According to public health officials, obesity poses significant health risks and has become a modern-day epidemic. A closer look at this so-called epidemic, however, suggests that there are multiple perspectives on the fat body, not all of which view obesity as a health hazard. Alongside public health officials at the Centers for Disease Control and Prevention are advertisers of the fashion-beauty complex, food industry advocates at the Center for Consumer Freedom, and activists at the National Association to Advance Fat Acceptance. Framing Fat takes a bird’s-eye view of how these multiple actors construct the fat body by identifying the messages these groups put forth, particularly where issues of beauty, health, choice and responsibility, and social justice are concerned. Samantha Kwan and Jennifer Graves examine how laypersons respond to these conflicting messages and illustrate the gendered, raced, and classed implications within them. In doing so, they shed light on how dominant ideas about body fat have led to the moral indictment of body nonconformists, essentially “framing” them for their fat bodies.

Framing Fat: Competing Constructions in Contemporary Culture

Politics & Social Sciences

Kwan, Samantha

Graves, Jennifer

Social Sciences

Rutgers University Press

Under the Knife: Cosmetic Surgery, Boundary Work, and the Pursuit of the Natural Fake

Most women who elect to have cosmetic surgery want a "natural" outcome--a discrete alteration of the body that appears unaltered. Under the Knife examines this theme in light of a cultural paradox. Whereas women are encouraged to improve their appearance, there is also a stigma associated with those who do so via surgery.&nbsp; &nbsp;Samantha Kwan and Jennifer Graves reveal how women negotiate their "unnatural"--but hopefully (in their view) natural-looking--surgically-altered bodies. Based on in-depth interviews with 46 women who underwent cosmetic surgery to enhance their appearance, the authors investigate motivations for surgery as well as women's thoughts about looking natural after the procedures. Under the Knife dissects the psychological and physical strategies these women use to manage the expectations, challenges, and disappointments of cosmetic surgery while also addressing issues of agency and empowerment. It shows how different cultural intersections can produce varied goals and values around body improvement.Under the Knife highlights the role of deep-seated yet contradictory gendered meanings about women's bodies, passing, and boundary work. The authors also consider traditional notions of femininity and normalcy that trouble women's struggle to preserve an authentic moral self.

Temple University Press

In December, 2009, Susan Cox Powell was reported missing from her home in West Valley City, Utah. As law enforcement tried to piece together what had happened to Susan, her husband, Josh Powell, became the only person of interest in the case. For Jennifer Graves, Josh’s sister, the nightmare started long before Susan’s disappearance. From her experiences growing up in the Powell family to the terrifying moment when she first started to believe her brother was a killer, she relied on her faith to stay strong. She devoted herself to the safety of Susan’s boys, Charlie and Braden, whom she hoped to be able to raise as her own. When the boys were murdered by their father in February, 2012, Jennifer was more than devastated, but she had to believe there was a reason for it all---including the deaths of her beloved nephews. In A Light In Dark Places, Jennifer shares her struggles and her triumphs. In coming to terms with such tragedy she finally was able to embrace the truth that we all have the power to choose our own path---and there is always hope, no matter how dark things may seem.

A Light In Dark Places

Biographies & Memoirs

Clawson, Emily

Memoirs

CreateSpace Independent Publishing Platform

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Books by Graves, Jennifer