Lucian Freud's massive nudes are among the most powerful and moving visual images of our time, and in this exhaustive overview of Freud's career, readers can trace how he arrived at them. Photos of Freud at work provide a unique view of this very private man. 340 illustrations, many in color.

Lucian Freud

FREUD, Lucian

Biographies & Memoirs

JONATHAN CAPE.

This second volume of one of the great portrait painters of all time will cover all of his work from the last ten years including the recent paintings, both large and small, together with a number of extraordinary new works on paper.

LUCIAN FREUD: 1996-2005

Arts & Photography

History & Criticism

On Paper

Painting

A rare insight into the mind of the greatest painter of our time. Usually reluctant to speak about his work, Freud has agreed to enter into a conversation on painting with writer Sebastian Smee. Many photographs taken by Bruce Bernard and David Dawson will accompany the document.

Freud at Work: In Conversation with Sebastian Smee

“The greatest living realist painter” is how Robert Hughes described Lucian Freud in 1998. He is probably most famous as a portraitist, a portraitist above all of nudes. Stripped of their clothes, his sitters—mostly friends or family members—are revealed in all their vulnerability. Their gorgeously painted flesh is alive. As Freud himself has said of his nudes, “I used to leave the face to the last. I wanted the expression to be in the body. The head must be just another limb.” Freud has always worked outside the conventions—academic as well as modernist—of contemporary art. However, his vision reflects the anguish of his time as powerfully as the work of his close friend, the late Francis Bacon, once did. Where Freud triumphs is in his ability to get inside his sitters: not to analyze them, as his grandfather did, but to bring them to sentient life in paint. Although he works very slowly—most portraits take months to finish—Freud has spent the last ten years (since the publication of the 1996 monograph Lucian Freud) painting day after day, usually from 8 a.m. until midnight. The result has been a corpus of great new works, which reveal him to be the only heir today of Rembrandt, Courbet, and Cézanne. The most daring of Freud’s recent portraits is a full-length painting of Andrew Parker-Bowles—a new, subtly satirical take on the grand manner that stretches back through van Dyck to Titian. Like Goya, Freud is without reverence. With his portrait of the Queen, you feel the canvas is a window through which Her Majesty is bursting, diadem and all. Freud has also indulged his passion for animals in some wonderfully perceptive studies of horses and his whippet, Pluto. And he has proved to be an acute observer of nature in obsessively meticulous but wonderfully fresh paintings and engravings of the buddleia bush in his garden. This book is a dazzling record of a powerful late period by our last great painter. Lucian Freud was born in Berlin in 1922, the son of the architect Ernst Freud and the grandson of Sigmund Freud. His family moved to England in 1933. His work has been exhibited in major museums around the world with retrospectives at the Tate Gallery in London, the Metropolitan Museum of Art in New York, and the Museum of Contemporary Art in Los Angeles. He lives in London.

Lucian Freud: 1996-2005

KNOPF

Random House Value Publishing

British Council

Lucian Freud: Paintings

Throughout the twentieth century, the evolution of mainstream Modernism in the arts has been shadowed and made complex by alternative expressions of a seemingly retrograde type, art that appears to set back the clock or to redirect the stream of progress. Modern Art Despite Modernism explores the anti-Modernist impulse in painting and sculpture through socio-cultural conflicts of the 1920s, 30s and 40s. Texts by Robert Storr advocate the strengths of this impulse in paintings and drawings by Otto Dix, Lucian Freud, Francesco Clemente and even Pablo Picasso--and note the enduring popularity of such artists as Pavel Tchelitchew, whose "Hide and Seek," along with Andrew Wyeth's "Christina's World," remain among the public's favorite pictures. Storr also discusses taste and its implications, both part and present, for institutions like The Museum of Modern Art. This book was published as the second in a series of three titles, in conjunction with the millennial exhibitions schedule of MoMA2000 at The Museum of Modern Art, New York.

Modern Art Despite Modernism

Matisse, Henri

BACON, FRANCIS

O'Keeffe, Georgia

Dalí, Salvador

Shahn, Ben

BALTHUS

Lowry, Glenn

RICHTER, Gerhard

Clemente, Francesco

GROSZ, George

Lowry, Glenn D.

Beckmann, Max

De Chirico, Giorgio

STORR, Robert

The Museum of Modern Art, New York

Artist's Eye

The National Gallery

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