The first comprehensive overview of an influential American photographer and filmmaker whose work is known for its intimacy and social engagement Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China’s booming Shanxi Province, share Lyon’s signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon’s photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon’s five-decade career. Alexander Nemerov writes about Lyon’s work in Knoxville, Tennessee; Ed Halter assesses the artist’s films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon’s earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist’s work.

Danny Lyon: Message to the Future

Arts & Photography

Cox, Julian

Sussman, Elisabeth

Nemerov, Alexander

Sachs, Danica Willard

Halter, Ed

Rinzler, Alan

Photography & Video

Yale University Press

This long-awaited comprehensive monograph on James Nares brings together his paintings and films. Upon his arrival in New York in 1974, British-born James Nares became a central member of the city's vibrant No Wave art scene, making experimental Super 8 films, playing in downtown bands, and staging live performances. The following decade, he turned to painting, using handmade brushes to create monumental strokes that are almost three-dimensional in their detail and depth. Today, Nares continues to employ the mediums of film and paint to explore physicality, motion, and the unfolding of time, as seen in his 2011 video Street, exhibited to great acclaim at such institutions as the Metropolitan Museum of Art, New York. This definitive monograph, produced in close collaboration with the artist, surveys the entirety of Nares's career. Lushly illustrated, including paintings, photographs, and stills that have never before been published, the book features essays by leading film critic Amy Taubin, cultural writer Glenn O'Brien, and innovative film curator Ed Halter in addition to an illuminating conversation between Nares and longtime friend and fellow artist Christopher Wool.

James Nares

Taubin, Amy

O´Brien, Glenn

History & Criticism

Skira/Rizzoli

Based on the work of director and cult legend Timothy Carey (1929-1994), Dead Flowers features new scholarship on this brilliant actor and filmmaker. Carey wrote, produced, directed and starred in the 1962 feature The World's Greatest Sinner, which was scored by Frank Zappa. Although the film did not have wide commercial release, it built its fervent fan base through repeated screenings at the “midnight movies” in Los Angeles in the 1960s. This publication will certainly appeal to film audiences but also interprets Carey's cultural contributions through the lens of contemporary art, in works by Charles Atlas, Alvin Baltrop, Johanna Constantine, Genesis Breyer P-Orridge, Marti Domination, Scott Ewalt, Georg Gatsas, Brandon Olson, Kembra Pfahler, Cynthia Plaster Caster, Tabboo! (Stephen Tashjian) and Paul Thek. It contains texts by Gary Indiana, Antony Hegarty, Max G. Morton, Bruce LaBruce, Vaginal Davis, Eileen Myles and Ed Halter.

Dead Flowers

Indiana, Gary

Hegarty, Antony

Morton, Max

LaBruce, Bruce

Davis, Vaginal

Myles, Eileen

Collections, Catalogs & Exhibitions

Vox Populi/Participant Press

Part of an industry that now earns more yearly than the Hollywood box office, video games have entered the forefront of the militarization of popular culture. How did this once-innocent pastime become a key player in America's entry into global warfare? And is this blurring of reality changing the way we think about war?
 Stretching from 3000 BC to today, this book investigates how military cultures and the evolution of games have been closely linked, from video gaming's ancestors like chess and go, to the popularization of the 19th century Kriegspiel, to the development of computers for use during World War II and the invention of video games by Defense Department-funded scientists. Readers will discover how war fantasies played out from the early arcade years to the rise of online gaming, how the military began working with companies like Nintendo, Atari and Microsoft to produce training devices, and how today's generals hope to sell recruitment to a new generation of joystick warriors.

From Sun Tzu to Xbox: War and Video Games

Computers & Technology

Games & Strategy Guides

PublicAffairs

A compact volume that illuminates the work of Huma Bhabha and chronicles her piece for the 2018 Met Roof Garden commission Often described as “post apocalyptic,” the work of Pakistani sculptor Huma Bhabha (b. 1962) responds to the violence and turmoil in the world around her through depictions of anthropomorphic figures that often appear to be dismembered, melted, or dissected. This compact volume, accompanying a site-specific installation at the Metropolitan Museum’s Roof Garden, features an interview with the artist that provides new insight into her diverse influences. Essays discuss the impact of cinema and science fiction on Bhabha’s sculpture, explore art historical connections, and illuminate the artist’s process and oeuvre over the past 20 years. Like the installation, this book—the sixth in a series devoted to the Met’s Roof Garden Commissions—connects Bhabha’s contemporary practice to both art history and global current events.

Huma Bhabha: We Come in Peace: The Roof Garden Commission

Wagstaff, Sheena

Jhaveri, Shanay

Metropolitan Museum of Art

In this first collection of film writing from Evergreen Review, the legendary publication's important contributions to film culture are available in a single volume. Featuring such legendary writers as Nat Hentoff, Norman Mailer, Parker Tyler, and Amos Vogel, the book presents writing on the films of Jean-Luc Godard, Pier Paolo Pasolini, Ousmane Sembene, Andy Warhol, and others and offers incisive essays and interviews from the late 1950s to early 1970s. Articles explore politics, revolution, and the cinema; underground and experimental film, pornography, and censorship; and the rise of independent film against the dominance of Hollywood. A new introductory essay by Ed Halter reveals the important role Evergreen Review and its publisher, Grove Press, played in advancing cinema during this period through innovations in production, distribution, and exhibition. Editor Ed Halter began working on this book in 2001 with Barney Rosset, using his personal files and interviews with him as initial research.

From the Third Eye: The Evergreen Review Film Reader

Rosset, Barney

Seven Stories Press

Night Fever: Film and Photography After Dark

Muzyczuk, Daniel

Bittencourt, Ela

Walther König, Köln

Ways of Worldmaking is the first comprehensive monograph on British experimental filmmaker Ben Rivers (born 1972). Often following people who have in some way separated themselves from society, the raw film footage provides Rivers with a starting point for creating oblique narratives imagining alternative existences in marginal worlds.

Ben Rivers: Ways of Worldmaking

Gladman, Renee

Gronlund, Melissa

Pickard, Andrea

Individual Artists

Mousse Publishing

X was a one-year, experimental non-profit initiative, whose goal was to inspire new ideas for producing and experiencing contemporary art. It ran the gamut from solo shows by international stars like Hans Haacke to a 24-hour Bring Your Own Art (BYOA) marathon event. This sourcebook surveys one dense year of art at 548 West 22nd Street.

The X Initiative Yearbook

Joselit, David

Goldberg, RoseLee

Hoptman, Laura

Iles, Chrissie

Lotringer, Sylvère

Basualdo, Carlos

Haeg, Fritz

Dumbadze, Alexander

Alemani, Cecilia

Aarons, Philip

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Books by Halter, Ed