Mythic Beings brings together 80 outstanding works by 20 contemporary artists that powerfully interpret Northwest Coast myths and legends. These works include totem poles, argillite sculptures, jewelry in silver and gold, carved and painted boxes, painted drums, and masks. They depict beings of the forest, sea, sky, and spirit worlds: Raven, Thunderbird, Salmon Bringer, Volcano Woman, and many more. Accompanying each work are a retelling of the myth associated with it and comments from the artist on the myth’s meaning, as well as stories related to the creation of the work. Gary Wyatt’s introduction discusses the evolution of contemporary Northwest Coast art, touching on major international commissions and exhibitions, and landmark pieces. It also discusses the relevance of myth and legend in contemporary Native society, and the changes and interpretations that have been introduced over the past three decades.

Mythic Beings: Spirit Art of the Northwest Coast

Arts & Photography

Gary Wyatt

History & Criticism

University of Washington Press

Native American Salish artist Susan Point did not take up art until she was in her late twenties, but since then has immersed herself in the study of traditional Coast Salish art and culture. She says: "Coast Salish art is relatively unknown to most people today as it was an almost lost art form after European contact-the reason being that Salish lands were the first to be settled by Europeans. Because of this, over the years, I have spent a great deal of my time trying to revive traditional Coast Salish art-and also attempting to educate the public to the fact that there was, and still is, another art indigenous to the central Pacific Northwest Coast."
 Point's striking and distinctive art-from jewelry in precious metals to prints, paintings, and monumental pieces in wood and glass-has won worldwide acclaim and a worldwide audience. An innovator with a strong personal style, she likes to express ancestral concepts and designs in media such as glass and bronze as well as the more traditional wood. "In creating my art," she says, "I feel a need to continually express my cultural background and beliefs yet, at the same time, my work continues to evolve with changes both within and outside of my community."
 Michael Kew describes the traditional art, culture, and beliefs of the central Coast Salish, which of all the Northwest Coast cultures is among the least familiar to the general public. Because much of the art was closely associated with private religious expression, it was seldom displayed or sold to collectors. Peter Macnair contributes an engaging and enlightening biography that looks at the artistic evolution of Susan Point. Bill McLennan briefly examines the tradition of housepost carving among the Coast Salish and Susan Point's interpretations of these large woodcarvings.

Susan Point: Coast Salish Artist

Peter, Macnair

Michael Kew

Vesta Giles

Univ of Washington Pr

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Books by Gary Wyatt