathryn Harkup, best-selling author of A is for Arsenic and expert on the more gruesome side of science, turns her expertise to William Shakespeare and the creative methods he used to kill off his characters. Is death by snakebite really as serene as Cleopatra made it seem? How did Juliet appear dead for 72 hours only to be revived in perfect health? Can you really kill someone by pouring poison in their ear? How long would it take before Lady Macbeth died from lack of sleep? Harkup investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare reveals this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure. In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theater was a fairly likely scenario. Death is one of the major themes that reoccurs constantly throughout Shakespeare's canon, and he certainly didn't shy away from portraying the bloody reality of death on the stage. He didn't have to invent gruesome or novel ways to kill off his characters when everyday experience provided plenty of inspiration. Shakespeare's era was also a time of huge scientific advance. The human body, its construction and how it was affected by disease came under scrutiny, overturning more than a thousand years of received Greek wisdom, and Shakespeare himself hinted at these new scientific discoveries and medical advances in his writing, such as circulation of the blood and treatments for syphilis. Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions--shock, sadness, fear--that they did over 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the science to back them up?

Death By Shakespeare: Snakebites, Stabbings and Broken Hearts

Superspy Science: Science, Death and Tech in the World of James Bond

The adventures of James Bond have thrilled readers since Ian Fleming's novel Casino Royale was published in 1953, and when the movie of Dr No was released in 1962, Bond quickly became the world's favourite secret agent. Science and technology have always been central to the plots that make up the world of Bond, and in Superspy Science Kathryn Harkup explores the full range of 007's exploits and the arms, technologies, tactics and downfalls of his various foes. From the practicalities of building a volcano-based lair, to whether being covered in gold paint really will kill you, and - if your plan is to take over the world - whether it is better to use bacteria, bombs, or poison - this book has all the answers and more. Could our favourite Bond villains actually achieve world domination? Were the huge variety of weapons and technology in Bond's arsenal from both the films and books ever actually developed in real life? And would 007 actually escape all those close shaves intact? From the plots to the gadgets to the ludicrous ways that his life is threatened, Superspy Science takes an in-depth look at the scientific world of James Bond.

Humor & Entertainment

Movies

See the best price to sell, buy, or rent books by Harkup, Kathryn. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Harkup, Kathryn

See the best price to sell, buy, or rent books by Harkup, Kathryn. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

V is for Venom: Agatha Christie's Chemicals of Death

A is for Arsenic: The Poisons of Agatha Christie (Bloomsbury Sigma)

A Is for Arsenic: The Poisons of Agatha Christie

A is for Arsenic: The Poisons of Agatha Christie

Making the Monster: The Science Behind Mary Shelley's Frankenstein (Bloomsbury Sigma)

Making the Monster: The Science Behind Mary Shelley's Frankenstein (Bloomsbury Sigma)

Death By Shakespeare: Snakebites, Stabbings and Broken Hearts (Bloomsbury Sigma)

Death By Shakespeare EXPORT

Death By Shakespeare: Snakebites, Stabbings and Broken Hearts

Superspy Science: Science, Death and Tech in the World of James Bond