Edgar Degas

Growe, Bernd

Taschen Deutschland GmbH+

Degas

Capturing fleeting moments: Degas’s mastery in the depiction of movement "No art could be less spontaneous than mine. Inspiration, spontaneity, temperament are unknown to me. One has to do the same subject ten times, even a hundred times over. In art, nothing should look like chance, not even movement." Edgar Degas In terms of both theme and technique, the key to understanding the early work of Edgar Degas (1834-1917) is classical painting. Although he was eventually associated with the Impressionists and even participated in their joint exhibitions, Degas never adopted a purely Impressionist approach. Degas’s work, reflecting an extremely personal and psychological perspective, emphasizes the scenic or concentrates on the detail. Thus, Degas’s painting is often discussed with reference to the rise of short-exposure photography. Thematically, nature proved less interesting to the artist than the life and inhabitants of the modern metropolis. Degas primarily sought his motifs in ballet salons, at the race track or circus, or in bedrooms - but dancers always remained his favorite theme. About the Series: Each book in TASCHEN’s Basic Art Series features:<ul>
<li>a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance</li> <li>a concise biography</li> <li>approximately 100 colour illustrations with explanatory captions</li> </ul>

Degas (Basic Art)

Arts & Photography

History & Criticism

Taschen

Degas (Basic Art) (French Edition)

Most commonly associated with the birth of the Impressionist movement in mid-19th-century Paris, Edgar Degas (1834–1917) in fact defied easy categorization and instead developed a unique style, strongly influenced by Old Masters, the body in motion, and everyday urban life.
The elder scion of a wealthy family, Degas cofounded a series of exhibitions of “Impressionist” art, but soon disassociated himself from the group in pursuit of a more realist approach. His subjects centered on the teeming, noisy streets of Paris, as well as its leisure entertainments, such as horse racing, cabarets, and, most particularly, ballet. With often ambitious, off-kilter vantage points, his images of ballerinas numbered approximately 1,500 works, all deeply invested in the physicality and the discipline of dance.
Through illustrations of Foyer de la Danse (1872), Musicians in the Orchestra (1872), and many more, this book provides an essential overview of the artist who created a category all his own, a world of classical resonance, bold compositions, and an endless fascination with movement, which together produced some of the most striking and influential works of the era.

Capturing fleeting moments: Degas’s mastery in the depiction of movement "No art could be less spontaneous than mine. Inspiration, spontaneity, temperament are unknown to me. One has to do the same subject ten times, even a hundred times over. In art, nothing should look like chance, not even movement."—Edgar Degas In terms of both theme and technique, the key to understanding the early work of Edgar Degas (1834–1917) is classical painting. Although he was eventually associated with the Impressionists and even participated in their joint exhibitions, Degas never adopted a purely Impressionist approach. Degas’s work, reflecting an extremely personal and psychological perspective, emphasizes the scenic or concentrates on the detail. Thus, Degas’s painting is often discussed with reference to the rise of short-exposure photography. Thematically, nature proved less interesting to the artist than the life and inhabitants of the modern metropolis. Degas primarily sought his motifs at the race track or circus, in bedrooms, or in ballet salons—and dancers always remained his favorite theme. About the Series: Each book in TASCHEN’s Basic Art Series features:<ul>
<li>a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance</li> <li>a concise biography</li> <li>approximately 100 colour illustrations with explanatory captions</li> </ul>

The magic of M. C. Escher's (1898-1972) extraordinary eye puzzles endures, as this Spanish-language survey of his work shows. Not a surrealist but an architect of impossible worlds who presents the unthinkable as if it were a law of nature, Escher offers dimensional and perspectival illusions that bring viewers into confrontation with the limitations of their sensory perception.

M. C. Escher: Spanish-Language Edition (Artistas serie menor) (Spanish Edition)

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Books by Growe, Bernd

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Edgar Degas

Degas (Basic Art)

Degas

Degas (Basic Art) (French Edition)

Degas (Basic Art)

Degas

M. C. Escher: Spanish-Language Edition (Artistas serie menor) (Spanish Edition)