Full text online version at www.nyupress.org/netwars. Who will rule cyberspace? And why should people care? Recently stories have appeared in a variety of news media, from the sensational to the staid, that portray the Internet as full of pornography, pedophilia, recipes for making bombs, lewd and lawless behavior, and copyright violators. And, for politicians eager for votes, or to people who have never strolled the electronic byways, regulating the Net seems as logical and sensible as making your kids wear seat belts. Forget freedom of speech: children can read this stuff. From the point of view of those on the Net, mass-media's representation of pornography on the Internet grossly overestimates the amount that is actually available, and these stories are based on studies that are at best flawed and at worst fraudulent. To netizens, the panic over the electronic availability of bomb-making recipes and other potentially dangerous material is groundless: the same material is readily available in public libraries. Out on the Net, it seems outrageous that people who have never really experienced it are in a position to regulate it. How then, should the lines be drawn in the grey area between cyberspace and the physical world? In net.wars, Wendy Grossman, a journalist who has covered the Net since 1992 for major publications such as Wired, The Guardian, and The Telegraph, assesses the battles that will define the future of this new venue. From the Church of Scientology's raids on Net users to netizens attempts to overthrow both the Communications Decency Act and the restrictions on the export of strong encryption, net.wars explains the issues and the background behind the headlines. Among the issues covered are net scams, class divisions on the net, privacy issues, the Communications Decency Act, women online, pornography, hackers and the computer underground, net criminals and sociopaths, and more.

net.wars

Computers & Technology

Grossman, Wendy

Networking & Cloud Computing

NYU Press

Yesterday's battles over internet turf were fought on the net itself: today's battles are fought in government committees, in Congress, on the stock exchange, and in the marketplace. What was once an experimental ground for electronic commerce is now the hottest part of our economic infrastructure. In From Anarchy to Power, Wendy Grossman explores the new dispensation on the net and tackles the questions that trouble every online user: How vulnerable are the internet and world wide web to malicious cyber hackers? What are the limits of privacy online? How real is internet addiction and to what extent is the news media responsible for this phenomenon? Are women and minorities at a disadvantage in cyberspace? How is the increasing power of big business changing internet culture? We learn about the political economy of the internet including issues of copyright law, corporate control and cryptography legislation. Throughout the book the emphasis is on the international dimensions of the net, focusing on privacy and censorship in the United States, Europe and Canada and the hitherto ignored contributions of other countries in the development of the net. Entertaining and informative From Anarchy to Power is required reading for anyone who wants to know where the new digital economy is heading.

From Anarchy to Power The Net Comes of Age

Reframing Andy Warhol: Constructing American myths, heroes, and cultural icons

Reframing Andy Warhol: Constructing American myths, heroes, and cultural icons

Art Gallery, University of Maryland

Man Ray's Shakespearean Equations―a series of paintings he considered to be the pinnacle of his creative vision―has long been a puzzle of Surrealism. What meaningful common thread could possibly link Shakespeare, mathematics and art? This volume sets out to unravel the puzzle by beginning with photographs of mathematical models that Man Ray took at the Institut Henri Poincaré in Paris in the 1930s. It then charts the artist's development along a path that culminates with the Shakespearean Equations, a series of oil paintings he made in Hollywood more than a decade later, inspired by that earlier photographic work. The canvases build a bridge from painting back to photography and reveal the ease with which Man Ray moved between various disciplines and forged his own path. An inveterate experimenter, he pioneered artistic activities in the realms of painting, object making, film and photography, challenging conventional boundaries and blurring established aesthetic categories. Man Ray was born Emmanuel Radnitzky in Philadelphia in 1890 and grew up in New York, where he studied art at the National Academy of Design and the Ferrer School. A nomadic soul like his lifelong friend Marcel Duchamp, Man Ray relocated many times throughout his life, worked in many media and likewise stopped short of officially joining the ranks of either Dada or Surrealism, though he was informally close to both movements. Participating in the most groundbreaking formal experiments of the Western modernist avant-garde, Man Ray made Cubist paintings, readymades, camera-less photographs and nonnarrative films (among many other things). He died in 1976 and was buried in the Cimetière du Montparnasse in Paris. His epitaph reads: "unconcerned, but not indifferent."

Man Ray: Human Equations

Arts & Photography

Kamien-Kazhdan, Adina

Sebline, Edouard

Andrew Strauss

Individual Artists

Hatje Cantz

See the best price to sell, buy, or rent books by Grossman, Wendy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Grossman, Wendy