For centuries the most revered poem in the Western literary canon, Vergil's Aeneid celebrates the Roman virtue of pietas. In the preface to his English translation of the poem, John Dryden attempts to explain all that this virtue includes: "Piety alone," he writes, "comprehends the whole Duty of Man towards the Gods, towards his Country, and towards his Relations." Dryden's definition belongs to a dialogue about meaning that reflects a history of contention over religious, political, and moral issues of enduring cultural significance. Because it is the site of antagonism between pagan and Christian, republican and imperialist, emperor and pope, Protestant and Catholic, pietas and its derivatives in the modern languages bring to literary works multiple contexts of ideological dispute. This book traces the history of the Vergilian ideal from classical Latin to neoclassical English literature. In the process of, it comparatively engages interpretation of a range of literary works diversely responsive to the Aeneid: from the histories and historical epics of the Silver Age, to the medieval mirrors for magistrates, to Renaissance adaptations of Aeneid 4 and 12, and finally to Dryden's complete translation.

Pietas from Vergil to Dryden

Literature & Fiction

Garrison, James

British & Irish

Penn State University Press

For centuries the most revered poem in the Western literary canon, Vergil's Aeneid celebrates the Roman virtue of pietas. In the preface to his English translation of the poem, John Dryden attempts to explain all that this virtue includes: "Piety alone," he writes, "comprehends the whole Duty of Man towards the Gods, towards his Country, and towards his Relations." Dryden's definition belongs to a dialogue about meaning that reflects a history of contention over religious, political, and moral issues of enduring cultural significance. Because it is the site of antagonism between pagan and Christian, republican and imperialist, emperor and pope, Protestant and Catholic, pietas and its derivatives in the modern languages bring to literary works multiple contexts of ideological dispute. This book traces the history of the Vergilian ideal from classical Latin to neoclassical English literature. In the process of, it comparatively engages interpretation of a range of literary works diversely responsive to the Aeneid: from the histories and historical epics of the Silver Age, to the medieval mirrors for magistrates, to Renaissance adaptations of Aeneid 4 and 12, and finally to Dryden's complete translation.

Dryden and the Tradition of Panegyric

University of California Press

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

History & Criticism

Collected from the winning entries of the Houston Writers Guilds' Out of Many, One: Celebrating Diversity contest, these short stories and poems capture the vulnerable truth of what it means to be human and celebrate the beauty of being unique. We hope you have a laugh or even shed a tear while reading them, but we especially hope that they provide some food for thought to help bring positive changes and acceptance to the world we live in.

Out of Many, One: Celebrating Diversity

Harwell, Mark C

Di Tore, Teresa

Dimond, Christopher C

Tinker, Dorothy

Rose, Anna-Catherine

Caraveo, Vanessa

Vouvray, A. Catherine

Weeks, Clancy

Hakim, Shireen

Short Stories & Anthologies

Houston Writers Guild

Reconsidering the Life of Power examines Chinese perspectives on bodily self-cultivation and explores how these can be resources for working past the ritual scripts of everyday life. In recent decades, European and American thinkers like Michel Foucault and Judith Butler have called attention to the way that people live out ritual scripts in order to be recognized by other people such that they might survive. Philosophers in China, however, have a long history of considering ritual not just in terms of confining power structures but also in terms of empowering artistic self-cultivation. Out of this convergence, a response to Butler's The Psychic Life of Power becomes possible, along with fascinating implications for improving real-world experience.\nJames Garrison looks at art and aesthetics as a way of responding positively to the vicissitudes of everyday life. This means reframing ritual practice in domains like meditation, yoga, tai chi chuan, dance, calisthenics, fashion, and beyond as a kind of work that delves into and unearths society's long-accruing unconscious habits in a way that makes conscious one's everyday speech, comportment, countenance, and presence. The everyday body thus becomes an artwork, speaking in novel ways to the everyday self by revealing an alternative to the programmed ritual scripts through which most of us tend to survive. Reconsidering the Life of Power offers a compelling contemporary intercultural perspective on body, art, self, and society that bridges theory and practice by providing an actionable yet deeply philosophical approach to enhancing life.

Reconsidering the Life of Power: Ritual, Body, and Art in Critical Theory and Chinese Philosophy (Chinese Philosophy Culture)

Politics & Social Sciences

Philosophy

State University of New York Press

In America as Empire, Jim Garrison urges us to face up to the complexities and responsibilities inherent in the indisputable fact that America is now the world's single preeminent power. "America", Garrison writes, "has become what it was founded not to be: established as a haven for those fleeing the abuse of power, it has attained and now wields near absolute power. It has become an empire." Garrison traces the roots of the American empire to the very beginnings of the republic, in particular to the historic willingness of United States' to use military might in the defense of two consistent --- if sometimes contradictory --- foreign policy objectives: protection of American commercial interests and promotion of democracy. How long can the American empire last? Garrison looks at American history within the context of the rise and fall of empires and argues that the U. S. can gain important insights into durability from the Romans. He details the interplay between military power, political institutions, and legal structures that enabled the Roman empire at it's apogee to last for longer than America has as a country. But the real question is, what kind of empire can and should America be? As the sole superpower, America must lead in shaping a new global order, just as after World War II Roosevelt and Truman took the lead in shaping a new international order. That international order is now crumbling under the pressures of globalization, persistent poverty, terrorism and fundamentalism. Garrison outlines the kinds of cooperative global structures America must promote if its empire is to leave a lasting legacy of greatness. Garrison calls for Americans to consciously see themselves as a transitional empire, one whose task is not to dominate but to catalyze the next generation of global governance mechanisms that would make obsolete the need for empire. If this is done, America could be the final empire.

America As Empire: Global Leader or Rogue Power?

History

Americas

Berrett-Koehler Publishers

Black Bodies That Matter: Mourning, Rage, and Beauty (Philosophy of Race)

Lexington Books

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