Contract and Control in the Entertainment Industry: Dancing on the Edge of Heaven (Studies in Modern Law and Policy)

This book examines the contractual relationships of creative artists within a number of areas of the entertainment industry. Whilst it focuses specifically on football, cricket, boxing and music, developments within other parts of the entertainment business are observed. The book also charts the concessions (artistic, professional and personal) that are often made by such artists in an attempt to achieve success and the consequent legal problems that may arise from their working relationships. Embracing historical materials and current legal practices, Contract and Control in the Entertainment Industry will be of interest to academics and students in the fields of law, sociology and cultural studies. It will also appeal to anyone who is interested in seeing how many areas of the entertainment industry have placed very restrictive contractual controls on the raw materials of the industry - the creative artists.

Greenfield, Steve

Osborn, Guy

Humor & Entertainment

Routledge

<p>Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law.</p>
<p>The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.</p>

Film and the Law: The Cinema of Justice

Robson,Peter

Movies

Hart Publishing

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Film and the Law

Routledge-Cavendish

The Future of Automotive Retail

Business & Money

Economics

Automotive Ventures LLC

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