Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography.

Ghost Image

Arts & Photography

Guibert, Hervè

Photography & Video

University of Chicago Press

To the Friend Who Did Not Save My Life

Literature & Fiction

Contemporary

Quartet Books

Hervè Guibert is considered one of the most important French novelists of this generation. His literary works began in earnest in 1981. The content of his work changed dramatically when he was diagnosed with AIDS, from which he died in 1991. Several of his works which speak directly with his struggle with the disease have already been translated into English. Cytomegalovirus presents Guibert's intimate observations during a three-week stay in the hospital. In this work, he confronts his fear about AIDS and the cytomegalovirus that is threatening him with blindness. Throughout the ordeal, he defiantly clings to his human dignity, refusing to be treated as an object of study or of compassion. The central importance of writing as a way of recording his experience, and therefore of preserving his humanity, remains a key to understanding this work. Of interest to students, scholars, and general readers of French literature, gay studies, and literature and medicine.

Cytomegalovirus: A Hospitalization Diary

Biographies & Memoirs

Orban, Clara

Professionals & Academics

University Press of America

A writer suffering from AIDS is given an experimental drug which temporarily puts his disease into remission

The Compassion Protocol

George Braziller

A work of remarkable imagination and insight; never before has such an extraordinary description of what it is to be blind been written. Guibert writes about the blind with virtuosity, entering into their minds and bodies and seeing the inner and outer worlds of their confined existence. This produces a strange penetration into hallucinated sensual confusion, in which colors are sounds and sounds are objects. These nightmarish phantasms of the blind culminate in a gruesome crime de passion.

Blindsight: A Novel

KIRKUP, James

Genre Fiction

George Braziller, Inc.

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographicalnarrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death--as a quality of invention, of melancholy, of small victories in the face of greater threats--at the moment when his sight (and life) is eclipsed.This new edition includes an Introduction and Afterword contextualizing Guibert's work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

Cytomegalovirus: A Hospitalization Diary (Forms of Living)

Arts & Literature

Fordham University Press

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death―as a quality of invention, of melancholy, of small victories in the face of greater threats―at the moment when his sight (and life) is eclipsed.
This new edition includes an Introduction and Afterword contextualizing Guibert’s work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

"Photographs are not innocent." Guibert writes in one of the most provocative essays in Ghost Image, a collection of critical and autobiographical writings on photography translated for the first time into English by Robert Bononno. "They influence and...betray what is hidden beneath the skin. They weave not only lines and grids, but plots, and they cast spells....They are an impressionable material that welcomes spirits." Guibert, photography critic of La Monde for many years, himself weaves a spell with his many topics and moods, delineated in a continually unpredictable mixture of precise descriptions and poetic musing. Guibert recalls family members through the frozen reality of pictures taken at different times. He offers a compact history of the Polaroid, and informative remarks on noted travel journals resembling photography. He confesses to having betrayed an actress he photographed, and silently ponders whether certain pictures should arouse him, adding his views on the differences between visual erotica and pornography. His own occasional role as model causes ambivalence. A flurry of other incidents and thoughts - some real, others fantasy - crowd Guibert's pages as he struggles to fathom the essence of that which captures life. In an unforgettable conclusion, through his account of an enigmatic portrait and its strange fate, Guibert finally achieves the union of person and picture he sought. Ghost Image is a collection of beautifully and hauntingly written essays on what is and what lies behind any photograph.

Ghost Image (Sun & Moon Classics)

Sun & Moon Press

Diary, memoir, poem, fiction? Autopsy, crime scene, hagiography, hymn? The chronicle of an obsessive love.
In the middle of the night between the 25th and 26th of November, Vincent fell from the third floor playing parachute with a bathrobe. He drank a liter of tequila, smoked Congolese grass, snorted cocaine... ―from Crazy for Vincent
Crazy for Vincent begins with the death of the figure it fixates upon: Vincent, a skateboarding, drug-addled, delicate “monster” of a boy in whom the narrator finds a most sublime beauty. By turns tender and violent, Vincent drops in and out of French writer and photographer Hervé Guibert's life over the span of six years (from 1982, when he first met Vincent as a fifteen-year-old teenager, to 1988). After Vincent's senseless death, the narrator embarks on a reconnaissance writing mission to retrieve the Vincent that had entered, elevated, and emotionally eviscerated his life, working chronologically backward from the death that opens the text. Assembling Vincent's fragmentary appearances in his journal, the author seeks to understand what Vincent's presence in his life had been: a passion? a love? an erotic obsession? or an authorial invention? A parallel inquiry could be made into the book that results: Is it diary, memoir, poem, fiction? Autopsy, crime scene, hagiography, hymn? Crazy for Vincent is a text the very nature of which is as untethered as desire itself.

Crazy for Vincent (Semiotext(e) / Native Agents)

Essays & Correspondence

Semiotext[e]

Stories that map the writer's artistic development, written with candor, detachment, and passion.Herve Guibert published twenty-five books before dying of AIDS in 1991 at age 36. An originator of French "autofiction" of the 1990s, Guibert wrote with aggressive candor, detachment, and passion, mixing diary writing, memoir, and fiction. Best known for the series of books he wrote during the last years of his life, chronicling his coexistence with illness, he has been a powerful influence on many contemporary writers. Written in Invisible Ink maps the writer's artistic development, from his earliest texts-fragmented stories of queer desire-to the unnervingly photorealistic descriptions in Vice and the autobiographical sojourns of Singular Adventures. Propaganda Death, his harsh, visceral debut, is included in its entirety. The volume concludes with a series of short, jewel-like stories composed at the end of his life. These anarchic and lyrical pieces are translated into English for the first time by Jeffrey Zuckerman. From midnight encounters with strangers to tormented relationships with friends, from a blistering sequence written for Roland Barthes to a tender summoning of Michel Foucault upon his death, these texts lay bare Guibert's relentless obsessions in miniature.

Written in Invisible Ink: Selected Stories (Semiotext(e) / Native Agents)

United States

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Books by Guibert, Hervè

See the best price to sell, buy, or rent books by Guibert, Hervè. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Ghost Image

To the Friend Who Did Not Save My Life

Cytomegalovirus: A Hospitalization Diary

The Compassion Protocol

Blindsight: A Novel

Cytomegalovirus: A Hospitalization Diary (Forms of Living)

Cytomegalovirus: A Hospitalization Diary (Forms of Living)

Ghost Image (Sun & Moon Classics)

Crazy for Vincent (Semiotext(e) / Native Agents)

Written in Invisible Ink: Selected Stories (Semiotext(e) / Native Agents)