Duchamp’s Endgame: Da Vinci, Dürer, Ingres, Poussin

Arts & Photography

Geers, Kendell

History & Criticism

Mercatorfonds

South African artist Kendell Geers (1968, Johannesburg) has become one of the most controversial artists of our times. By blowing up museum walls and burning down statues, Geers has made a name for himself as aesthetic terrorist. Fear, violence, danger and sex are omnipresent in Geers' work.In concert with a European travelling exhibition, Geers presents IRRESPEKTIV, a fully illustrated monograph highlighting the main aspects of his oeuvre. The catalogue covers installations, photographs, drawings and performances from the beginning of his career until the present. IRRESPEKTIV includes texts by Lieven de Cauter and Rudi Laermans, Christine Macel, Warren Siebrits and Andrea Vinassa, and an interview between Jerome Sans and Kendell Geers. Published by BOM publishers in cooperation with the S.M.A.K. (Ghent, Belgium), B.P.S.22 (Charleroi, Belgium), the Baltic Centre for Contemporary Art (Gateshead, UK), Musée d' art contemporain de Lyon (France) and MART (Rovereto, Italy).

IRRESPEKTIV: KENDELL GEERS

Individual Artists

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume contains material by Genesis Breyer P-Orridge, Frater Achad, Timothy O’Neill, Philip Farber, Kendell Geers, Sasha Chaitow, Derek Seagrief, Vera Nikolich, Alexander Nym, Vanessa Sinclair, Stephen Sennitt, Antony Hequet, Patrick Lundborg, Henrik Dahl, Angela Edwards, Jason Louv, Kasper Opstrup, Peter Grey, Antti Balk, Kjetil Fjell, Sandy Robertson, Adam Rostoker, Emory Cranston, Manon Hedenborg-White, Sara George and Carl Abrahamsson, on topics as diverse as Aleister Crowley, Rudolf Steiner, Anton LaVey, Sar Peladan, Fernand Khnopff, Marcel Duchamp, Robert Heinlein, William Burroughs, Brion Gysin, Wilhelm Reich, Thelema, Satanism, Symbolism, psychoanalysis, Dada, apocalyptic witchcraft, psychedelic philosophy, visionary book covers, Cannabis, artificial human companions, sacred prostitution, German Expressionist cinema, slam poetry, independent universities, extraterrestrial influences, astrology, sexual magic, science fiction and more…

The Fenris Wolf 7

Politics & Social Sciences

Achad, Frater

Abrahamsson, Carl

Grey, Peter

Sinclair, Vanessa

Lundborg, Patrick

Breyer P-Orridge, Genesis

Hedenborg-White, Manon

Farber, Philip

Philosophy

Trapart Books

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume, the tenth, contains material by Ludwig Klages, David Beth, Henrik Dahl, Peter Sjöstedt-H, Jesse Bransford, Max Razdow, Christopher Webster, Kendell Geers, Kadmus, Billie Steigerwald, Fred Andersson, Zaheer Gulamhusein, Charlotte Rodgers, Craig Slee, Damien Patrick Williams, Philip H. Farber, Thomas Bey William Bailey, Mitch Horowitz, Ramsey Dukes, Anders Lundgren, Peggy Nadramia, Nina Antonia, Jack Stevenson, Andrea Kundry, Joan Pope, Genesis Breyer P-Orridge, Vanessa Sinclair, Claire-Madeline Corso, and Carl Abrahamsson, on topics as diverse as magico-anthropology, sexual magic, eroto-psychedelic art, Friedrich Nietzsche’s use of psychoactive drugs, the occult meaning of the Fenris Wolf in Scandinavian Asatro, joint dreaming, mytho-historical traces within Völkish photography, the magic and influence of African art, disease as magical incentive, Cripkult, daoism, buddhism and machine consciousness, memetic entities, memetic magick, the transformative power of causative thinking, an interview with author Gary Lachman about Colin Wilson and his magical writings, dark Hollywood, Mike “Hellboy” Mignola and the Lovecraft connection, the full story of Benjamin Christensen’s cinematic masterpiece “Witchcraft Through the Ages (1922), the full story of Anton LaVey’s Satanic Bible, the gnostic-alchemical eroticism in the art of Joan Pope, Genesis P-Orridge’s memories of a life of occultural experimentation, and much more...“Wherever we look in and into time and space, there is that one fundamental phenomenon which seems more ingrained and integrated in the human psyche than anything else. Soundly embedded inside the survival instinct, the human being’s relationship to magic has never really disappeared.”– Carl Abrahamsson, from the chapter “Onwards to the Source!”

The Fenris Wolf 10

LACHMAN, GARY

HOROWITZ, MITCH

Antonia, Nina

P-Orridge, Genesis Breyer

Nadramia, Peggy

Abrahamsson (Ed), Carl

Pope, Joan

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This issue contains material by Peter H Gilmore, Peter Grey, John Duncan, Ramsey Dukes, Tim O’Neill, Thomas Karlsson, David Beth, Payam Nabarz, Hiram Corso, Jean-Pierre Turmel, Kendell Geers, Z’EV, Robert Taylor, Phil Farber, Thomas Bey William Bailey, Ernst Jünger, Baba Rampuri, Aki Cederberg, and Carl Abrahamsson, on topics as diverse as Thelema, Kenneth Anger, Satanism, democracy, the astral technology of “Civilization X”, the blood mysteries of the Blutleuchte, The Process Church of the Final Judgement, an interview with Timoth Wyllie, the power of profane language and cursing, the cabalistic calls, the pantheon of Genesis Breyer P-Orridge, magical uses of the Dreamachine, the esoteric order Dragon Rouge, Terence McKenna, psychedelics, LSD, psilocybin, Indian spirituality, Naga Babas, magical pilgrimages, a unique series of evocative ink images by Swedish artist Fredrik Söderberg, and much more.Trapart Books 2020. Originally published by Edda Publishing 2011. 256 pages, 6 x 9". Cover art by Fredrik Söderberg.“From the smallest genome to the loftiest vision, man’s totality is an unsurpassed vessel of potential. One of the reasons being the ability to transcend immediate communication. In every use of communication by proxy lies individual will ingrained. Love charms and jewellery, cave paintings and sympathetic tribal hopes, Luther’s German translation of the Bible as an act of monocultural defiance, fairytales as moral education, Picasso’s “Guernica” as an act of war against war itself... This desire to formulate emotion and will through generalised expressions, along with the capacity for suicide, may be the most fundamentally human trait. If we, for some reason, are incapable of expressing ourselves, we actively seek out resonance with those who are capable. Their works arouse the spirit of Gemeinschaft, of being a part of the human community rather than a single solitaire grain of sand in a scorchingly hot desert.”– Carl Abrahamsson, from the chapter “Someone is messing with the Big Picture.”

The Fenris Wolf 4

McKenna, Terence

Gilmore, Peter

Wyllie, Timothy

Farber, Phil

Beth, David

Rampuri, Baba

The Fenris Wolf 6

Horowitz, Michael

Farber, Philip H.

Aswynn, Freya

LaVey, Anton

Nema, Soror

Chaitow, Sasha

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume contains material by Genesis Breyer P-Orridge, Nina Antonia, Gary Lachman, Erik Davis, Vanessa Sinclair, Carl Abrahamsson, Charles Stansfeld Jones (Frater Achad), Kendell Geers, Jason Louv, Timothy O’Neill, Derek Seagrief, Alexander Nym, Stephen Sennitt, Henrik Dahl, Kasper Opstrup, Antti Balk, Aki Cederberg, Michael Moynihan, Friedrich Hielscher, Orryelle Defenestrate Bascule, Zbigniew Lagosz, Bishop T Omphalos, Johan Nilsson, Gordan Djurdjevic, Carey Hodges, Chad Hensley, Zaheer Gulamhusein, Ingo Lambrecht, Hagen von Tulien, N, Kadmus, Stojan Nikolic, Miguel Marques and Renata Wieczorek on topics as diverse as polymorphous perversity and pandrogeny, Alchemy, Lord Alfred Douglas & Aleister Crowley, Indian erotic art, Polish magicians, rejected knowledge, Intuition, the Ecclesia Gnostica Catholica, Crowley & Daoism, H.P Lovecraft, Robert Anton Wilson, August Derleth, Greek mysteries, psychedelic art, New Orleans Voodoo, Kabbalah in contemporary culture, Ritual & Analytical spaces, religious Scientism, death/exit horoscopes, new poetry and much more… A smorgasbord of occulture & delightenment! Trapart Books 2021. 6 x 9” paperback, 334 pages. Cover painting by Andreas Kalliaridis.

The Fenris Wolf 8

Davis, Erik

Louv, Jason

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