Narrator, characters, action, hero, quest, plot, time and space, entrances and exits--these are the essential components of all narrative literature. This authoritative and engaging introduction to the literary features of biblical narrative and poetry will help the reader grasp the full significance of these components, allowing them to enter more perceptively into the narrative worlds created by the great writers of the Bible.

Reading Biblical Narrative: An Introductory Guide

Religion & Spirituality

Fokkelman, J. P.

Christian Books & Bibles

Westminster/John Knox Press

Reading Biblical Poetry: An Introductory Guide

Biographies & Memoirs

True Crime

Psalms in Form: The Hebrew Psalter in Its Poetic Shape

Literature & Fiction

Poetry

Westminster John Knox Pr

Narrative Art in Genesis: Specimens of Stylistic and Structural Analysis (Bib...

Narrative Art in Genesis: Specimens of Stylistic and Structural Analysis (Biblical Seminar)

Wipf & Stock Publishers

Narrative Art and Poetry in the Books of Samuel is the vast undertaking to interpret all the material in Samuel. Everything that the text has to offer can only be understood and appreciated to the full, and its interpretation can only lay claim to full validity by means of an integral view. Therefore the author has developed a textual model which regards and covers the composition of the Samuel books as a hierarchy of twelve levels.The Hebrew text is the long section which inextricably interweaves the demise of king Saul and the rise of David into a subtle and complicated dialectic of election and rejection. The author’s model of the ‘semiotic scale’ enables him to chart the different levels of the textual hierarchy and exactly determine the weight and range of action of each formal fact within the whole.

Narrative Art and Poetry in the Books of Samuel: A Full Interpretation Based on Stylistic and Structural Analyses (2)

Brill Academic Pub

Literary Structure and Rhetorical Strategies in the Hebrew Bible

De Regt, L. J.

De Waard, J.

Van Gorcum and Comp BV

Volume II of Major Poems of the Hebrew Bible deals with 85 Psalms (83 poems) and the poems in Job 4-14, and aims at presenting an integrated prosodical theory which is able to bypass the highly controversial question of metrics. There are two approaches which initially are kept apart on grounds of method: structural analysis and the counting of the original, i.e. pre-Masoretic, syllables. Each poem receives a compact description of structure which gives a reasoned delimitation of cola, verses, and strophes. In a separate operation, the syllable counts for each word, colon, verse, strophe, stanza, section and poem are recorded in a comprehensive Appendix. All the poems under discussion show a precise integer as the average of syllables per colon. For half of them this is 8.00, the others have either 7.00 or 9.00. The 9.00 is a ceiling: there is no Psalm with a higher average. Combining the two approaches, the author shows that the poets themselves did count their syllables, and how they were able to mesh the syllable figures with the structural units of their compositions in a virtuoso combination. The greatest challenge of this enterprise is to delimit and objectify the correct colometry for all the songs, as the figure of syllables per colon depends on the right amount of cola. There are only about 30 Psalms which have a cola figure that can be considered beyond doubt. Fortunately, in the Book of Job the correct number of cola is certain for most chapters. Here we meet the number 8 again as a normative figure

Major Poems of the Hebrew Bible: At the Interface of Prosody and Structutal Analysis - 85 Psalms and Job 4-14 (2) (Studia Semitica Neerlandica, 41)

Business & Money

Economics

Volume III: The Remaining 65 Psalms Each of the 85 Psalms (83 poems) discussed in the previous volume of Major Poems of the Hebrew Bible has the highly remarkable feature of scoring an exact integer as the average number of syllables per colon; sometimes seven or nine, more often eight, which may be called the central normative figure of Biblical poetry. This can only mean that the classical poets did count their syllables. Moreover, they succeeded in bringing about a creative merger between various forms of numerical perfection and the structure of their songs, which is generally underpinned by the correct articulation in strophes and stanzas. The breakthrough of this discovery became possible on the basis of (a) a refined recipe for establishing the original (i.e. pre-Masoretic) syllable structure of the ancient Hebrew, and (b) a definition of the colon. In those poems in which the correct colometry is difficult to delimit, it can be established only by a three-pronged approach tackling syntax, prosody and semantics and able to combine them. In this third volume, the 65 remaining Psalms are subject of structural analysis, and once more are covered by full syllable counts. Although these songs do not seek to apply the exact integers, they display the other forms of numerical perfection on more than one textual level, so that they embody the same poetics. This will be no different in volume IV, which deals with Job 15-42 and will be published as the final volume in the Major Poems of the Hebrew Bible project.

Major Poems of the Hebrew Bible: At the Interface of Prosody and Structutal Analysis: the Remaining 65 Psalms (3) (Studia Semitica Neerlandica, 43)

The Book of Job contains the only sustained, through-composed work in verse in the Hebrew Bible. This makes it very suitable as a testing area for the rules of verse structure and all other aspects of prosody that were developed in Major Poems of the Hebrew Bible Vol. II and are now also available in Reading Biblical Poetry. This fourth and last volume completes the study that in Vol. I started with Job 3 (curses and complaint), and continued with the first round of the debate (chs.4-14) in Vol. II. Again, the analysis follows two separate circuits: on the one hand that of language, style and structure, on the other hand that of measuring proportions on at least five textual levels. The poetry section of the Book of Job contains 412 strophes, of which the protagonist Job speaks exactly half. His portion of 206 strophes is also divided into equal halves: in 103 short and 103 long strophes. Even more than in the Psalms, the norm figures 7, 8 and 9 play an essential part in the composition of the poems and their average number of syllables per colon. The forty poems of the book exhibit various forms of numerical perfection, and the correct demarcation of strophes and stanzas is found to considerably improve and expand our understanding of its contents.

Major Poems of the Hebrew Bible: At the Interface of Prosody and Structural Analysis: Job 15-42 (4) (Studia Semitica Neerlandica, 47)

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