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Faust

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GOETHE

Dramas & Plays

Chambers Harrap Publishers Ltd.

History

Franklin Classics

Faust Parts I and II

Pocket_Books

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Goethes Faust -OS

University of Toronto Press

Faust: A Tragedy

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Arts & Photography

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Nabu Press

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Excerpt from Catalogue of Autograph Letters: Including Beethoven, Haydn, Schubert, Goethe, Rousseau, Schiller, an Unique Manuscript of Frederic the Great Treitschke. Regards the melodram the ruins of Baby lon; Beethoven, wishing 'to use the same libretto for a great opera, he intended to compose, asked Treitschke, to -write the text for it. In this letter he explains his ideas to Treitschke. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Catalogue of Autograph Letters: Including Beethoven, Haydn, Schubert, Goethe, Rousseau, Schiller, an Unique Manuscript of Frederic the Great (Classic Reprint)

BEETHOVEN

SCHUBERT

HAYDN

ROUSSEAU

SCHILLER

Music

Forgotten Books

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues.    The translation of Goethe's "Prose Maxims" now offered to the public is the first attempt that has yet been made to present the greater part of these incomparable sayings in English. In the complete collection they are over a thousand in number, and not more perhaps than a hundred and fifty have already found their way into our language, whether as contributions to magazines here and in America, or in volumes of miscellaneous extract from Goethe's writings. Some are at times quoted as though they were common literary property. To say that they are important as a whole would be a feeble tribute to a work eloquent for itself, and beyond the need of praise; but so deep is the wisdom of these maxims, so wide their reach, so compact a product are they of Goethe's wonderful genius, that it is something of a reproach to literature to find the most of them left untranslated for the sixty years they have been before the world. From one point of view, the neglect they have suffered is in no way surprising: they are too high and severe to be popular so soon; and when they meet with a wide acceptance as with other great works, much of it will rest upon authority. But even for the deeper side of his writings, Goethe has not been denied a fair measure of popular success. No other author of the last two centuries holds so high a place, or, as an inevitable consequence, has been attacked by so large an army of editors and commentators; and it might well be supposed by now that no corner of his work, and least of all one of the best, had remained almost unnoticed, and to the majority unknown. Many of these maxims were early translated into French, but with little success; and even in Germany it was only so late as the year 1870 that they appeared in a separate form, with the addition of some sort of critical comment and a brief explanation of their origin and history.

The Maxims and Reflections of Goethe

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Iphigenia In Tauris

The Maxims and Reflections

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