The magic of photography is its unique power to capture a moment in the past to be viewed in the present, to capture a subject suspended between life and death. This evocative, beautifully written catalog from Japan's Izu Photo Museum documents an inspired exhibition that looks into photography's mystical way of suspending time--with an innovative mix of photos from Japan and the West. Even with the relatively recent inclusion of vernacular photos in ''serious'' photography collections, the study of the art form has remained almost entirely Euro-centric. Yet in Suspending Time, curator Geoffrey Batchen (a professor at City University New York) opens the door to using Japanese vernacular photos--and what a treasure-trove he's found! Among the sections is one of memorial ''cabinet cards'' and funerary photos, from Mexico, France, the United States and Japan. A delightful collection of snapshots shows the shadow of the photographer; ''group portraits in which both subject and object are figured in eternal union,'' writes Batchen. He includes photos by professionals Lee Friedlander and Daido Moriyama to make his point. With over 100 beautiful plates of cabinet cards, Daguerreotypes, photography jewelry, tintypes, Japanese ambrotypes, and Mexican sculptures. Includes essays by Batchen, Yoshiaki Kai and Masashi Kohara. In English and Japanese.

Suspending Time: Life - Photography - Death (English and Japanese Edition)

Arts & Photography

Geoffrey Batchen

Yoshiaki Kai

Masashi Kohara

Photography & Video

Nohara Co. Ltd.

Louis-Jacques-Mande Daguerre may be the official father of photography, but William Henry Fox Talbot, Cambridge graduate, mathematician, philosopher, astronomer, and amateur archeologist, is the true father of modern photography. In 1840, Talbot invented the positive-negative process that permits endless reproductions, the same technique still used today. Traces of Light magnificently reproduces hundreds of his early photographic work, images that capture the shapes of fleeting, mysterious, everyday things such as flowers, leaves, feathers, and most especially lace. Also included are scholarly essays that explore Talbot's growth as an artist, his technical achievements, his near obsession with lace, and his relevance to the contemporary state of things.

William Henry Fox Talbot: Traces Of Light/Huellas de Luz (Spanish Edition)

MICHAEL GRAY

Mike Ware

Catherine Coleman

William Henry Fox Talbot

Gerardo Kurtz

Russel Roberts

Larry Schaaf

Individual Artists

Museo Nacional Centro De Art

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Books by Geoffrey Batchen