MANGMNT ACCTNG ED5 IM

HANSEN

International Thomson Publishing

Accounting 240, Mowen & Hansen Loose Leaf Pages

Cornerstones of Managerial Accounting: Custom Edition for Arizona State University , loose leaf pages

Business & Money

MOWEN

Accounting

Cengage Learning'

Chicken Soup for the Teenage Soul IV

Parenting & Relationships

Mark Victor

Kirberger Ki Jack

Parenting

Scolastic, Inc.

Southwestern Algebra 1, Resource Book: An Integrated Appraoch, Chapter 1

Science & Math

Gerver, Robert

Gerver

Mathematics

South-Western Educational Publishing

Southwestern Algebra 1, Resource Book: An Integrated Approach, Chapter 3

Southwestern Algebra 1, Resource Book: An Integrated Approach, Chapter 6

Includes multiply and divide monomials, scientific notation, add and subtract polynomials, multiply polynomials, rate, time, and distant problems.

Southwestern Algebra 1, Resource Book: An Integrated Approach, Chapter 11

The new edition of this successful text continues to cover both innovative and traditional topics in management accounting. However, by using the activity based framework and by integrating activity concepts throughout the text, students are shown that the traditional methods have limitations while the activity-based approach is very advantageous. A full chapter on international issues also provides students with a well-rounded view of management accounting around the world. Other items, such as ethical conduct for management accountants, enhanced discussion of the value chain, and cost behavior covered within an activity framework help future managers learn how they can use management accounting information for the betterment of the companies they will work for.

Management Accounting

Hansen, Don R.

Management & Leadership

Although cinema was invented in the mid-1890s, it was a decade more before the concept of a “film spectator” emerged. As the cinema began to separate itself from the commercial entertainments in whose context films initially had been shown―vaudeville, dime museums, fairgrounds―a particular concept of its spectator was developed on the level of film style, as a means of predicting the reception of films on a mass scale. In Babel and Babylon, Miriam Hansen offers an original perspective on American film by tying the emergence of spectatorship to the historical transformation of the public sphere.
Hansen builds a critical framework for understanding the cultural formation of spectatorship, drawing on the Frankfurt School’s debates on mass culture and the public sphere. Focusing on exemplary moments in the American silent era, she explains how the concept of the spectator evolved as a crucial part of the classical Hollywood paradigm―as one of the new industry’s strategies to integrate ethnically, socially, and sexually differentiated audiences into a modern culture of consumption. In this process, Hansen argues, the cinema might also have provided the conditions of an alternative public sphere for particular social groups, such as recent immigrants and women, by furnishing an intersubjective context in which they could recognize fragments of their own experience.
After tracing the emergence of spectatorship as an institution, Hansen pursues the question of reception through detailed readings of a single film, D. W. Griffith’s Intolerance (1916), and of the cult surrounding a single star, Rudolph Valentino. In each case the classical construction of spectatorship is complicated by factors of gender and sexuality, crystallizing around the fear and desire of the female consumer.
Babel and Babylon recasts the debate on early American cinema―and by implication on American film as a whole. It is a model study in the field of cinema studies, mediating the concerns of recent film theory with those of recent film history.

Babel and Babylon: Spectatorship in American Silent Film

Humor & Entertainment

Movies

Harvard University Press

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