Disney&#39;s Lilo &amp; Stitch

Greg Ehrbar

Massimiliano Narciso

Disney Press

The Disney JuniorGraphic Novels provide young readers with 48-pagesof four-color graphic stories at a great low price! Each novel features one ofDisney’s most famous animated characters in a re-telling of their big screenadventure. When Stitch, an alien from another world, crashes onearth, he is not prepared for the trouble—and fun—he gets into.  

Disney Junior Graphic Novel Lilo & Stitch (Disney Junior Graphic Novels)

Children's Books

Animals

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Tim Hollis lives in Birmingham, Alabama. Three of his previous books—histories of tourism and children's television—are published by University Press of Mississippi. Two-time Grammy nominee Greg Ehrbar, a twenty-year Disney company veteran, is a writer of advertising, books, television specials, radio shows, compact discs, and Walt Disney Records Read-Alongs. Learn more about the book and the authors at www.mousetracksonline.com.

Mouse Tracks: The Story of Walt Disney Records

Arts & Photography

Tim Hollis

Graphic Design

UNIVERSITY PRESS OF MISSISSIPPI

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.

Disney History - Written by You
Who writes the Disney history you love to read? A select group, immersed in the history and culture of Disney, from films to theme parks. Now these authors reveal their inspirations, their methods, and their secrets. Why just read Disney history when you can write it yourself!
In this engaging how-to anthology, Jim Korkis documents the history of Disney history, with help from Disney's Chief Archivist Emeritus David R. Smith, and then gives practical advice for conducting interviews with Disney notables; researching, organizing, and using information; and handling the media.
From there, fifteen of today's leading Disney historians share at length their best practices for researching and writing essays, articles, and books about every facet of Disney culture. The historians who contributed chapters to this book include:
<ul>
<li>Michael Barrier, whose The Animated Man is the seminal biography of Walt Disney, discusses the "Disney-approved narrative", and its implications for impartial Disney scholarship</li>
<li>Sam Gennawey instructs on how to find your own point of view, and how to bring something new to the Disney table</li>
<li>Jeff Kurtti, the author of over twenty-five books, lays out a step-by-step approach to following in his footsteps</li>
<li>Brian Sibley and Todd James Pierce provide interlocking tutorials on how to conduct interviews, and the technology now available to streamline the process</li>
<li>Plus ten more chapters, along with annotated resources for aspiring Disney historians, including books, magazines, and DVD/Blu-rays</li>
</ul>
SHARPEN YOUR PENCILS AND BECOME PART OF DISNEY HISTORY - BY WRITING IT!

How to Be a Disney Historian: Tips from the Top Professionals

Reference

Jerry Beck

Jim Korkis

Jim Fanning

Didier Ghez

J.B. Kaufman

Jeff Jurtti

Paula Sigman Lowery

Writing, Research & Publishing Guides

Theme Park Press

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